Tag Archives: MA

Fear.exe: How horror video games hijack more than just your computer

Our upcoming guest is Erika Stewart, a second-year MA student in the School of Writing, Literature and Film. As an avid gamer growing up, Erika found a way to explore this passion more deeply in graduate school, where her thesis focuses on horror in video games. 

Scholars have studied our relationship with horror for decades, identifying that the fear induced arises from a threat to our bodies. But what about video games, where no immediate physical threat exists? An emerging genre of games—coined by Erika as ‘malwaric’ games—hijack your computer (much like malware) and can induce deep fear in players. How do these games create fear if there’s no representation of the body?

Erika explores this question by presenting the argument that the computer functions as an extension of the body. Malwaric games are designed to be intrusive and reflect a cultural fear: they are terrifying because the computer has become a part of us, and these games seem to attack us directly. In an age rife with artificial intelligence, augmented reality, and virtual reality, Erika’s research is both timely and insightful, addressing what this means for the ‘digital divide.’

To learn more about Erika’s research—and how childhood video game memories and positive community college experiences influenced her path to graduate school—tune in to KBVR 88.7 FM this Sunday, Oct. 13. You can listen to the episode anywhere you listen to your podcasts, including on KBVR, Spotify, Apple, or anywhere else!

Horror in Fiction

In 2021 Jordan Peele remade the 1992 cult horror classic, Candyman. The 2021 remake received critical success and despite being delayed several times due to the covid-19 pandemic, was a box office success as well. In both the 1992 and 2021 versions, the eponymous main character is a black man. But in the remake, the character deviates from the usual narrative trope of being a menacing black man to a man with complex emotions and feelings. For most viewers, these changes make for a good story, but likely are not things that they dwell on, and certainly are forgettable by the time they have left the theater. But for our guest this week, literature MA student Marisa Williams in the School of Writing, Literature, and Film, these differences are what gives them inspiration and are what inform their research. While Marisa has just begun their thesis work, they know that they will examine issues of racism on black bodies within contemporary literature. Specifically, Marisa plans to explore how the legacy of colonialism has remained in the literature of French-Caribbean authors writing in the 21st century despite more than two centuries of emancipation from colonialism. 

In order to do this kind of research, Marisa first has to learn about the history and philosophy of colonialism and post-colonial identity in the Caribbean. They plan to do this by exploring how notions of “Creole-ness,” the monstrosity of whiteness, and identity have all shaped the French-Caribbean experience in today’s literature. This has led Marisa to some interesting literary “rabbit holes,” that has taken them through history, philosophy, and fantasy literature.

To learn more about what is “Creole-ness,” the monstrosity of whiteness, and identity and how they relate to fantasy literature, tune in live on Sunday May 1st, 2022 on KBVR to listen. You can also catch more of Marisa’s story and research when they present as part of OSU’s 2022 Grad Inspire which will be taking place on May 12th.