Are you looking for ways to bring active learning into your online classroom? Some might suggest that active learning is more difficult online, but we offer examples of Ecampus courses that do a great job of increasing student engagement, boosting interactive participation, and improving outcomes through implementation of active learning strategies.
This blog focuses on tools, techniques, and approaches originally designed for the face-to-face classroom that have been successfully adapted into Oregon State University Ecampus classes. Feel free to steal!
Telling Time
Marking events in time or identifying the chronology of significant milestones is important in many disciplines, but especially vital in history classes. An American History professor felt that merely listing events sequentially was not particularly interesting or creative, even for his in-person class. When asked to develop an Ecampus course, he wanted to stimulate and inspire students. The solution? Timeline JS, a free tool from Knight Lab, developed at Northwestern University. Timeline JS allows students to build an image-rich chronology, add descriptive text, and work collaboratively. The result? A highly interactive, hands-on activity where students more easily formed connections, identified important patterns, and analyzed relationships. The instructor reported that Timeline JS helped his students to “understand the interrelation of topics and events more deeply.”
Sticker Shock
As noted in an infographic by Top Hat, print textbook “prices have spiraled out of control.” Since 1977, textbook prices have increased more than 1,000%, and a whopping 65% of students skip buying textbooks due to cost. The number of print books sold in the U.S. during the past 11 years has declined by 125 million! Clearly, students are looking for less expensive options. Enter the interactive digital textbook. And saving money isn’t the only benefit. An interactive textbook changes a dry, passive task into a media-rich, engaging, and appealing experience. Filled with visual elements and engrossing practice, the digital textbook goes well beyond being a mere repository of information to offering a complete, immersive experience. The Geography department at the University of Oregon embraced Top Hat, with tremendous success. Hear what they have to say about increased student engagement and learning outcomes. Visit the Top Hat website to learn more.
We will bring you more examples of active learning online in future blog posts. In the meantime, if you have questions or ideas, please post your thoughts in the comments section, or reach out to Oregon State University Ecampus directly. We’re happy to help!
Why should I care about humanizing online learning?
First of all, the United States Department of Education requires regular and substantive interaction between students and faculty in distance learning courses (Policy from DOE & interpreting the Policy from DOE).
Secondly, it is well documented that instructor-student interactions and quality and timely instructor feedback in online learning are prominent faculty behaviors that impact student retention and student satisfaction of online learning (Riedel, Dinauer, Jobe, Lenio, And Walsh, 2016; Bawa, 2016; Shaw, Burrus, Ferguson, 2016; Boling, Hough, Krinsly, Saleem and Stevens, 2012; Liaw, 2008).
How do we humanize online learning?
Think of the task for humanizing your students’ online learning experience as building a house. And there are three major pillars to this house, namely, Presence, Empathy and Awareness.
Presence
Here are a few strategies for building/improving online instructor presence:
Instructor self-introduction video/message/page
Weekly message to students through announcements, emails, weekly overview pages, weekly video, etc.
Discussion forum interactions with students (greet each student in first week’s class introduction discussion, pop in whenever appropriate to confirm, compliment, encourage, redirect, etc.
Comments in grades center and encourage students to take action on your comments (revise writing and resubmit; study and retake quizzes, etc. )
Communicate to your students as a whole group, in a small group, or individually whenever appropriate.
Empathy
For improving online instructor empathy, it is as simple as 1 and 2:
Admit your vulnerability: “I am new to online teaching. I welcome your honest feedback to help me improve this course so we can all have a meaningful learning experience.” “I am human. I make mistakes. help me if you spot one.”
Clear reasonable communication policy for the online course: “I am human. I have a life besides my online teaching. I will respond to students questions within 48 hour business day. Do not expect me to respond to you late hours or 20 minutes before an assignment is due.”
Fuller (2012) summarizes eight themes for building empathy in online teaching:
Theme 1. Instructors provide a “tips for online course success” document prior to class beginning.
Theme 2. Empathetic interactive instructors use synchronous chat rooms, besides the asynchronous announcements and email communications and discussion forum postings.
Theme 3. Instructors used a conversational tone.
Theme 4. Interaction is promoted through careful facilitation in the discussion boards.
Theme 5. Empathetic presence is practiced. Instructors related that they practice the use of presence so students know the instructor is there but more so than this. This is accomplished through selective discussion board postings, but also through frequent email contacts individually and to the group, usually responding within the same day or a few hours of an email.
Theme 6. Design “think forward type lessons” that offer clarity for student understanding. Instructors provide a high degree of redundancy and consistency of structure so concepts and instructions are clear. Lessons and modules are laid out similarly from week to week, so students get used to a consistent easy to follow format that allows them to focus on content and not waste time figuring out what to do or where to go in the LMS. Each weekly format allows the students to think ahead as to what is expected and required for success and learning to occur.
Theme 7. Instructors will frequently check that learning is occurring and that students understand structure by opening up a dialogue about an area or issue as they deem needed (i.e. formative assessment).
Theme 8. Instructors make a personal connection at the start of class. ” In the opening introductions (as students introduce themselves to the group through a discussion board) I make a concerted effort to respond to each student’s posting making a positive personal connection with something the student posted.”
Awareness
Several strategies for building awareness in online courses:
Survey students at the start of term: what can I do to help you be successful in this course? Do you have personal challenges that might hinder you from successful completion of the course?
Through formative assessments
At the end of each assessments (summary; Just-in-time teaching; Personalized teaching)
Fuller, R. G. (2012). Building empathy in online courses: effective practical approaches. International Journal of Information and Communication Technology Education. 8.4. (October – December 2012): p38
H5P (HTML5 Package) is a free online tool that allows you to create and upload, download, and share HTML5 interactive content using H5P.org or by installing a H5P plugin on Drupal, Moodle, or WordPress.
The instructional designers at Ecampus held a Research & Development Day recently to explore the topic of user experience (UX) design as it applies to Ecampus courses. As part of that day, fellow instructional designer, Dorothy Loftin and I explored how Canvas functions when used on Mobile Devices. Below are some findings from our testing.
Generally, we found that iPads work great as long as a student accesses the course through a browser. It was using the Canvas App (necessary on a smart phone) that presented changes and challenges in functionality. The good news is that many of these can be addressed with a few additions in course design. These additions should not significantly alter the experience for students who are using desktop and laptop computers. Today, I will present one of those strategies.
The most significant impact we experienced in using the Canvas App is navigation, how a student gets to content, activities and assessments. It can take quite a few clicks or taps to get to a specific page in Canvas using the mobile app, or to get from one page to another, and the navigation can vary depending on the device used. This may negatively impact the student user experience, distract, and generally increase cognitive load.
Navigation Strategy
One strategy to improve navigation is to provide alternate links for students to jump to commonly needed items in your course. Turns out, this can also benefit students who are on desktops or laptops.
The Home Page that I often use is immediately available for users on all devices. I have added links and buttons so students can jump directly to important sections of the course from here. This turns the Home Page into more of a landing page with quick links.
Page View in Desktop Browser
Page View on iPhone
The buttons take a student to the Module Page for a particular week. Module Pages, on the App, present students with links to all content and activities for that week. I limited the buttons to 3-across to make clicking them on a phone easier. As you probably notice, the App translates buttons into links. So, simply providing a list of text links would also work on multiple devices.
This Strategy to improve navigation can be used on any page where you want a student to be able to move quickly to new material, reducing frustration and cognitive load by making the navigational journey more immediate.
If you are considering developing an online course with Ecampus, you may be curious how you will translate your lectures to the online format. There are several effective online lecture presentation formats available to faculty. They differ in the type of video recording required and the kind of post-production work required after the initial recording.
Each of the presentation formats can be effective, however the more complex types can offer additional advantages for your students. Why should you consider producing the most challenging of the five online lecture formats? To answer that question, we need to understand what exactly an interactive video lesson is. Let’s start by first looking at a sample interactive video lesson used in a fall 2017 course titled The Biology of Horticulture (HORT 301). You can watch a four minute excerpt of the twenty-minute interactive video lesson by selecting the image below:
As is seen in this excerpt the interactive video lesson has as its foundation a video recording of a Lightboard presentation. Layered over that recording are interactive elements that control video playback—sometimes pausing, other times auto-advancing to specific clips—or to progress through the lesson, trigger a student’s input of feedback, and, most importantly, increase the amount of student engagement in the lesson. In the case of HORT 301 the interactive element prompts the solving of a temperature indices formula. The base video could have been used by itself. However, it is the melding of the Lightboard presentation with the interactive feature that makes the interactive video lesson a highly engaging presentation for the online environment.
The model below proposes how the elements of personal and mediated communication immediacy are brought together to make an interactive video lesson a compelling experience.
In this project instructional design, in conjunction with visual design, video staging, and interaction design, was focused on solving the issue of how to teach a self-paced formula-drive lesson in the online environment. The result is an interactive video lesson that presents as a unified visual space that fosters an actual “see through” psychological perspective. Although clearly a media production, this approach to online lesson presentation implies an unmediated learning experience.
It is enhanced by the camera literally seeing through the Lightboard glass to the instructor conducting the lesson fostering a sense instructor presence. This type of interactive lesson design is desirable because it presents classroom-like learning in a student-controlled online environment. The result is an interactive video lesson that is new in design format but familiar experientially.
Is Interactive Video For You?
A decision to adopt this approach to lesson design will likely be successful if you have a lesson that is formula driven. Certainly math subjects and many science subjects might benefit from this approach. Is it also applicable to humanities courses? Can you imagine teaching language, music, or poetry with an interactive video lesson? If you can, contact Ecampus. We would be glad to help you adopt this approach to lesson design for use in your online course.
You may know that OSU is a subscribing member of Quality Matters (QM), a nationally-recognized program focused on online learning course design. Its mission is to measure and guarantee the quality of an online course. QM uses research findings to recommend best practices in online course design.
As an instructional designer (ID), I use and apply the QM rubric and quality assurance principles when working with faculty to design Ecampus courses. About a year ago, I took the first QM workshop, called Applying the QM Rubric or APPQMR.
By the way, this excellent training is offered through Ecampus each quarter. If you haven’t yet participated, take advantage of it. For more information, contact Karen Watte.
Not Just for Beginners
I had nearly nine years experience as an ID at another PAC 12 land-grant university, so I considered myself quite knowledgeable. Frankly, I didn’t expect many significant insights from this entry-level training. Boy, was I wrong!
A few months ago, in September, I presented at the annual QM conference in Fort Worth, Texas. I presented what they call a “Quality Talk,” which is a five-minute structured slide show, where each screen automatically advances every 15 seconds, so precise timing was essential. The title is “An Ode to QA: Teaching an ‘Old’ ID New Tricks.” Meant to be lighthearted and lyrical, I hoped the audience would not mind my non-traditional presentation using a rhyming poem.
The content is my reflection of how QM principles improve online learning. The poem bases each stanza on the letters from the phrase, QA Collaboration Works.
Enjoy the Show
Before you watch, these points about QM are important to know:
• QM principles are called “general standards” and each has a number, such as 2.1 or 4.0.
• Each general standard includes detailed notes and examples called “annotations.”
• The primary principle behind QM is that course content and activities must align with the learning objectives.
• Instructors who want their course certified by QM go through a rigorous peer-review process.
I refer to these and other ideas in the poem, so if you’re not familiar with QM you might not recognize all the connections.
And now, for your viewing and listening pleasure, here’s “An Ode to QA” (cue the drum roll).
Each term brings upon us an entirely new group of students. Getting to know your students in an online class takes work. An introduction discussion board is used and students are asked to tell us who they are, where they came from, why they are taking this class, and to maybe upload a picture.
Why not take it further? You can bring in critical thinking skills and have the students learn about one another in a different fashion. A class here at Ecampus that has chosen to do just that. ANTH 332: Archeological Inference. came up with a creative way to not only introduce the students to one another but to bring in skills that will be used later in the class.
The exercise goes as follows:
Part 1 – gather at least 10 personal possessions that reflects activities, interests, or personal biography. Students are reminded that even the most mundane objects are perfect because it’s those everyday things that archeologists often find. Describe the items in detail and give a context as to where the items are kept. For example, a backpack or a purse with these items in it, and where in it, would work well.
Part 2 – students examine the descriptions that others have given and try to come to a reasonable conclusion about their activities and interests, where they might be from, what age they might be, etc. to post as a response.
Part 3 – the original poster then gets a chance to “correct” the record and provide additional details if they so desire.
This activity is well received by students, and with an average of 3 significant posts per student in this discussion activity and is deemed a success.
Many thanks to Jeremias Pink and Brenda Kellar for their inspiring discussion activity!
The just-released 2017 Horizon Report from the New Media Consortium identifies adaptive learning technologies as one of the most important developments in technology for higher education. The report notes that adaptive learning technologies“can adapt to a student in real time, providing both instructors and students with actionable data. The goal is to accurately and logically move students through a learning path, empowering active learning, targeting at-risk student populations, and assessing factors affecting completion and student success.”
To raise campus awareness of adaptive learning technologies and their potentials, last spring OSU held an Adaptive and Personalized Learning (APL) Open House featuring 12 adaptive software providers and hosted an Adaptive Learning Systems Workshop with Arizona State University adaptive learning expert Dale Johnson. OSU is now in the first year of a multiyear grant from the Assoc. of Public and Land-Grant Universities to accelerate the adoption of adaptive learning technology.
Are you interested in finding out more about the possibilities for adaptive learning in your online and hybrid teaching? Suggested resources:
View recordings of demos by each of the providers at last spring’s Open House on the APL Task Force blog.
Learn about evaluating and implementing adaptive courseware from Dale Johnson’s workshop slides.
Check out two excellent resources for faculty and universities considering the adoption of adaptive courseware: the Courseware in Context (CWIC) framework and EdSurge’s Higher Ed Product Index to search for, learn about and evaluate digital courseware.
Providing attributions for open educational resources (OERs) is not only required for Creative Commons (CC) licensed materials, but citing sources for collected works is a good practice to follow in general. Documenting the material that you are using by including the author’s name and the name of the license, as well as where you found it can be especially helpful…
When embedded content is malfunctioning or fails to appear. You can refer and go to the URL of the content item.
When learning what permissions are granted for the content. You can refer to the license name, which informs you what you can do with the material as well what is permissible.
When determining what changes have been made for any derivate work. You can go to the URL of the original work that is provided to determine the changes that have been made.
When researching the author, organization or project of the content. If you would like to know more about the author of the project or the organization or project in which the work is created, used or derived, you can conduct a search using the author’s name and the organization and project title or go to any provided URLs in the attribution.
Is there a tool to help me generate attributions for open materials?
Open Washington Attribution Builder is a tool that you can use, which automatically generates attributions for any open materials that you’ve located. Just go to the site and complete the online form. After filling out the provided fields, an attribution is generated complete with active links and a html code for you to cut and paste into your project.
When was the last time you really sat down and looked at the ‘bones’ of your course?
Course outcomes form the backbone of a course – telling us what students should be able to do by the end of the term. All content, assignments, assessments and other activities should support the course outcomes. We call this concept alignment. According to the Quality Matters rubric, a national benchmark for online course design, alignment is defined as “the critical course elements working together to ensure that students achieve the desired learning outcomes.” Reviewing the alignment, or lack of, within your course can help you identify areas for future improvement.
A course-planning chart is a tool that you can use to begin examining the alignment of the elements in your course. It can help you identify orphan content or activities that do not support a corresponding learning outcome – or if there are learning outcomes that lack associated activities. It is also useful in determining if there is a good mix of activities to engage students and whether the course meets workload requirements for a class.
Sketching out how all of the elements of your course align with each other is a good first step in identifying where you can strengthen your course.