Tag Archives: OER

Creating Open Textbooks for Language Learners: A Guide for Getting Started

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Subject matter experts in many fields have embarked on authoring projects with the goal of replacing traditional published texts or customizing content for specific learners’ needs, yet large-scale creation of open textbooks or series designed for language learners has been slower to gain traction (Blyth and Thoms, 2021). Efforts in this area have largely been limited to adapting existing OER materials (5R activities) for specific learning contexts or piecemeal creation of online activities to provide reinforcement of isolated language skills. Part 1 in this series outlines the potential benefits, limitations, and challenges that programs and instructors face when undertaking large-scale authoring projects to address the needs of language learners. The purpose of this second post is to offer guidance for creating open source language texts and present a framework for getting started.

Language Acquisition as an OER Subject Matter

Before getting into the nitty-gritty of creating an OER for language learners, it is worth pointing out how this process differs from open authoring projects for other disciplines. While OER writing projects come with inherent challenges regardless of the field, authoring comprehensive language learning content presents a unique challenge. One reason for this is that language teaching and acquisition involves complex sequencing and scaffolding of skills, language items, and linguistic concepts unique to the field of language acquisition (Howard and Major, 2004). An effective resource must present language items not only in the established order of second language acquisition, but also at the correct level for the learners at hand. The “correct level” is fluid and influenced by many variables (first language interference, motivation, metacognitive skills related to the process of learning a language, fossilization of rules, literacy in the first language, prior knowledge and educational experiences, and so on). While, say, writing a history text also involves expert scaffolding to ensure that content builds on what came before, there are fewer moving parts to align, and presentation and sequencing can and will vary from one subject matter expert author to the next. Effective language learning materials, on the other hand, are more like a house of cards that relies on complex relationships between a variety of aspects of the target language, language input, learning context, and characteristics of the learners themselves. 

Language acquisition occurs when input is just beyond what students understand of a language (known as comprehensible input i + 1), so writing materials that consistently hit the sweet spot for learning is tricky even for the most seasoned language educator. In addition to presenting language in a specific sequence and at the appropriate level, authors must also consider how much new language content is enough at each stage and how to introduce, recycle, and reinforce this language through engaging and original texts as well as audios that present authentic and relevant contexts. All of this new content must then be aligned to learning outcomes related to both language form and function. Learners need not only the nuts and bolts of the language, but pragmatics are equally important—how is the language used in specific contexts and with a variety of interlocutors? What models will convey this information accurately in a way that is accessible at different levels of proficiency? 

Understanding the social aspect of language is as important as the grammar and structure. Language proficiency involves much more than speaking and listening in a new language. All of the linguistic aspects must be delivered via content that also serves as a vehicle for familiarizing learners with the cultural and social contexts where the language is spoken. This should be done in a thematic way, weaving in social justice issues in a timely and relevant manner, sensitive to the complexity of the issues at hand. The author(s) must also be able to write engaging texts that present level-appropriate target grammar, vocabulary, and cultural information in activities that build upon each other or recycle the language previously taught. In addition to being linguistically sound, these original texts and audios must also demonstrate awareness and care for representation, integrating cultural and social justice topics relevant to the diversity of cultures, communities, interests, and social issues of a variety of speakers of the target language. 

Creating language materials that incorporate all of these considerations requires a broad skillset beyond expertise in teaching the subject matter. Significant professional development and exploration may be necessary before embarking on expansive authoring projects for language learning. With careful coordination and planning, and an understanding of the process and support required, language programs, instructors, and learners stand to reap long-term benefits from creative, relevant, inclusive, and dynamic open resources. What follows is a suggested process and a sample framework for undertaking open source textbook production for language learning contexts.

Step 1: Survey of needs, resources, and intended uses

The first step in any authoring project is to identify the needs of a program and determine what kind of text will be used and how. This includes the extent of the textbook use within the department and also as a resource for the broader language learning community. A quality textbook resource can increase student autonomy and interest in language learning generally by providing accessible resources readily available to learners anywhere in the world (Godwin-Jones). At this stage, some questions to ask include: 

  • Who are your learners and what is their motivation for learning a new language? 
  • What kind of textbook needs to be replaced? What gaps do you seek to fill by replacing current text materials? 
  • How will the resource fit into the larger curriculum? 
  • Is the need for a single course text or a cohesive series to cover an entire level or multiple levels? 
  • Who is available to collaborate and what are their areas of expertise? 
  • What resources and support are available for the project?
  • How will time and resources be accounted for? 
  • What is the timeline for implementation?
  • Who will provide expert and outside peer review of the textbook materials? 
  • How will the textbook materials be maintained and updated over time to ensure long-term viability? 

Most language programs involve extensive faculty collaboration. Instructors teach multiple courses across various levels. As such, it is important to promote broad participation in the planning stage to encourage instructor input, address concerns, and determine the scope of the implementation (e.g., across courses, levels). Gathering input on content and soliciting expertise among colleagues increases faculty buy-in and ownership of new materials.

Step 2: Identify the scope of your project

Once the shape of the project has been determined, it is time to outline the specifics of the resource(s) to be created. Determining the scope involves identifying learning outcomes. These are often mandated by the program, but they might also need to be rewritten or revised by the authoring team. Both the Common European Framework of Reference for Languages (CEFR) and the American Council on the Teaching of Foreign Languages (ACTFL) provide guidance on proficiency standards for world languages. Beyond language outcomes, it is also important to identify what the content goals are. This may involve generating a master list of topics, social justice and cultural themes to be addressed, and so on. At this stage, identify subject matter experts and any professional development needs. Who will participate as part of the core authoring team? Who will be responsible for quality control and review? Keep in mind that creating, reviewing, building, piloting, and maintaining comprehensive open language materials requires a significant time commitment, even if the goal is to create a single course text.

See ACTFL World Readiness Standards for Learning Languages

Step 3: Collaborate on a framework scope and sequence

The importance of this stage cannot be understated, particularly when multiple authors and stakeholders are involved. Once the themes, topics, outcomes, and other aspects of the materials have been identified and divided up into learning segments (levels across a series, units of a text, etc.), it is time to write the scope and sequence, which is basically a detailed outline. This outline should clearly show how everything fits together and serves as a framework for authoring materials that weave together language function and form, grammar points, text genres, readings, audios, pronunciation, vocabulary, practice activities, interaction, cultural and social justice themes, topics, etc.—all with attention to a logical progression, order of acquisition, recycling of language items, and student engagement. 


Let’s take a language text for English language learners as an illustrative example. If the grammar point for a learning segment is the present perfect tense, what types of contextualized content elicits that structure naturally? Perhaps a short biography representative of one aspect of the culture can serve this purpose. Reading and audio texts might present a person’s life experience so far. This offers an opportunity to consider whose lived experience will be represented via this text. Which vocabulary items are crucial for using the language around this topic? How much vocabulary will be new and how much recycled? Using the present perfect form as an example, we might focus on a number of participial adjectives and the prepositions for/since (She has been interested in … since…). Language teachers as subject matter experts should have no trouble identifying these items regardless of the target language—this is how SLA comes into play. They teach this content all the time. The challenge is in putting it all together across units. That is, in addition to the grammar, punctuation, pronunciation, and writing systems (depending on the writing system of the language at hand) authors need to consider how the language builds on what was previously taught, how much is enough to present in each segment, what the cultural and social topics to be woven into authentic texts are, etc. A good scope and sequence defines all of this. For this reason, settling on a solid scope and sequence will require extensive coordination across subject matter experts, departments (in many cases), and in all cases, several rounds of review and revision before any writing begins.

sample scope and sequence template
Fig. 1 presents a sample unit from a scope and sequence created for a text for learners of English (CEFR A1+ level). This structure is applicable regardless of the target language although there may be some differences depending on the characteristics of the language. For example, phonetic languages may require less focus on pronunciation while languages using non-roman script will need to build in instruction on writing systems. View an accessible version of this template.

Step 4: Write and build

Once a final scope and sequence is in place and an authoring team has been identified, it’s time to start creating materials. Some questions to guide this stage include: 

  • Who will write the text and audio scripts? 
  • Who will provide diverse voice talent for audio texts? 
  • Who will record and edit audio? 
  • Where will the content be hosted and who will create it? (If using a tool such as Pressbooks, consider training for materials developers.) 
  • What platforms will be used for any interactive content? (H5P, Quizlet, Playposit, etc.) and who will build these? 
  • Where will the interactive repository be stored? 
  • Who is responsible for acquiring Creative Commons images and maps?
  • How will accessibility be ensured? 
  • What learner analytics will be gathered and how?

Because most of the activities in a learning segment tend to spring from the reading and listening input, it may be helpful to start with writing all of the texts for a level or course before creating the rest of the content. Audio and written texts must expose learners to a wide range of genres and text types (Tomlinson, 2012), so it may be useful to start by generating a list of genres to be covered. The texts, whether they are original or curated from online sources, must be reviewed and revised or adapted to ensure they contain the necessary language at the appropriate level, generate interest, employ the intended tone and voice for the genre, follow identified themes, incorporate social justice and cultural topics, and are accurate (in the case of non-fiction texts). If the content is curated, it needs to be reviewed for copyright and accessibility. 

Throughout the authoring stage, frequent check-ins among authors and reviewers can help to ensure quality, authenticity, inclusivity, and adherence to the determined scope and sequence. 

Step 5: Review and revise

Just as at every other stage of the process, peer reviews and revisions should be coordinated so that there is continuity in the editing process. It is important to enlist the help of internal and external subject matter experts. Assign different review tasks (big picture reviews of content and continuity along with detailed reviews of the language presentation) and provide each with review rubrics or guidelines to streamline feedback. External reviewers outside of the organization can help provide neutral insight. Enlisting the help of those with expertise in social justice topics, regional cultural perspectives, and different varieties of the language can help ensure accuracy, representation, inclusivity, and engagement. Be sure to review feedback as a team to reach an agreement on how to approach revisions to draft materials. 

Here is a sample rubric for reviewing original course materials, but rubrics should be adapted according to the scope and sequence and goals of each project.

Step 6: Implement and iterate 

Finally, it is time to pilot your new OER, but you aren’t done yet! Deliver the content to learners and collect their feedback as well as input from your teaching team. Keep in mind that an OER can be a work in progress, and one advantage of an open textbook is that it can be an evolving resource. Each iteration should involve coordination and input from the team who will be using the materials. Share your new resource widely. A high-quality OER opens the door for resource sharing with a broad community of colleagues, building visibility for the language program and lending credibility among colleagues around the world for the subject matter expert creators (Blyth and Thoms, 2021). 

Step 7: Create a plan for long-term viability: updating materials, quality control, and access

While creating an open source textbook for language learners can be a continually iterative process, once the new materials reach a point of stability and all stakeholders are satisfied with the product, authors or departments need to create a plan for maintaining the materials. Unlike costly textbooks which quickly become outdated, open access resources are easier to update (once the initial investment in time and resources has been made), save students money, and expand access to learners everywhere. The key is to create a plan for longevity so that updates are systematic, incorporate learner and instructor input, and are reviewed for quality control. The beauty of an OER for language learning is that it offers the opportunity to democratize teaching and learning by being responsive to the changing landscape of social justice education, shifting cultural influences, evolving characteristics of language learners, and distinct learning contexts.

References 

American Council on the Teaching of Foreign Languages (ACTFL)

Common European Framework of Reference for Languages – Companion Volume (2020)

Blyth, C. S., & Thoms, J. J. (Eds.). (2021). Open education and second language learning and teaching: The rise of a new knowledge ecology. Multilingual Matters. https://www.multilingual-matters.com/page/detail/?k=9781800411005

Godwin-Jones, Robert. “OER Use in Intermediate Language Instruction: A Case Study.” CALL in a Climate of Change: Adapting to Turbulent Global Conditions – Short Papers from EUROCALL 2017, 2017, pp. 128–134., https://doi.org/10.14705/rpnet.2017.eurocall2017.701. 

Howard, Jocelyn & Major, Jae. (2004). Guidelines for Designing Effective English Language Teaching Materials. 

Tomlinson, B. (2012). Materials development for language learning and teaching. Language Teaching, 45(2), 143–179. https://doi.org/10.1017/S0261444811000528

Open Educational Resources for Language Teaching and Learning

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Traditional learning materials such as textbooks can limit access to innovative teaching and learning practices. With Open Educational Resources (OERs), teachers and students are freed from the constraints of these materials and are empowered to adapt, use, and share learning materials created by others. This is a series of two blogs that will explore the importance of OERs and the resources needed for creating our own open resources for language learning?.  

First, let’s take a brief look at what makes OERs appealing, yet challenging to adapt and create in language education.

OER is sharing
Open educational resources. Source: Giulia Forsythe on Flickr, Public domain CC0 1.0

A Brief Overview

Open Educational Resources (OERs) are a key component of an approach to learning known as Open Pedagogy, which aims to leverage the use of shared resources to improve educational outcomes. Simply put, OERs include “any educational resources (including curriculum maps, course materials, textbooks, streaming videos, multimedia applications, podcasts, and any other materials that have been designed for use in teaching and learning) that are openly available for use by educators and students, without an accompanying need to pay royalties or license fees” (Butcher, 2015, p.5). OERs are usually shared under a Creative Commons license which allows users to revise, remix, retain, reuse and redistribute these materials without incurring any copyright infringement (The 5R activities).

“Going open is more a philosophy than a skill. But, obviously, it takes a handful of skills to be able to apply this philosophy in the classroom”

Małgorzata Kurek Anna Skowron

Language instructors and researchers have recognized the potentials that OERs bring to the language classroom. We call these potentials the ecology of OERs for the language classroom—the complex connections and relations that exist in the process of teaching and learning another language and its cultural foundations. In this ecology, we find benefits including adapting authentic materials, merging literacy and culture, and fostering multiliteracies (e.g., digital, information). Yet instructors and researchers also acknowledge the barriers to widely adopting open resources. 

Opportunities

OERs can engender creative and innovative practices for making language teaching and learning more meaningful, enjoyable, authentic, and democratic. Open resources can be game-changers that reshape the classroom ecology and its dynamics—fostering a hub for new social learning. These resources can challenge the social norms and behaviors expected in the language classroom, making instructors and students collaborators. Both students and instructors can become active producers of content, transforming the language class into more democratic and participatory. A participatory approach to making students content creators can promote opportunities for students to be exposed to authentic uses of the language and, thus, increase their motivation to learn and use the language in more meaningful and relatable ways (Blyth & Thoms, 2021).

OERs create opportunities for adapting and repurposing content to fit particular contexts and uses, levels of skills, student characteristics, instructors’ competencies, and available technologies. Both students and instructors can engage in higher-order cognitive processes as they retain, revise, remix, reuse, redistribute, and evaluate copyrightable works. OERs often come in different formats such as videos, interactive content, gamified practices, animated presentations, audio effects, etc. making the content and learning experience more engaging as well as connected to students’ language learning interests and needs. In addition, OERs are easily adapted, foster language and literacy skills for students, and are beneficial for the professional development of instructors. OERs can promote the development of digital multiliteracies for instructors (Mitsikopoulou, 2019), who could eventually integrate multiliteracies into their teaching practices organically. 

Commercial textbooks can become outdated quickly, and updating them can take a long time. In addition, instructors might find more challenges adapting or reusing these textbooks due to copyright laws. The open nature of OERs offers instructors the opportunity to adapt multiple resources to innovate their teaching practices and expose students to more realistic content that is current and relevant. Even further, using OERs in the language classroom may contribute to going beyond the goal of language education—from a communicative perspective where learners are expected to develop the language skills to communicate with other speakers of the target language to a learning experience that fosters literacy (Thoms & Thoms, 2014).

In broadening language teaching goals, instructors can become content-generators and create their own OERs. Instructor-generated OERs afford the opportunity for instructors to rethink their pedagogical content and practices in a way that can broaden their understanding and perspectives of the world. Instructors can integrate more content from the language and culture of diverse communities around the globe, decentering the language usage of a particular dominant group within the community of speakers. For instance, many Spanish textbooks in the U.S. focus on the Spanish language and culture from Spain, failing to embrace the multifaceted nature, complexity, and nuances of the language and culture in the other 20 Spanish-speaking countries in the world. 

Challenges

While interest in and implementation of OERs has grown across disciplines since the early days of the open education movement, adoption of these resources among foreign language educators has been slower and continues to present a number of challenges that may limit the efforts to integrate them into some educational contexts. Persisting barriers may include reluctance to reuse material created by others and share resources more broadly (Rolfe, 2012; Weller, 2011); lack of guidelines on the use and evaluation of OERs for quality and accuracy of the content (Adams et al., 2013); technical difficulties in access, development, and delivery of content; need for a sustainable team for development and authoring; and compliance with accessibility standards (Baker, 2012). It is notable that many of the challenges identified here represent a historical perspective of the OER movement. However, these potential obstacles, along with “a lack of research which investigates the benefits and challenges of FL learning and teaching in open environments” (Blyth and Thoms, 2021), continue to hinder the widespread use and creation of open resources among foreign language educators.

Supporting Efforts to Incorporate OERs in the Language Teaching and Learning

Message "get the creative following"
Photo by Tim Mossholder on Unsplash

The benefits of OERs across disciplines has been by now well-documented. Language programs and educators weighing the barriers to creating OERs should not be discouraged. To the contrary, it is critical to support efforts to democratize education through the use of OERs and open education initiatives. These efforts include: (1) providing research-based and empirical evidence of the benefits and impact on language education, (2) grounding the development of OERs on theoretical and practical frameworks to ensure quality of learning experiences, (3) training users and developers of OERs on how to find, adopt, adapt, evaluate and create open resources, (4) supporting the use of technologies and Creative Commons licensing for OERs, and (5) creating clear guidelines for instructional practices (Zapata & Ribota, 2021). An important piece in adopting OERs and advocating for the open pedagogy movement is to support instructors who want to venture into creating their own OERs. How do we get started with our own OER project? What considerations are critical for this kind of project? What resources are needed and available? Who will be involved and how will their different areas of expertise be integrated? We believe it is necessary to discuss these questions (and possibly others). In Part 2 of this series, we outline a detailed process and structure for language programs to determine the appropriate scope and sequence within the larger curriculum, author rich thematic content, weave cultural and social justice topics into language skills content, promote multiliteracies, and produce media objects or search for existing media and images in the public domain.

References

Adams, A., Liyanagunawardena, T., Rassool, N., & Williams, S. (2013). Use of open educational resources in higher education. British Journal of Educational Technology, 44, 149– 150. doi:https://doi.org/10.1111/bjet.12014 

Baker, J. (2012). Introduction to open educational resources. Connexions. http://cnx.org/content/col10413/1.3

Blyth, C. S., & Thoms, J. J. (Eds.). (2021). Open education and second language learning and teaching: The rise of a new knowledge ecology. Multilingual Matters. https://www.multilingual-matters.com/page/detail/?k=9781800411005

Butcher, N. (2015). A basic guide to open educational resources (OER). Commonwealth of Learning (COL).

Wiley, D. (n.d.). Defining the “Open” in Open Content and Open Educational Resources. Creative Commons Attribution 4.0 license 

Lesko, I. (2013). The use and production of OER and OCW in teaching in South African higher education institutions. Open Praxis, 5(2), 103-121. https://www.openpraxis.org/articles/abstract/10.5944/openpraxis.5.2.52/

Mitsikopoulou, B. (2019). Multimodal and digital literacies in the English classroom: Interactive textbooks open educational resources and a social platform. In N. Vasta., & A. Baldry. (Eds.). Multiliteracy Advances and Multimodal Challenges in ELT Environments, (pp. 98-110). Udine.

Rolfe, V. (2012). Open educational resources: Staff attitudes and awareness. Research in Learning Technology, 20, 1–13.https://doi.org/10.3402/rlt.v20i0.14395 

Thoms, J. J., & Thoms, B. L. (2014). Open educational resources in the United States: Insights from university foreign language directors. Systems. http://www.tesl-ej.org/wordpress/issues/volume22/ej86/ej86a2/

Weller, M., De los Arcos, B., Farrow, R., Pitt, B., & McAndrew, P. (2015). The impact of OER on teaching and learning practice. Open Praxis, 7(4), 351-361.

Zapata, G., & Ribota. (2021). Open educational resources in heritage and L2 Spanish classrooms: Design, development and implementation. Open Education and Second, 25.

OSU Open Textbook Network Workshop (Key Takeaways)

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Open Text BooksRecently, I attended an open textbook network workshop, hosted by Oregon State University and sponsored by Open Oregon Educational Resources and OSU’s Affordable Learning Initiative. If you are an instructor or a faculty administrator who cares about the impact of textbook costs on our students and want to learn what you can do about it, I would highly recommend to continue reading.

Key Takeaways

The Concept of Open Textbooks:

  • Open textbooks are textbooks that are free and can be used either in whole or in part at no cost.
  • They are often written by experts, scholars, and professors in their respective fields and are edited and published in the same matter as commercial textbooks.
  • Open textbooks are licensed with an open license giving users permission to access, reuse, share, and adapt materials with few or no restrictions and at no cost.

The Benefits of Open Textbooks:

  • For students it makes college more accessible, as all students have access to the course materials on the first day of the course, as well as being more affordable by eliminating the costs incurred from purchasing textbooks.
  • For instructors it provides more course materials options, as well as gives instructors the permission to freely customize and adapt the content to meet their students’ needs.

Locating Open Textbooks:

The workshop provides the following list of search sites to locate open textbooks:

Networks & Opportunities:

The workshop also provides a list of networks and opportunities to get involved in reviewing, researching, adopting, or authoring open textbooks and educational resources.

  • Open Textbook Network – In addition to providing a list of peer reviewed open textbooks on the Open Textbook Library site, this network invites participants of this workshop to write and submit a review of an open textbook for a $200 stipend.
  • OpenEdGroup.org – This network provides access to research studies and an OER Adoption Research Toolkit. They also invite anyone interested in designing with open educational resources to apply and join the Designing with OER (DOER) Fellows Program.
  • OSU Ecampus Research Unit – This OSU unit provides access to research projects as well as provides internal funding opportunities for OSU faculty to research how online education (including open education) impacts teaching and learning.
  • OpenOregon.org – This network provides access to open educational resources as well as provides opportunities to apply for grant funding to develop OERs.
  • OSU Open Oregon State – This OSU unit provides access to open educational resources as well as provides internal funding opportunities for OSU faculty to adopt, adapt, or write an open textbook as well as design and develop other OERs.

On the Hunt for OER (Open Educational Resources)

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Icons for Multimedia and Web tools

 

Who doesn’t like free stuff? But in the field of education finding free materials that fulfill your needs often proves difficult. In this blog post, I have annotated a short list of websites that provide free resources that can be used by anyone (instructional designer, teacher or student) and for any purpose from a personal or professional website to a multimedia presentation to an online course or assignment.

 

 

 

Picture Image Icon

Pixabay
What is great about Pixabay is that not only can you use these images, but you can modify them to suit your needs and even use them for commercial purposes without having to pay any fees. Nearly all are free of copyrights, which means attribution is NOT required…so no need to worry about citing sources here.

 

Audio Sound Icon

Freesound & SoundBible
These sound effects sites are “open source” which simply means everyone can create and share. Great for teachers providing feedback for students or for anyone to use for creative purposes. For these sites please check the “terms of use” as some require attributions or have restrictions on use.

 

World Wide Web Internet Icon

H5P
This open-source authoring tool site can be used to create multimedia presentations or activities and games that involve drag and drops, hot spots, fill-in-the blanks, etc. To create content all you need to do is register with the site (which is free) and either install the web plugin or embed the content on your site.

 

Let’s keep this list going…For this I encourage you to post a blog comment listing any free resources (images, videos, sound effects, games, tools, etc.) that you have found. Let’s see how many OERs we can collect and share here with the OSU CDT blog community.

 

Happy hunting!