If you’re searching for an engaging, authentic, and personalized way to assess your students’ learning, consider developing an ePortfolio assignment for your online course. The benefit of ePortfolios, or digital collections of student learning artifacts, is twofold: you can formatively assess your students’ learning over time, and you can help your students craft a personalized, customizable end product that serves as both a networking tool and a professional presentation of their skills and abilities to showcase to future employers in a more humanized way than a standard resume.

There are multiple approaches to structuring an ePortfolio assignment. One method is to ask your students to gradually add to their ePortfolios each week. This allows you to assess your students’ work over the course of the term, and it allows your students to make meaningful connections between all of the learning artifacts they collect.

With any ePortfolio assignment, consider building in a reflection requirement to help encourage students to connect their learning. Reflection helps students make connections between what they learned, what they still hope to learn, how these things connect to the next course in a series, and how these things apply to experiences beyond their online class. Reflection is also an opportunity for you to encourage your students to connect the dots between their academic, professional and personal lives.

As a starting point, OSU’s College of Liberal Arts has some great reflection tips and questions for you to provide to your students.

Two Tools: Canvas ePortfolios and Google Sites

You will need to select a tool for your students to build their ePortfolios. If you are looking for an integrated tool in your LMS, consider Canvas ePortfolios. This tool is useful because it is not specific to your course, but rather specific to each Canvas user. This means each student can create as many ePortfolio sites as they wish, and they can continue to access these even after your course is over.

Canvas ePortfolios also eliminate the submit it and forget it experience with digital assignments; with a few simple clicks, students can quickly add assignment submissions they are proud of to build structured digital archive of their achievements throughout their online college experience. They can also export their ePortfolio at any time, meaning they could save a copy to take with them after they leave OSU.

Another option is a Google App called Google Sites, which is a free platform to build a website. All students and faculty have access to Google Sites with your ONID login. The benefit to using this tool is the flexibility of platform; students can apply a previously created template or build a custom site of their own.

When considering any ePortfolio platform, it is important to remember to play with the tool as an instructor to understand how the tool works and what the student experience will be like. Consider setting up a model ePortfolio to familiarize students with what you generally expect, but encourage them to go above and beyond to personalize their ePortfolios. This will empower students to engage with the process of customizing their collection.

ePortfolio Tool Resources

References

Miller, R., & Morgaine, W. (2009). The Benefits of E-portfolios for Students and Faculty in Their Own Words. Peer Review, 11(1), 8-12. Retrieved from https://www.aacu.org/publications-research/periodicals/benefits-e-portfolios-students-and-faculty-their-own-words

Barrett, H. (2011) Balancing the two faces of eportfolios. Retrieved from: http://electronicportfolios.org/balance/balancingarticle2.pdf

Looking for a simple way to evaluate whether your teaching practice is staying on track or jumping the rails?

Mark Francek, a Central Michigan Univ. geography professor, has devised a simple mnemonic to look at his teaching: CAR. Try it out; see if it works for you! There are three elements:

word cloud: community, accountability, relevance, CAR1 – Community: Building community within your class can pay dividends in terms of learner engagement, positive collaboration, and a supportive environment in which to work toward shared learning goals. Francek says, “promoting camaraderie and mutual respect in the classroom should be a teaching priority,” and that it’s incumbent on instructors to foster community. He also encourages instructors to consider how student learning can be applied to the broader community through service learning projects and activities.

2 – Accountability: The use of formative assessment throughout a course can aid in student accountability for learning. Frequent low-stakes assignments, such as weekly quizzes or brief reflective writings, not only help motivate students to move forward through the course content, but also give you significant feedback on student learning. This continual feedback gauges student learning is valuable information for a nimble instructor who can make course adjustments and intervene as needed to support learning.

3 – Relevance: It’s natural for learners to be drawn to subject matter and learning activities that appear relevant to their lives, their interests and their future careers. And course content can be more engaging to your learners if you take the extra step of showing them or, better yet, challenging them to show you, how the subject matter relates to their prior learning.

Although Francek’s CAR model is oriented primarily toward classroom teaching, it is every bit as meaningful in online and hybrid courses. Explore the ways that other recent posts here in the Ecampus CDT blog illustrate this by considering how each of these learning activities can build community, increase accountability for learning and/or make a course relevant to students:

Community, accountability, relevance. These three elements can benefit your teaching practice and your learners.

Reference: Francek, M. Let CAR drive our instruction. Tomorrow’s Professor eNewletter, 1449. Retrieved Dec. 15, 2015, from https://tomprof.stanford.edu/mail/1449

You send out announcements but do your students actually get them? You might wonder if you are doing something incorrectly or if they just aren’t reading them, but, you’ll be interested to know that Canvas allows notification preferences to be modified by the individual user.

Notification preferance list in Canvas
Click to enlarge

Each user has the ability to alter their notifications from Canvas and choose how, when, and with what frequency they want to be notified of several different activities. They even have the option to receive the notifications via text or a different email address that they might check more frequently! What these individual settings mean is that if they select that they don’t want any notifications at all, they aren’t getting news of announcement postings, posted grades, due date reminders, or discussion board posts.

In order to encourage your students to receive notifications, you might think about sending a start of term email with an example of the notification preferences you would suggest based upon your class and explain to them why these specific notifications will help them as the term goes on. In that same email, you can also direct them to the Canvas Guides with step-by-step instructions on how to set up notifications in Canvas You send out announcements but do your students actually get them? You might wonder if you are doing something incorrectly or if they just aren’t reading them, but, you’ll be interested to know that Canvas allows notification preferences to be modified by the individual user.

Each user has the ability to alter their notifications from Canvas and choose how, when, and with what frequency they want to be notified of several different activities. They even have the option to receive the notifications via text or a different email address that they might check more frequently! What these individual settings mean is that if they select that they don’t want any notifications at all, they aren’t getting news of announcement postings, posted grades, due date reminders, or discussion board posts.

In order to encourage your students to receive notifications, you might think about sending a start of term email with an example of the notification preferences you would suggest based upon your class and explain to them why these specific notifications will help them as the term goes on. In that same email, you can also direct them to the Canvas Guides with step-by-step instructions on how to set up notifications in Canvas

 

Child looking into mirror“We do not learn from experience… we learn from reflecting on experience.”

― John Dewey

Reflection can be a powerful addition to any module or course both for instructors and for students. Instructors can inform themselves about student learning and whether their teaching is effective. Students can deepen their learning through reflection.   Reflecting both on knowledge gained as well as areas of confusion can be valuable.

What types of reflective activities are of use in an online course?   Two of the simplest activities to incorporate in a course are the Muddiest Point activity or the One Minute Paper activity.   Both are short activities in which students answer questions after a brief reflection on their learning.

Muddiest Point:

  • What concept was the “muddiest” to you during this week, that is, which concept was most unclear?

Minute Paper:

  • What was the most important thing you learned during this week?
  • What important question remains unanswered?

Reflection questions can be general or can be more specific. An instructor may want general feedback on a module in the course or they may want students to reflection on a specific field experience, collaborative group project, difficult concept, lecture, reading, etc. Reflective questions can be general or specific.

In the online classroom in which there are many active learning opportunities, adding in extra reflection activities to an already busy schedule can seem overwhelming. One solution to effectively create reflection activities online is to use the Graded Survey option within Canvas (under Quizzes). Canvas will automatically give the student full credit for submitting the survey.

Reflection does not have to add significant time to the student’s workload, does not have to add significant time to the faculty workload, and can teach students the value of reflection which can be applied to their own lives and to their workplace.

Why Modular Course Design

The Course Development & Training team at Oregon State University Ecampus promotes modular course design in our online courses. Laura Crowder (2011) defines modular content as “a collection of learning resources developed as a single learning object”. The major benefits of modular course design include:

  • Saving time in the development and updating of course content
  • Modular components are easily repurposed across courses
  • Student learning is improved since the content is presented in smaller chunks

Modular Course Design in Online Education

Modular course design has been highly recommended by various pioneers in online education. Stephen Downes (Downes, 1998) stated in “The Future of Online Learning” that, “…Online courses will be modular. A course – especially from the designer level – will no longer be seen as a single unit, but rather, as a collection of component parts, each of which may be replaced or upgraded as the need arises.” Andrea Henne (Kelly, 2009) recommended that “modular course design benefits online instructors and students.” The Institute-wide Task Force on the Future of MIT Education Final Report (2014) suggests “an action plan that includes the goals to identify any new or existing MITx course that could be produced as modules; produce the “sticky” modules associated with these subjects; define a limited set of standalone (“smooth”) modules and produce these; put in place a well-organized repository of existing and new modules and define guidelines for building and credentialing customized courses.”

Modular Course Design at OSU Ecampus

With Ecampus’s move to Canvas, modular course design is even easier to implement. Our online courses are generally formatted into 11 weeks as 11 modules. We used a modular course design template for creating each week’s learning content, which includes:

  • weekly overviews
  • learning objectives
  • pre-quiz
  • assigned readings
  • lectures
  • resources
  • appropriate activities such as graded and non-graded assignments
  • discussions
  • assessments
  • post-quiz
  • wrap-up

Our template is very similar to Henne’s template (Kelly, 2009), which consists of learning objectives, see table 1 for comparison of the two templates.

ModularDesigncomparisonTable

Table 1. Comparison of Global Public Health – H 333’s course design template and Henne’s course design template.

This weekly modular template, however, should not limit us from organizing learning content into even smaller units within a weekly module. Here is an example of two modular learning content units within one week in Global Public Health – H 333. The highlighted boxes show two modular content units within Week 1.

ModularDesignScreenShot

Image 1. Screenshot of Global Public Health – H 333 online course Week 1 Learning module

Therefore, if you have a course that has heavy content within each week, feel free to break them into smaller learning modules instead of putting them together as a long big piece.

Enjoy designing and teaching online in Canvas.

References:
Crowder, L. (2011). How to develop modular content in 4 easy steps. retrieved from http://www.learninghouse.com/blog/publishing/how-to-develop-modular-content-in-4-easy-steps on July 28, 2015.

Downes, S. (1998). The Future of Online Learning. Online Journal of Distance Learning Administration, Volume I, Number 3, Fall 1998. State University of West Georgia, Distance Education Center.

Kelly, Rob. (2009). A Modular Course Design Benefits Online Instructor and Students. Faculty Focus. September 2009. Retrieved on July 24th, 2015 from http://www.facultyfocus.com/articles/online-education/a-modular-course-design-benefits-online-instructor-and-students/

Institute-wide Task Force on the Future of MIT Education: Final Report, July 28, 2013, pp. 49–50.

With the migration to Canvas comes many new features and methods for facilitating your course.stock-photo-female-tourist-holding-a-map-890139 The Canvas Guides provide a lot of information, but you may be wondering, where do I even start? Here at Ecampus, we’ve put together a few guides to help you become familiar with some of the tools in Canvas.

First, if you’re wondering, “I did this in Blackboard, but I can’t find it in Canvas; how do I…?”, we’ve created a few design options for that. These design options explore how to adapt features that you’ve used in Blackboard to the new Canvas environment.

 

We’ve also created some more in depth quick references that help explain how to use some of the most popular Canvas features.

 

The Quick Reference guides and other helpful Canvas-specific information can be found on our Canvas Faculty Resources page. We also have a list of resources for teaching an online course on our Teaching Resources page where you can find our favorite presentation, web-conferencing, and other tools.

 

Are there other features you’ve discovered or some you’d like to know more about? Leave your feedback in the comments!

boardwalk2“Universal design is the design of products and environments to be usable by all people, to the greatest extent possible, without the need for adaptation or specialized design” –Ron Mace, NCSU Center for Universal Design

A fundamental of online instructional design is that learning materials should be accessible to all students. Ecampus works closely with faculty to ensure accessibility of course content for everyone. For example, since some students cannot hear an audio track on a lecture video, it’s essential that a transcript of the narration or closed captioning is provided.

Martha Smith and Gabe Merrell are OSU campus leaders in universal design and accessibility, and frequently discuss universal design for instruction with OSU faculty and staff. Martha is Director of Disability Access Services, and Gabe is Senior Accessibility Associate and Deputy ADA Coordinator in the Office of Equity and Inclusion. They note that the principles of universal design offer guidance for the design of every element of an instructor’s “toolkit,” from syllabi to presentation of content, course activities and assessments.  They point out that universal design benefits all learners. For instance, some students who can hear the audio track on a lecture video find that they learn more if they take a few extra minutes to read the companion transcript.

Gabe and Martha emphasize the importance of considering universal design up front in the development of teaching materials, instructional methods and means of assessing student learning. This is the approach the Ecampus Course Development and Training team takes with online and hybrid course development. As Ecampus serves an increasingly diverse student population, universal design enhances learning in the online classroom.

Ecampus instructional designer Melanie Kroening has created a great guide called 5 Accessibility Tips for “DIY” Course Designers that provides practical techniques for instructors to enhance the accessibility of course content.

To find out more about universal design, speak to any Ecampus instructional designer, contact Martha Smith or Gabe Merrell or visit the Center for Universal Design in Education.

How can we encourage online students to engage with the world? A few Ecampus instructors have found a great way to get their students to go out in their communities, observe, and report back information to the class. How? Field notes. 

What is a field note?  Field notes can contain a variety of information but typically field notes are written out in the field or immediately after stopping the experience.  They contain detailed observations including the dates, times, sights, sounds, smells, weather conditions, who was with you, feelings, drawings, questions that have risen from the experience as well as any other observations.

How did they do it? Lets dive into two different class examples.

Bruce Shindler, a forestry professor here at Oregon State University teaches a course about Managing at the Wildlife-Urban Interface.  Students watch videos from the field and take notes on what they see/hear and begin to answer questions about what they would do, what they think should be done, and what is currently done to manage the Wildlife-Urban Interface.  These experiences are done online, but the field notes from the videos are a great way to have students pay a great deal of attention to the video rather than only listening.

Stephanie Jenkins, a philosophy professor here at Oregon State University teaches a course that requires students to experience a Phish concert either in person or via a live webcast.  Students are required to take field notes for the concerts either while watching online or immediately after a live, in person concert.  Data can include any of the above mentioned items and students are then asked to identify a theme, idea, event, or improvisation that they saw in the concert and found interesting and use that in a written response.  In that response, they are to incorporate the readings from the class and the field notes from their experience.

As you can see, these are two different classes in two different fields that both used the concept of field notes in their courses.  You too can choose the idea of field notes and bring it into your course.  A little bit of innovation and the willingness to try something new is all it takes.

Enjoy and have fun!

Occasionally in my work with faculty I find them wanting to reproduce a brainstorming session activity from the brick and mortar classroom. They want students to ‘shout out’ ideas, arguments, or topics and create a list so that everyone can participate and the best ideas can ‘float’ to the surface. There is value in pooling ideas to generate all possibilities given the varying background knowledge of students.

In OSU’s learning system, Blackboard, there are tools such as wikis and discussions that can allow students to generate ideas but these tools don’t always have the options needed to take the ideas and vote on them and have the class decide which are the best.

Tricider

So one alternative option is the free digital tool Tricider.  Tricider is an efficient online brainstorming and polling tool.

Screen Shot 2013-12-04 at 2.27.11 PM

I stumbled across Tricider as I do many tools by reading popular educational technology blogs and bookmarking my favorites, examine any limitations it may have, and then I use it in my own online classroom.  After the first term of using it, I found that Tricider required few instructions, did not require a login by my students, and was simple and intuitive to use.  Those faculty that use this tool find that it is the only tool that really does what it does.

When would you want to use Tricider:

  • In an icebreaker activity
  • To brainstorm and collect ideas (class or small group)
  • To brainstorm solutions and list pros/cons of each
  • To brainstorm ideas and vote on them so the favorites rise to the top
  • Have small groups brainstorm and share or compare/contrast their ideas with others

How to get started?

  • Go to http://tricider.com, create an account if you want to be able to revisit your “questions”
  • Type in a question and click on Go
  • Change the deadline if you wish it to be open more than 14 days
  • Click on Share and Invite
  • Copy and paste the URL anywhere that your audience can access the link
  • Brainstorm and/or Vote!

Try it out:  http://tricider.com/brainstorming/1GEq1

Melanie Kroening
(Instructional Designer, Ecampus)

For every concept you want to convey, there is a scale of understanding (from those who’ve never heard of it, to those who have PhDs in it). In many cases, those who really understand something well have trouble putting themselves into the shoes of others who are just setting out to learn it. This is why it is often hard to give a stranger directions when they don’t know the local streets or landmarks. The key to good explanation is: empathizing with your audience.

In May, I had the pleasure of seeing Lee LeFever speak at WebVisions 2013 in Portland, Oregon. His session, “The Art of Explanation,” was about crafting explanations in video form and it delivered my favorite takeaways from the show. I’d like share a few of these juicy insights with you, because they inform my multimedia work for CDT.
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