The other day, my six-year-old asked me what the word “industrious” means, and I was overcome with pride and, moments later, mild panic as I tried to answer his question and couldn’t clearly articulate the meaning of the word.

This experience ended well (thanks, Alexa), but prompted me to think about how often we use words without fully understanding what they mean. We don’t question the meaning of these words when they are used in our work or daily interactions. We may use these words ourselves on occasion–or with regularity–but when we stop and try to define these words, the proper associations and descriptions don’t come immediately to mind.

In my work as an instructional designer, it’s common to talk about universal design or inclusive design, and in many cases, to use these descriptors interchangeably, when talking about design that is usable by a wide range of people. To a lesser extent, accessibility is used in a similar way, but, I think, our shared understanding of this term is more reliable.

For this blog post, I would like to spend some time defining and distinguishing these terms and grounding them in a historical context to more fully convey the nuances and layers of meaning ascribed to each term. I’ll wrap up with some strategies for designing courses to better meet the needs of all learners.

Accessibility

According to the Web Accessibility Initiative (WAI), “Web accessibility means that websites, tools, and technologies are designed and developed so that people with disabilities can use them.” It’s clear from this definition that accessibility is intended to address the needs of users with disabilities, so let’s consider disability.

Prior to 2001, the World Health Organization (WHO) defined disability as a personal health condition. This definition placed emphasis on the individual. However, in 2001, the WHO redefined disability as a mismatched interaction between a person and their environment. This new definition places emphasis on the environment, rather than the individual. As a result, the onus is no longer only on the disabled individual to manage their health condition; rather, those who have influence over the environment need to make changes to the environment to better accommodate everyone who is interacting with it. In our case, the learning environment is the web, or more specifically, online courses.

Unlike the other two design approaches we’ll consider, accessibility is intended to address the needs of users with disabilities. Another distinguishing feature of accessibility is that it describes an end goal. Our web content should be presented in such a way that the end result is an accessible website or technology. While this post will not go into the how of making web content accessible, here are some elements you may be familiar with: alternative text (alt tags), headings (H1, H2, H3, etc.), color contrast, captions and/or transcripts, reading order, keyboard navigation, and descriptive URLs are all examples of accessibility elements. All of these elements define what our design should look like, not how to get there.

Another distinguishing feature is that accessibility is required by law. We won’t delve into the specifics here, but it’s important to recognize that accessibility is a legal compliance issue.

Universal Design for Learning (UDL)

While accessibility addresses specific features of a website or online learning environment, Universal Design for Learning (UDL) takes a broader approach. UDL guidelines still emphasize accessibility, but the emphasis is not solely on making disability accommodations or complying with the law. The goal of UDL is to provide the greatest degree of access and usability for the widest range of individuals.

UDL includes a framework with three general principles, each of which includes multiple guidelines and checkpoints for actual practice. A UDL approach is structured and practical and, similar to accessibility, UDL defines an end goal: a product that is usable by the widest range of individuals possible. The framework, however, emphasizes the design, which is only one aspect of creating an online course.

To broaden our understanding of UDL, it’s important to understand that UDL emerged from universal design, which is an architectural concept. Architecture, unlike the web, is physically fixed, and as such, the emphasis is on a single design that works for everyone.

Inclusive Design

While UDL emerged from architecture, inclusive design was “born out of digital environments,” and, while architecture is fixed, the web is flexible and ever-changing. As such, inclusive design emphasizes flexibility and process. Inclusive design is iterative. With an emphasis on iteration and process, inclusive design cannot be separated from the lived experience of actual users. In other words, if the users (in our case, students) are contributing to and evaluating the design, then we can no longer separate the design and delivery–the creation and facilitation activities.

With a focus on process, inclusive design emphasizes co-creation and frequent feedback from multiple developers as well as end users. In particular, seeking contributions from excluded communities during the entire design and evaluation process is critical to an inclusive process.

Unlike accessibility and UDL, inclusive design is focused on process and iteration. To help illustrate how we see these three design approaches working together, my colleague, Elisabeth McBrien and I created the figure below (figure 1).

Three circles. The outer circle represents inclusive design. The middle circle represents UDL. And the smallest circle represents accessibility. — Figure 1. An inclusive design process will always include UDL and accessibility as end goals.

We see accessibility compliance as core to any design. UDL goes beyond the requirements of accessibility to meet the needs of all users. In an inclusive design process, UDL and accessibility are always the end goal, but inclusive design emphasizes the importance of feedback and iteration. We can always improve and we always have more work to do.

In Practice

Now that we have a better understanding how accessibility, UDL, and inclusive design work together to contribute to a learning environment that meets the needs of all learners, how do we apply them and improve? Ecampus has many guidelines and templates that help us to meet the goals of accessibility and UDL, but how can we be more inclusive throughout this process?

Here are some inclusive approaches that you might consider integrating into your course facilitation and teaching:

Build rapport with students. This is accomplished by infusing instructor presence whenever possible. Respond to Q&A questions and emails within 24-48 hours. Share resources. Deliver feedback promptly. An important element of rapport and presence is showing your personality, so consider using video to welcome students and to encourage them throughout the course.
Solicit feedback. One of the easiest ways to solicit feedback from your students is to use a survey. Keep surveys short and consider asking students to share in a few words how the course is going or what they find most challenging.
Establish clear criteria and structure. Rubrics, templates, examples, and consistent naming and organization of course materials are just a few ways to provide clarity and structure.
Acknowledge student contributions. Praise is an instant confidence booster. Do you have a student–particularly, an underrepresented student–who did an exceptional job on one of your assignments? Let them know. Consider sharing their work as an example–with their permission, of course.
Feature counter-stereotypical examples of people in your field. One common barrier to success for underrepresented students is that they don’t see themselves reflected in a particular discipline. Make sure your readings, examples, and other course materials represent a variety of identities. If there’s a lack of diversity in your field, find a way to acknowledge this to your students.
Promote student agency and autonomy by giving them choice, whenever possible. Providing choice and promoting agency allow students to connect your course to their own experiences and values.
Emphasize real world applications of course work. Often, we assume that our students understand the purpose of course activities, but this is not always the case. Sharing real world applications will help students to see the value and greater purpose of their studies.

Final Thoughts

We’ve covered a lot in this post, and I hope that we’ve come away with a better understanding of disability, accessibility, Universal Design for Learning (UDL), and inclusive design. One of the most important takeaways is that inclusive design is an ongoing process of feedback and iteration. As our student body changes, so do their needs. In an upcoming blog post, Elisabeth McBrien will share more details about student needs and how you might use student personas to design more inclusively.

As we continue the challenging–yet meaningful–work of creating welcoming online learning environments, it’s important that we have a shared understanding of what that work entails, what work we have done, and what work we have yet to do.

Resources

Appert, L. et al. (2018) Guide for Inclusive Teaching at Columbia. Columbia University: Center for Teaching and Learning.
Gannon, Kevin. (2018) The case for inclusive teaching. Chronicle of Higher Education.
Hogan, Kelly A. and Sathy, Viji. (2019, July 22) “Want to Reach All of Your Students? Here’s How to Make Your Teaching More Inclusive: Advice Guide.” Chronicle of Higher Education.
The inclusive design guide. Inclusive Design Research Centre at OCAD University. CC-BY 3.0.
Inclusive Teaching: Supporting All Students in the College Classroom. EdX course from Columbia University.

As online educators, we strive for a balance of learning activities that incorporate three types of engagement: learner-to-content, learner-to-instructor, and learner-to-learner. The learner-to-learner component is often filled through discussion boards or group projects, but an underutilized and undervalued option is peer review.

The Rationale

There are many ways peer review benefits students, among them Cornell University Center for Teaching Innovation lists:

Empower students to take responsibility for and manage their own learning.
Enable students to learn to assess and give others constructive feedback to develop lifelong assessment skills.
Enhance students’ learning through knowledge diffusion and exchange of ideas.
Motivate students to engage with course material more deeply.

More broadly, the authors of The Knowledge Illusion argue that our individual capacity for knowledge is often much more limited than we realize and that our true depth of knowledge is held collectively. They remind us that, “when you put it all together, human thought is incredibly impressive. But it is a product of a community, not of any individual alone” (page 5). In our increasingly complex world, some evidence of a shift towards building knowledge collectively can be seen in research. For example, in the MEDLINE database, “the average number of authors per article has nearly quadrupled from about 1.5 in 1950 to 5.5 in 2014” (page 226). This is just one of many examples the authors use to illustrate how essential collaboration and relationship skills have become. In nearly every field, students need to be prepared to be more than individual achievers, but rather to contribute effectively to a group. Peer review provides students an opportunity to give and receive feedback with the goal of creating a better end product, but it is also an opportunity for students to practice and build their teamwork skills.

Moreover, International Society for Technology in Education (ISTE) Standard 3b emphasizes the need for students to, “evaluate the accuracy, perspective, credibility and relevance of information, media, data or other resources.” Peer review is a great way for us to meet this standard and to combat against misinformation, by teaching students to evaluate and challenge claims. In Weaponized Lies: How to Think Critically in the Post-Truth Era author Daniel J. Levitin shares strategies for how we can think more critically and evaluate the trustworthiness of what we are being told. He notes that, “sometimes the people giving you the facts are hoping you’ll draw the wrong conclusion; sometimes they don’t know the difference themselves” (page xx). If your students are in either of these groups, it benefits them to have an attentive reader review their work and provide respectful suggestions for improvement prior to a final assignment submission. This may help you as the instructor to avoid catching errors too late in the process when students cannot revise their work.

The Explanation

However, students may not see the value of peer review on their own. The Teaching Center at Washington University in St. Louis describes many reasons students may express uncertainty around peer review as, “Many students do not perceive feedback from peers as relevant to the process… students are likely to assume that it is only the instructor’s feedback that ‘counts.’” Therefore, it is important that we explain to students why we are asking them to engage in peer review explicitly.

It can be helpful to explain specifically how this will relate to industry or field of study requirements as a student advances as a professional and scholar – it looks different for a researcher than it does for a project manager, so motivate students by sharing with them how they will engage in similar activities in the future as this gives them an opportunity to practice what Starting Point: Teaching Entry Level Geoscience describes as, “key skills such as abstracting, developing arguments, describing, assessing, criticizing, analyzing, and reviewing.” As Faculty Focus advises, we can’t assume that students will implicitly understand the purpose of peer review. When we craft a peer review assignment, we need to think carefully about how we will articulate the benefits of the process to students. It can be helpful to answer questions like, “Why am I having students do this?” and “Why should students be excited about this process?” Or, to take it a step further, we can anticipate the questions from our students’ perspective and proactively address the purpose and logistics in the assignment description, by answering questions like, “Why am I doing peer review?” and “How am I supposed to review my peer’s work?” Make sure the technology needed and processes are clear and that resources are provided for students that need more guidance.

The Process

Remember, knowing why students are peer reviewing and being able to peer review are two totally different skills. If you are an Ecampus instructor, talk with your instructional designer about strategies that can help your peer review process be more successful. Some of the best practices suggested by Center for Instructional Technology & Training at the University of Florida include:

Clarify expectations in advance
Check your students have all the tools they will need
Provide enough time in the peer review process so that students can meaningfully engage – this may span more than one module
Model the type of feedback you want your students to use
Create a quality rubric as a guide

Your instructional designer can also talk to you about digital tools or strategies that can be used to introduce students to peer review. For example, you can discuss whether it makes more sense to use Canvas Peer Review or another tool, like Peerceptiv, which is research-validated peer assessment technology available for Ecampus courses.

Remember, students need opportunities to practice peer review, as they may never have done it before. That means they have to get familiar with both the tools and the process. It’s best if they can practice with the technology on a low stakes assignment before using it for a high stakes assignment, so that they can familiarize themselves with a peer review process without the added anxiety of a major grade on the line. It will also take time for you as the instructor to get familiar with the process, but it is a completely worthwhile investment!

I invite you to consider some concluding thoughts from Levitin, “Information gathering and research that used to take anywhere from hours to weeks now takes just seconds… The implicit bargain that we all need to make explicit is that we will use just some of that time we saved in information acquisition to perform proper information verification” (page 253). Let’s reinvest some of the time our students saved researching to engage them in verifying claims, evaluating evidence, offering commentary, and incorporating feedback – all of which support the development of a stronger student work and the building of a collective knowledge.

This post is the second in a three-part series that summarizes conclusions and insights from research of active, blended, and adaptive learning practices. Part one covered active learning, and today’s article focuses on the value of blended learning.

First Things First

What, exactly, is “blended” learning? Dictionary.com defines it as a “style of education in which students learn via electronic and online media as well as traditional face-to-face learning.” This is a fairly simplistic view, so Clifford Maxwell (2016), on the Blended Learning Universe website, offers a more detailed definition that clarifies three distinct parts:

Any formal education program in which at least part of the learning is delivered online, wherein the student controls some element of time, place, path or pace.
Some portion of the student’s learning occurs in a supervised physical location away from home, such as in a traditional on-campus classroom.
The learning design is structured to ensure that both the online and in-person modalities are connected to provide a cohesive and integrated learning experience.

It’s important to note that a face-to-face class that simply uses an online component as a repository for course materials is not true blended learning. The first element in Maxwell’s definition, where the student independently controls some aspect of learning in the online environment, is key to distinguishing blended learning from the mere addition of technology.

You may also be familiar with other popular terms for blended learning, including hybrid or flipped classroom. Again, the common denominator is that the course design intentionally, and seamlessly, integrates both modalities to achieve the learning outcomes.

Let’s examine what the research says about the benefits of combining asynchronous, student-controlled learning with instructor-driven, face-to-face teaching.

Does Blended Learning Offer Benefits?

The short answer is yes.

The online component of blended learning can help “level the playing field.” In many face-to-face classes, students may be too shy or reluctant to speak up, ask questions, or offer an alternate idea. A blended environment combines the benefit of giving students time to compose thoughtful comments for an online discussion without the pressure and think-on-your-feet demand of live discourse, while maintaining direct peer engagement and social connections during in-classroom sessions (Hoxie, Stillman, & Chesal, 2014). Blended learning, through its asynchronous component, allows students to engage with materials at their own pace and reflect on their learning when applying new concepts and principles (Margulieux, McCracken, & Catrambone, 2015).

Since well-designed online learning produces equivalent outcomes to in-person classes, lecture and other passive information can be shifted to the online format, freeing up face-to-face class time for active learning, such as peer discussions, team projects, problem-based learning, supporting hands-on labs or walking through simulations (Bowen, Chingos, Lack, & Nygren, 2014). One research study found that combining online activities with in-person sessions also increased students’ motivation to succeed (Sithole, Chiyaka, & McCarthy, 2017).

What Makes Blended Learning So Effective?

Five young people studying with laptop and tablet computers on white desk. Beautiful girls and guys working together wearing casual clothes. Multi-ethnic group smiling.

Nearly all the research reviewed concluded that blended learning affords measurable advantages over exclusively face-to-face or fully online learning (U.S. Department of Education, Office of Planning, Evaluation, and Policy Development, 2009). The combination of technology with well-designed in-person interaction provides fertile ground for student learning. Important behaviors and interactions such as instructor feedback, assignment scaffolding, hands-on activities, reflection, repetition and practice were enhanced, and students also gained advantages in terms of flexibility, time management, and convenience (Margulieux, McCracken, & Catrambone, 2015).

Blended learning tends to benefit disadvantaged or academically underprepared students, groups that typically struggle in fully online courses (Chingosa, Griffiths, Mulhern, and Spies, 2017). Combining technology with in-person teaching helped to mitigate some challenges faced by many students in scientific disciplines, improving persistence and graduation rates. And since blended learning can be supportive for a broader range of students, it may increase retention and persistence for underrepresented groups, such as students of color (Bax, Campbell, Eabron, & Thomson, 2014–15).

Blended learning benefits instructors, too. When asked about blended learning, most university faculty and instructors believe it to be more effective (Bernard, Borokhovski, Schmid, Tamim, & Abrami, 2014). The technologies used often capture and provide important data analytics, which help instructors more quickly identify under-performing students so they can provide extra support or guidance (McDonald, 2014). Many online tools are interactive, fun and engaging, which encourages student interaction and enhances collaboration (Hoxie, Stillman, & Chesal, 2014). Blended learning is growing in acceptance and often seen as a favorable approach because it synthesizes the advantages of traditional instruction with the flexibility and convenience of online learning (Liu, et al., 2016).

A Leap of Faith

Is blended learning right for your discipline or area of expertise? If you want to give it a try, there are many excellent internet resources available to support your transition.

Though faculty can choose to develop a blended class on their own, Oregon State instructors who develop a hybrid course through Ecampus receive full support and resources, including collaboration with an instructional designer, video creation and media development assistance. The OSU Center for Teaching and Learning offers workshops and guidance for blended, flipped, and hybrid classes. The Blended Learning Universe website, referenced earlier, also provides many resources, including a design guide, to support the transformation of a face-to-face class into a cohesive blended learning experience.

If you are ready to reap the benefits of both online and face-to-face teaching, I urge you to go for it! After all, the research shows that it’s a pretty safe leap.

For those of you already on board with blended learning, let us hear from you! Share your stories of success, lessons learned, do’s and don’ts, and anything else that would contribute to instructors still thinking about giving blended learning a try.

Susan Fein, Oregon State University Ecampus Instructional Designer
susan.fein@oregonstate.edu | 541-747-3364

References

Bax, P., Campbell, M., Eabron, T., & Thomson, D. (2014–15). Factors that Impede the Progress, Success, and Persistence to Pursue STEM Education for Henderson State University Students Who Are Enrolled in Honors College and in the McNair Scholars Program. Henderson State University. Arkadelphia: Academic Forum.
Bernard, R. M., Borokhovski, E., Schmid, R. F., Tamim, R. M., & Abrami, P. C. (2014). A meta-analysis of blended learning and technology use in higher education: From the general to the applied. J Comput High Educ, 26, 87–122.
Bowen, W. G., Chingos, M. M., Lack, K. A., & Nygren, T. I. (2014). Interactive learning online at public universities: Evidence from a six-campus randomized trial. Journal of Policy Analysis and Management, 33(1), 94–111.
Chingosa, M. M., Griffiths, R. J., Mulhern, C., & Spies, R. R. (2017). Interactive online learning on campus: Comparing students’ outcomes in hybrid and traditional courses in the university system of Maryland. The Journal of Higher Education, 88(2), 210-233.
Hoxie, A.-M., Stillman, J., & Chesal, K. (2014). Blended learning in New York City. In A. G. Picciano, & C. R. Graham (Eds.), Blended Learning Research Perspectives (Vol. 2, pp. 327-347). New York: Routledge.
Liu, Q., Peng, W., Zhang, F., Hu, R., Li, Y., & Yan, W. (2016). The effectiveness of blended learning in health professions: Systematic review and meta-analysis. Journal of Medical Internet Research, 18(1). doi:10.2196/jmir.4807
Maxwell, C. (2016, March 4). What blended learning is – and isn’t. Blog post. Retrieved from Blended Learning Universe.
Margulieux, L. E., McCracken, W. M., & Catrambone, R. (2015). Mixing in-class and online learning: Content meta-analysis of outcomes for hybrid, blended, and flipped courses. In O. Lindwall, P. Hakkinen, T. Koschmann, & P. Tchoun (Ed.), Exploring the Material Conditions of Learning: Computer Supported Collaborative Learning (CSCL) Conference (pp. 220-227). Gothenburg, Sweden: The International Society of the Learning Sciences.
McDonald, P. L. (2014). Variation in adult learners’ experience of blended learning in higher education. In Blended Learning Research Perspectives (Vol. 2, pp. 238-257). Routledge.
Sithole, A., Chiyaka, E. T., & McCarthy, P. (2017). Student attraction, persistence and retention in STEM programs: Successes and continuing challenges. Higher Education Studies, 7(1).
U.S. Department of Education, Office of Planning, Evaluation, and Policy Development. (2009). Evaluation of Evidence-Based Practices in Online Learning: A Meta-Analysis and Review of Online Learning Studies. Washington, D.C.

Image Credits

Blended Learning Icon: Innovation Co-Lab Duke Innovation Co-Lab [CC0]
Leap of Faith: Photo by Denny Luan on Unsplash
School photo created by javi_indy – www.freepik.com

“As a stranger give it welcome” – Shakespeare

Students need tactics for when they encounter strange people or strange ideas.(Wilson, 2018) If you think of a first time online student, this is very true as they are entering a new learning environment, likely extremely different from their previous educational experiences. Welcoming that strange experience should include a little bit of information gathering. Look for positive and negatives so that you can decide for yourself how you view it, most of all, have an open mind.

To help potential online students make decisions, and hopefully be more successful should they chose to take an online course, Marie Fetzner asked unsuccessful online students; “What advice would you give to students who are considering registering for an online course?”

Their top 13 responses:

Stay up with the course activities—don’t get behind
Use good time management skills
Use good organizational skills
Set aside specific times during each week for your online class
Know how to get technical help
A lot of online writing is required
There is a lot of reading in the textbook and in online discussions—be prepared
Regular online communications are needed
Ask the professor if you have questions
Carefully read the course syllabus
Be sure you understand the requirements of the online course discussions
Understand how much each online activity is worth toward your grade
Go to the online student orientation, if possible

This needs to raise the question, how can we better help our students? There are obviously struggling students and we want our students to be successful. So, what can we do?

Reach out to students who seem to be lagging behind. A quick email is sometimes all it takes to open up that line of communication between you and the student.
Provide approximate times for course materials and activities. Students can use this to better plan for the requirements that week.
Keep your course organized so students can spend more time with the content instead of search for the content.
Remind students about where to access help and support services.
Develop a Q&A discussion board for student questions about the course. Often, more than one student has the same question and often other students might already know the answer. Have this be something you check daily to answer questions quickly so students can continue with their learning.
Use rubrics for grading. By giving the students rubrics, they will know what is expected, you will get responses closer to your expectations, and it makes grading easier!

Welcome these ideas as you would a new experience. Give it a little try, jump right in, confer with colleagues, or chose your own path. Know that as an instructor or developer for an online course, you have the ability to help your students be successful!

References

Fetzner, Marie. (2013). What Do Unsuccessful Online Students Want Us to Know? Journal of Asynchronous Learning Networks, 17(1), 13-27.

Wilson, J. (2018). “As a stranger give it welcome”: Shakespeare’s Advice for First-Year College Students. Change, 50(5), 60.

Could your online course use a boost? Is it lacking the secret spice that could be the difference between students coming away feeling satisfied rather than feeling like something was missing? Maybe there is a complex topic that students are consistently having a difficult time understanding or perhaps a particular concept that begs for more than a Power Point with some bland images collected from the internet. Well, perhaps the missing ingredient is an animation!

A brief history of animation…

In 1914, cartoonist Windsor McCay wowed audiences with his short animated film. Although not the first animation ever produced, Gertie the Dinosaur broke ground by employing new techniques, such as keyframes, loops, and the use of an appealing character, all of which would become standard practice in the creation of future animations. Interestingly, Gertie the Dinosaur also featured an interactive element where McCay would appear to give commands to Gertie which she would then carry out on screen.

Fast forward to 1928 where upstart Walt Disney Studios released the animated short Steamboat Willy and introduced the world to Mickey Mouse. Steamboat Willy also marked the first use of sound integrated onto film in an animation.

The 1930’s saw a boom in animation with Warner Brothers creating its Merrie Melodies and Looney Tunes cartoons which featured a cast of outrageous characters including Bugs Bunny and Daffy Duck and arguably some of the most enduring pop-culture references ever. I admit, the Looney Tunes were an invaluable supplement to my formal elementary school education!

Disney upped the ante in 1937 with the release of the first feature length animated film Snow White and the Seven Dwarves. With Snow White, the Disney animators ventured into uncharted territory and proved that an animated film could be both visually stunning and a legitimate medium for storytelling. It was also around this time that the Disney animators planted the seeds of what would become the 12 principles of animation, a system of principles and techniques which have endured to this day and serve as the foundation in the creation of animation and motion graphics.

In the 1940’s and 50’s Disney continued to produce classics with films like Bambi and Fantasia while another animator, Ray Harryhausen, perfected his “Dynamation” stop motion technique and brought fantastic monsters to life alongside live actors in films like The 7^th Voyage of Sinbad and Jason and the Argonauts. Meanwhile, across the Pacific Ocean the Japanese were busy developing their own unique style of animation known as anime.

In 1960, The Flintstones became the first animated prime time television series and paved the way for animated programs like The Simpsons, the longest running series of all time.

In the 1970’s, animated cartoons dominated Saturday morning television. Although the content was mostly aimed at keeping kids engaged while mom and dad slept in, the power of animation’s potential as a learning tool was being explored in the form of short interludes during the commercial breaks. Most notable, Schoolhouse Rock combined animation and music in a powerfully memorable format to teach kids topics like grammar, history, math, and science. Meanwhile, Sesame Street featured groundbreaking animations aimed at teaching through entertainment.

In the 1980’s, the computer arrived and ultimately revolutionized the way that animation was created as well as the way it looked. It was a clunky start but by 1995, Pixar studios released the first entirely computer animated feature Toy Story and there was no looking back. The omnipresence of the internet added fuel to the fire and allowed anyone with a laptop and a story to tell to publish their ideas to the world.

So, what does all of this have to do with online learning? Well, before the pedagogical red flag goes up and you think that animation is just for kids or that it’s too frivolous to occupy space in the world of higher education, read on.

We need look no further than the media that we consume on a daily basis to see how ubiquitous animation is. From television commercials, to the prevalence of the online “explainer” video, to online apps such as Headspace, which utilizes animations to demystify the practice of mindfulness and meditation, animation is proving to be an effective medium to deliver information and get it to stick. Why wouldn’t we want to implement this powerful and available tool in online learning?

A well-crafted animation is a multi-sensory experience that can take a complex or abstract concept and explain it in a way that is concise, understandable, and engaging to the learner. Combining audio/verbal and visual information to illustrate difficult topics allows learners to associate images with concepts and has been proven to actually increase learner understanding and retention.

Additionally, animation can be used to visualize things that would otherwise be impossible or too cost prohibitive to depict with film, text, or still images. Things such as a biological or chemical processes that are invisible to the naked eye, or the ability to look beneath the earth to witness how a plants’ roots grow and utilize nutrients, can effectively be illustrated with animation. Larger scale events like planetary orbits, the hydrologic cycle, earthquake science, or the Russian Revolution can be represented in ways that are much more effective than using still pictures with arrows and text. Does the topic require a horse, a bug, a whale, a tractor, a piece of DNA? There’s no need to worry about the exorbitant costs and time required to train, catch, dive, drive, or dissect…simply animate it! Animated characters, human, abstract, or animals can also add visual appeal and inject humor into a lesson. Finally, and arguably most important: animations are entertaining! If the student is entertained, they are more likely to be engaged in the subject matter and if they are engaged, they are more likely to retain information.

So what’s the next step? The Ecampus Custom Team is here to help you develop your animation. We’ll start by meeting with you to determine a learning objective and to brainstorm ideas for the project. You can view examples of our work to see if a particular style sparks your interest or, if you have a specific aesthetic in mind, we will work with you to refine it. Once we have pinned down a solid direction for the project, we’ll work with you to create a script. The script will serve as the narration for the animated video and is vital as it is an opportunity to distill the content down to its most potent elements. We prefer to keep the maximum length of the animation under 5 minutes and have found this to be most effective for the learner. When the script is finalized, you will come in to one of our studios to record the voice over narration. At this point, it’s full steam ahead and our team begins production on the animation! We’ll check in with you regularly with samples and progress reports to ensure an amazing final product.

-James Roberts, media team, Oregon State University Ecampus

References:

“Diversity is our world’s greatest asset, and inclusion is our biggest challenge. And the way that we are going to address that challenge is by extending our empathy.” -Jutta Treviranus, Founder of the Inclusive Design Research Centre, OCAD University

Decorative image

Sure, you’ve been teaching online courses for a few terms or years now, but have you ever been an online student? Many current faculty members earned their degrees in traditional face-to-face settings and have learned how to migrate their courses to the online environment by using research-based best practices and support from instructional designers and media experts. However, are there benefits to experiencing this fledgling educational modality from the perspective of the online student? I argue that faculty who challenge themselves to take an online course experience both personal and professional benefits and become more empathic, inclusive, creative, and reflective.

Benefits for Faculty Members

Challenge yourself to try out something completely different than your specialization or discipline: Are you a STEM professor who has a screenplay idea? Perhaps you have a trip to the French Riviera on your bucket list, or your college Spanish is rusty. Try a foreign language course this summer. Are you a humanities professor who is curious about the composition of the soil in your garden? Find out about the dirt in your yard as a soil science student.

Here are some benefits to consider:

Taking an online course may give you ideas or inspiration for something that you want to try in your own course.
Continuing education may benefit brain health.
Stretching yourself may spur creativity and innovation.
You are modeling lifelong learning for your students and family.
Most importantly, it just might be fun!

Building Empathy

I’m consistently impressed with the care and concern OSU faculty have for their students, and taking an online course is one way to demonstrate that concern. By changing roles, such as by becoming an online student, faculty expand their perspectives, which results in the potential for even greater student support and understanding.

Yes, faculty members contend with heavy workloads and may feel that taking an online course on top of everything else would be overwhelming. However, your Ecampus students may also struggle with feeling maxed out.

Did you know that the average age of a student taking an Ecampus course is 31 years old? This means that it is likely your online students are responsible for full-time work as well as family obligations. Taking online courses helps faculty members build empathy for their students by giving themselves opportunities to experience the excitement, anxiety, and pride of successfully completing an online course.

Furthermore, by increasing empathy, faculty members may become more inclusive and reflective practitioners. For example, as an online student, you know how it feels to be welcomed (or not) by your instructor, or to receive feedback within a few days as opposed to a few weeks. As an adult learner, you also may desire to share your prior experience or professional background with the instructor or students. Does your course give you the opportunity to introduce yourself to the instructor and other students, to describe your background and some strengths that you bring to the course community, or are you left feeling invisible in the course, with your expertise unacknowledged?

Tuition Reduction for OSU Employees

As OSU employees, faculty and staff are now eligible to take Ecampus courses at the reduced tuition rate, according to the staff fee privileges.

Summer courses begin on June 24th, and fall courses begin on September 25th.

Share Your Experience!

Have you been an online student as well as an online instructor? How did being on online student inform your teaching practices? Reply in the comments section, below.

Resources:

Oregon State University Ecampus Schedule of Classes
Back to school: Learning a new skill can slow cognitive aging by Matthew Solan
Stretch by Scott Sonenshein
Why I Collapsed on the Job by Katerina Bodovski
Oregon State Ecampus by the numbers
Inclusive Design Research Centre, OCAD University
Staff Fee Privileges Tuition Reduction Form, Office of Human Resources – Benefits
Georgetown Center on Education and the Workforce, Report: Learning While Earning: The New Normal

I pledge that I have acted honorably in completing this assessment.

There are two sides to the story of security of online assessments. On the one side, cheating does exist in online assessments. Examity’s president Michael London summarized five common ways students cheat on online exams:

The old-school try of notes;
The screenshot;
The water break;
The cover-up; and
The big listen through devices such as Bluetooth headset (London, 2017).

Newton (2015) even reported the disturbing fact that “cheating in online classes is now big business”. On the other side, academic dishonesty is a problem of long history, both on college campuses and in online courses. The rate of students who admit to cheating at least once in their college careers has held steady at somewhere around 75 percent since the first major survey on cheating in higher education in 1963 (Lang, 2013). Around 2000, Many faculty and students believed it was easier to cheat in online classes (Kennedy, 2000), and about a third of academic leaders perceived online outcomes to be inferior to traditional classes (Allen & Seaman, 2011). However, according to Watson and Sottile (2010) and other comparative studies (Pilgrim & Scanlon, 2018), there is no conclusive evidence that online students are more likely to cheat than face-to-face students. “Online learning is, itself, not necessarily a contributing factor to an increase in academic misconduct (Pilgrim & Scanlon, 2018)”.

Since there are so many ways for students to cheat in online assessments, how can we make online assessments more effective in evaluating students’ learning? Online proctoring is a solution that is easy for instructors but adds a burden of cost to students. Common online proctoring service providers include ProctorU, Examity, Proctorio, Honorlock, to name just a few (Bentley, 2017).

Fortunately, there are other ways to assess online learning without overly concerned with academic dishonesty. Vicky Phillips (n.d.) suggested that authentic assessment makes it extremely difficult to fake or copy one’s homework. The University of Maryland University College has consciously moving away from proctored exams and use scenario-based projects as assessments instead (Lieberman, 2018). James Lang (2013) suggested smaller class sizes will allow instructor to have more instructor-to-students interaction one-on-one and limit cheating to the minimum therefore; Pilgrim and Scanlon (2018) suggest changing assessments to reduce the likelihood of cheating (such as demonstrating problem solving in person or via video, using plagiarism detection software programs like TurnItIn, etc.) , promote and establish a culture of academic integrity (such as honor’s code, integrity pledge), and supporting academic integrity through appropriate policies and processes. Kohnheim-Kalkstein (2006) reports that the use of a classroom honor code has been shown to reduce cheating. Kohnheim-Kalkstein, Stellmack, and Shilkey (2008) report that use of classroom honor code improves rapport between faculty and students, and increases feelings of trust and respect among students. Gurung, Wilhelm and Fitz (2012) suggest that an honor pledge should include formal language, state the specific consequences for cheating, and require a signature. For the honor pledge to be most effective, Shu, Mazar, Gino, Ariely, and Bazerman (2012) suggests including the honor pledge on the first page of an online assessment or online assignment, before students take the assessment or work on the assignment.

Rochester Institute of Technology (2014) ’s Teaching Elements: Assessing Online Students offer a variety of ways to assess students, including discussions, low-stake quizzes, writing assignments (such as muddiest point paper), and individual activities (such as staged assignments for students to receive ongoing feedback), and many other activities.

In summary, there are plenty of ways to design effective formative or summative assessments online that encourage academic honesty, if instructors and course designers are willing to spend the time to try out suggested strategies from literature.

References

Bentley, Kevin. (2017). What to consider when selecting an online exam proctoring service. Inside HigherEd. (June 21, 2017). Retrieved from https://www.insidehighered.com/digital-learning/views/2017/06/21/selecting-online-exam-proctoring-service on February 22, 2019.

Gurung, R. A. R., Wilhelm, T. M., & Filz, T. (2012). Optimizing honor codes for online exam administration. Ethics & Behavior, 22, 158–162.

Konheim-Kalkstein, Y. L. (2006). Use of a classroom honor code in higher education. Journal of Credibility Assessment and Witness Psychology, 7, 169–179.

Konheim-Kalkstein,Y. L., Stellmack, M. A., & Shilkey, M. L. (2008). Comparison of honor code and non-honor code classrooms at a non-honor code university. Journal of College & Character, 9, 1–13.

J.M. Lang. (2013). How college classes encourage cheating. Boston Globe. Retrieved from https://www.bostonglobe.com/ideas/2013/08/03/how-college-classes-encourage-cheating/3Q34x5ysYcplWNA3yO2eLK/story.html on February 21, 2019.

Lieberman, Mark. (2018). Exam proctoring for online students hasn’t yet transformed. Inside Higher Ed (October 10, 2018). Retrieved from https://www.insidehighered.com/digital-learning/article/2018/10/10/online-students-experience-wide-range-proctoring-situations-tech, on February 22, 2019.

Michael London. (2017). 5 Ways to Cheat on Online Exams. Inside Higher Ed (09/20/2017). Retrieved from https://www.insidehighered.com/digital-learning/views/2017/09/20/creative-ways-students-try-cheat-online-exams on February 21, 2019.

Derek Newton. (2015). Cheating in Online Classes is now big business. The Atlantic. Retrieved from https://www.theatlantic.com/education/archive/2015/11/cheating-through-online-courses/413770/ on February 21, 2019.

Vicky Phillips. (n.d.). Big Fat Online Education Myths – students cheat like weasels in Online Classes. GetEducated. Retrieved from https://www.geteducated.com/elearning-education-blog/big-fat-online-education-myths-students-cheat-like-weasels-in-online-classes/ on February 21, 2019.

Chris Pilgrim and Christopher Scanlon. (2018). Don’t assume online students are more likely to cheat. The evidence is murky. Retrieved from https://phys.org/news/2018-07-dont-assume-online-students-evidence.html on February 21, 2019.

Rochester Institute of Technology. (2014). Teaching Elements: Assessing Online Students. Retrieved from https://www.rit.edu/academicaffairs/tls/sites/rit.edu.academicaffairs.tls/files/docs/TE_Online%20Assessmt.pdf on February 21, 2019.

Shu, L. L., Mazar, N., Gino, F., Ariely, D., & Bazerman, M. H. (2012). Signing at the beginning makes ethics salient and decreases dishonest self-reports in comparison to signing at the end. PNAS, 109, 15197–15200.

George Watson. And James Sottile. (2010). Cheating in digital age: Do students cheat more in online courses? Online Journal of Distance Learning Administration 13(1). Retrieved from https://www.westga.edu/~distance/ojdla/spring131/watson131.html on February 21, 2019

First, let’s start by considering the characteristics of effective feedback in general. What comes to mind?

sound waves

Perhaps you hear in your head (in the authentically authoritative voice of a past professor) the words timely, frequent, regular, balanced, specific. Perhaps you recall the feedback sandwich–corrective feedback sandwiched between positive feedback. Perhaps you consider rubrics or ample formative feedback to be critical components of effective feedback. You wouldn’t be wrong.

As educators, we understand the main characteristics of effective feedback. But despite this fact, students are often disappointed by the feedback they receive and faculty find the feedback process time consuming, often wondering if the time commitment is worth it. As an instructional designer, I hear from faculty who struggle to get students to pay attention to feedback and make appropriate changes based on feedback. I hear from faculty who struggle to find the time to provide quality feedback, especially in large classes. The struggle is real. I know this because I hear about it all the time.

I’m glad I hear about these concerns. I always want faculty to share their thoughts about what’s working and what’s not working in their classes. About a year or two ago, I also started hearing rave reviews from faculty who decided to try audio feedback in their online courses. They loved it and reported that their students loved it. Naturally, I wanted to know if these reports were outliers or if there’s evidence supporting audio feedback as an effective pedagogical practice.

I started by looking for research on how audio feedback influences student performance, but what I found was research on how students and faculty perceive and experience audio feedback.

What I learned was that, overall, students tend to prefer audio feedback. Faculty perceptions, however, are mixed, especially in terms of the potential for audio feedback to save them time.

While the research was limited and the studies often had contradictory results, there was one consistent takeaway from multiple studies: audio feedback supports social presence, student-faculty connections, and engagement.

While research supports the value of social presence online, audio feedback is not always considered for this purpose. Yet, audio feedback is an excellent opportunity to focus on teaching presence by connecting one-to-one with students.

If you haven’t tried audio feedback in your classes, and you want to, here are some tips to get you started:

Use the Canvas audio tool in Speedgrader. See the “add media comment” section of the Canvas guide to leaving feedback comments. Since this tool is integrated with Canvas, you won’t have to worry about upload and download times for you or your students.
Start slow. You don’t have to jump into the deep end and provide audio comments on all of your students’ assignments. Choose one or two to get started.
Ask your students what they think. Any time you try something new, it’s a good idea to hear from your students. Creating a short survey in your course to solicit student feedback is an excellent way to get informal feedback.
Be flexible. If you have a student with a hearing impairment or another barrier that makes audio feedback a less than optimal option for them, be prepared to provide them with written feedback or another alternative.

Are you ready to try something new? Have you tried using audio feedback in your course? Tell us how it went!

References:

Image by mtmmonline on Pixabay.

Note: This post was based on a presentation given at the STAR Symposium in February 2019. For more information and a full list of references, see the presentation slide deck.

What is it?

Image of animator’s face in Character Animator program showing the facial data points used for animation creation.

Facial motion capture (Mo-Cap) is a process that uses a camera to map and track points on the user’s face. Software such as Adobe’sCharacter Animator derive data from the camera to animate cartoon characters in real time. This can greatly reduce the amount of time needed to create an animation and breathes subtle life into the character that would be otherwise difficult to achieve. Character Animator harnesses the power of the webcam to map several parts of the face to the respective parts of the character allowing it to record in real time. This includes your eyebrows, eyes, mouth, and head position. It also intakes audio to change mouth shapes to match what the user is speaking. In addition to the webcam, the user can operate their keyboard to trigger additional movements, effects, and walk motions. All these different aspects combine and give the character a personalized feel.

How does it help?

Image of character being rigged into a puppet showing the mesh and body tags.

Cartoon animations currently do not have a large presence in online learning. This is mostly because they take a long time to create and not everyone has had the resources to create them. Normally, character animation for cartoons requires drawing each frame or using a pose-to-pose process called key framing. With innovative technology such as Character Animator, it greatly reduces the barrier to create cartoon animations for online learning. Each motion of the face records instantly and gives the character life by adding subtle movements to the face and head. The bulk of the work is completed early on to draw, rig, and add triggers to the character, or in this case, the puppet. Once the puppet is set up to record, it is smooth sailing from there. All movements, audio, and facial expressions are recorded in one take; greatly reducing the amount of time for development. However, Character Animator allows you to choose which aspects you want to record, so you can record the eye movements one time, then the eyebrows another time. This is helpful for the perfectionists out there who cannot seem capture it all at once.

How does it work?

To create an animation using Character Animator, there are a handful of stages to complete. The first step is to draw the character in either Photoshop or Illustrator. Next, Character Animator imports the graphics and they are rigged into puppets to prepare for recording. This means the eyes, nose, mouth, etc. are tagged with their respective labels. Also during this time, you can create keyboard triggers. These are animations such as arm movements, walk motions, and more, that the pressing of certain keys on the keyboard triggers the character to perform. After the puppets are prepared, it is time to record. It does not have to be shot perfectly all at once; you can blend the best bits from different recordings into one masterpiece. The last step is to export the character’s recording and composite it into a story using video software such as Premiere Pro or After Effects. Once you achieve the flow of facial Mo-Cap, you can start cranking out animations faster than ever before.

Below is a quick rundown of what it takes to set up a character and how to record it. At the end of the video, there is a sample of multiple characters in one scene.

What does the process look like?

Author: Zach Van Stone, Oregon State University Ecampus

Neuromyths made with wordart.com

In part 1 of Debunking Neuromyths and Applications for Online Teaching and Learning, we reviewed the neuromyths and neuro-facts about learning styles, intelligence, and emotions, and their corresponding online teaching applications. Here is part 2, where we will review the neuromyths and neuro-facts about sleep, memory, attention and creativity, and their corresponding online teaching applications.

#4 About sleep: “When you sleep, your brain shuts down.” Is this statement a myth or fact?

It’s a myth. Neuro-fact regarding sleep: Sleep strengthens memory because the activity patterns, neurochemical and gene environments of sleep serve to clear noise and strengthen weakened networks of neural circuits for efficient subsequent cognitive processing demands. (Poe, Walsh and Bjorness, 2010)

Danger of this myth: It tempted students to procrastinate and skip sleep before important test to cram in missed study time.

Online learning applications from debunking sleep myth include:

Teach students the importance of sleep: sleep time brain activity enhances learning.
Teach students test preparation secret 1: spaced practice, retrieval practice, interleaving practices, way before the test day.
Teach students test preparation secret 2: review thoroughly (practice retrieval, teach others, explain it, etc. ) the night before test day.
Teach students test preparation secret 3: have plenty of sleep regularly, and especially the night before the test day.
Teach students test preparation secret 4: Eat balanced healthy food regularly, and on test day as well.
Teach students test preparation secret 5: Calm down and have a positive attitude. You are bound to perform at your best!

#5 About memory: “Memory is like a container, an assembly line, or a recording device.” Is this statement a myth or fact?

It’s a myth. Neuro-fact regarding memory: Memory is malleable. We use our memory to manage situations we know very well. When faced with a new problem, we try to modify and adapt known solutions from previous experiences. (Brandeis.edu, n.d.)

The danger of this myth lies in the assumption of its accuracy.

Why is it important to debunk this myth? It helps liberating both instructor and students to focus on improve the learning environment and malleability of memory.

Online learning application of debunking the idea of “fixed memory”:

Encourage/motivate students’ effort to enhance memory.
Encourage instructors to provide multiple means of content presentation for strengthened memory connections.

#6 About attention: “The brain can multitask while learning, especially Gen Z”. Is this statement a myth or fact?

It’s a myth. Neuro-fact regarding attention: Learning requires focused attention. Multitasking works only for routine or simple tasks. (Tokuhama-Espinosa, 2018)

The danger of this myth lies in wasting time and low productivity during study.

Online learning application from debunking the myth of multitasking:

Content presentation in online learning needs to be in modular format to avoid cognitive overload and increase focused attention.
Offer time management tips to students. For example, use physical or digital devices, such as Pomodoro Timer, to help students concentrate on a focused study session.

#7 About Creativity: “Creativity is primarily a personality trait and can’t be taught.” Is this statement a myth or fact?

It’s a myth. Neuro-fact regarding creativity: Creativity can be practiced and reinforced, just like other cognitive skills such as critical thinking (Miller, 2018). Koestler (1964) proposed a broader definition of creativity: the ability to make connections between two previously unrelated ideas or contexts.

The danger of this myth is the mission-impossible syndrome caused by self-denial of creativity, for both instructors and students. If instructors do not view themselves as creative, it is very unlikely for them to encourage creativity in their teaching. If the students do not view themselves as creative in the subject area, it is very unlikely that they will attempt to produce creative work.

Online learning application from debunking the myth of creativity:

As an instructor, model creativity in your mindset and teaching practices. Need help? Read these eight steps to becoming a more creative teacher.
Think of creativity as a skill.
As an instructor, openly share your original ideas with the class. Model what it looks like to be open to feedback and bounce ideas off of one another.
Encourage students to learn a variety of skills and subjects. The more unrelated the field, the better. “Learning different methods and practicing new skills not only engages different parts of the brain, but it inspires cross-pollination of ideas from one domain to the other. ” (Shah, 2018)
Practice generating more ideas or read the 18 idea-generating techniques or read these 19 ideas to promote creativity in your class.
Provide opportunities for both individual thinking and group thinking. (Shah, 2018; Johnson, 2011; Catmull and Wallace, 2014)

Feel free to contact your Ecampus instructional designer if you would like more information on any of the above topics. Enjoy your online teaching.

* This blog was inspired by Online Learning Consortium 2018 workshops on Neuro, Cognitive, and Learning Sciences, Bring Theory to Practice (Part I & Part II –new offering of part II coming again in March 11, 2019), facilitated by two amazing teachers: Dr. Kristen Betts and Dr. Michelle Miller. A big “thank you” to their passionate work in promoting the application of neuroscience in education!

* Icons used in this post comes from the Noun Project.

References:

Cast.org. (n.d.). Universal Design for Learning Guidelines. Retrieved from http://www.cast.org/our-work/about-udl.html#.XEc_189Kh24

Catmull, E. and Wallace, A. (2014). Creativity, INC. Overcoming the unseen forces that stand in the way of true inspiration. London, UK: Townworld Publisher.

Johnson, Steven. (2011). Where Good Ideas Come From. New York, NY: Riverhead books.

Marsh, H. W., and Yeung, A. S. (1997). Causal effects of academic self-concept on academic achievement: structural equation models of longitudinal data. J. Educ. Psychol.89, 41–54. doi: 10.1037/0022-0663.89.1.41

Memory Adaptation. Learning by Trial and Error. Retrieved from http://www.cs.brandeis.edu/~pablo/tron/t10.html

Miller, Michelle. (2018). Neuro, Cognitive and Learning Sciences, Part 1: Applying Theory to Practice. Online Learning Consortium online workshop.

Poe, G.R., Walsh, C.M., & Bjorness, T.E. (2010). Cognitive Neuroscience of Sleep. Progress in Brain Research, Volume 185, 2010, pages 1-19. doi: 10.1016/B978-0-444-53702-7.00001-4

Shah, Raj. (2018). 5 Ways for Teachers to Nurture the Creative Genius in Their Students. Retrieved from https://www.gettingsmart.com/2018/01/5-ways-for-teachers-to-nurture-the-creative-genius-in-their-students/

Tokuhama-Espinosa, Tracey. (2018). Neuromyths: Debunking false ideas in education. New York, N.Y. : W.W Norton & Company, Inc.

Vaughan, Tanya. (2017). Tackling the ‘learning styles’ myth. Retrieved from https://www.teachermagazine.com.au/articles/tackling-the-learning-styles-myth

Ecampus Course Development and Training

Providing inspiration for your online class

Tag Archives: online education

Accessibility, Universal Design for Learning (UDL), and Inclusive Design: What Do They Really Mean?

Accessibility

Universal Design for Learning (UDL)

Inclusive Design

In Practice

Final Thoughts

Resources

Peer Review: Providing a Rationale for the Process

The Rationale

The Explanation

The Process

Blended Learning: What Does the Research Show?

First Things First

Does Blended Learning Offer Benefits?

What Makes Blended Learning So Effective?

A Leap of Faith

13 pieces of advice from unsuccessful online students & How instructors can help

References

Animation, the missing ingredient?

A brief history of animation…

References:

Faculty Build Empathy as Online Learners Themselves

Benefits for Faculty Members

Building Empathy

Tuition Reduction for OSU Employees

Share Your Experience!

Resources:

Academic Honesty in Online Assessment

Audio feedback: What does the research say?

References:

Using Facial Mo-Cap to Create Cartoons for Online Learning

What is it?

How does it help?

How does it work?

Debunking Neuromyths and Applications for Online Teaching and Learning: Part 2

Contact Info