Tag Archives: osqa

Celebrating Queer History Month 2024: Queer Books Written By and For Oregonians

This exhibit is the second in a series of exhibits created in honor of a new page on the OSU Queer Archives website created to showcase the LGBTQIA+ rare books within the rare books collection, and can be found in the display case outside of the reading room on the 5th floor of the library!

While the first exhibit “Celebrating Pride 2024 Exhibit: The spectrum of representation in SCARC’s rare books collections” — which was on display throughout summer of 2024 — was looking at different types of queer representation in rare books, this exhibit features books that were written by Oregonians, published in Oregon, or contain events or themes from Oregon.

Included below is a picture of the display as well as a copy of the statement about the display:

Queer History Month Display, 2024

Queer Books Written By and For Oregonians

These materials from the rare books collections include a songbook, comic, magazine, and books that contain queer themes and topics surrounding the central theme of Oregon. Some of these are associated with Oregon just through the author being born here, such as with Gale Wilhelm’s books The Strange Path and We Too Are Drifting. Some are written about events in Oregon such as It Could Happen to You and Queer Corners. And some have parts of the story that take place in Oregon, such as Come Out Comix or Turned On Woman’s Songbook.

These materials come from SCARC’s rare book collections, and are available for all to use. Access to materials is provided by appointment only; email scarc@oregonstate.edu to set up an appointment.

~Jozie Billings, Student Archivist, 2023-2024

Celebrating Pride 2024 Exhibit: The spectrum of representation in SCARC’s rare books collections

In honor of the new guide created to showcase the LGBTQIA+ rare books within the SCARC rare books collection, some of these rare books are being exhibited in the display case outside of the SCARC Reading Room on the 5th floor of the library! 

While looking at the collection as a whole and trying to separate the books into two themes, there was one clear theme, that being books written by and for Oregonians, which will be the second exhibit going up at the end of August 2024. With those books removed, we surveyed the remaining books, and another theme emerged: the good, the bad, and the misrepresentation. This set of materials deals with the ways that queer people have been referred to and used within media historically. While there are more good representations than bad representations, the bad cannot be overlooked and ignoring them would not accurately represent the historical record that exists. 

Below a picture of the exhibit can be found, as well as copies of the statements that are placed within the bookcase:

The Exhibit, mid-June – August, 2024

The Good……

These books and magazines represent some of the more positive depictions of queerness within the rare books collection. While all have not been confirmed to have been written by someone in the queer community, all of them show positive representations of queer relationships and allow space for queer stories to be shared. 

The Strange Path (Reprint 1953) was written by Gale Wilhelm, a pioneering lesbian writer who wrote two lesbian books in the 1930s, the other being We Too Are Drifting (1935), which is also available in the collection. 

Davy (1964) by Edgar Pangborn is one of those that may not have been written by a queer person, as he was not openly out, but he is often read as a queer author due to the relationships and themes he crafts within his stories. 

Kaliflower (1977) is a collection of art, poetry, and prose written by members of the Kaliflower commune. One tenet of their commune was sexual exploration, and relationships were encouraged between all members of the commune referred to as “mutual marriage.” 

On our backs (1974) is a magazine that, though being mainly focused on straight feminist issues, had a large lesbian readership and it featured lesbian focused content from time to time. Ultimately the lesbian members of the collective left to found their own periodical, the Furies, published in 1972-1973, but on our backs still holds a place within lesbian feminist history. 

…the Bad, and the Misinformation

These books are some of the books within the collection that portray negative stereotypes of queerness or spread misinformation. These contain themes or plot points that are centered around historical events such as the Cambridge Five in the UK, the AIDS epidemic in the U.S. in the 80s, and the anti-gay hysteria occurring in the 90s in the U.S.   

Purple 6, published in 1962, is nuclear suspense fiction set in the UK, that utilizes opinions about the Cambridge Five as plot points. The Cambridge Five were a ring of spies in the UK during the cold war from the 1930s to the 1950s of which at least two, possibly three, were gay or bisexual, and claimed to be spying under threat of blackmail from the Soviet Union. Within the book, as they come to understand that there is a spy in their midst, everyone’s sexualities are investigated because of this stigma that if you were queer then you were more liable to blackmail or treason. 

The AIDS Plague (1986) is by Dr. James McKeever, who was a fundamentalist physician. He combines surprisingly accurate AIDS information and education with religious aspects from Christianity, and blames not just homosexuality, but all deviant sexual behavior outside of marriage. Not the worst representation, but certainly not the best.

7 Steps to Recruit-Proof Your Child by Scott Lively was published in 1990, and is described on the book jacket as “A concise, practical guidebook for parents who wish to protect their children from pro-homosexual indoctrination and the possibility of recruitment into the homosexual lifestyle.” Lively is known for being an aggressively anti-gay pastor who helped introduced anti-gay laws into Uganda and possibly Russia. This is possibly as far from a queer-positive book as you could get. 

~ Jozie Billings, SCARC Student Archivist, 2023-2024

LGBTQIA+ in the Rare Books Collection

The LGBTQIA+ Rare Books LibGuide started with curation of books from the Rare Books that had any connection to LGBTQIA+ people or topics, which was done by Anne Bahde, Special Collections Librarian for Research and Learning. Once all of the materials had been paged, I got to spend more than a few hours poking through all of the materials. The trouble with doing work like this is that everything is so fascinating, it can be hard to stay on task without getting lost in the materials. Regardless, I was able to take pictures of all of the books, take some notes on the content, and then start on the LibGuide.

I decided to separate the books into 5 categories: Magazines and Newspapers, Music and Arts, Fiction and Queer Pulps, Non-fiction, and HIV/AIDS. What follows is a highlight of the materials in each category, as well as information that was found through some light researching. 

Tip: Right Click on an image and hit “Open image in new tab” for a larger view of the image so that the text is readable.

Magazines and Newspapers

The Lavender Network

The magazines and newspapers were by far the most interesting set of materials to me, and the one that I found myself spending the most time on. One rather interesting one was the Lavender Network, or “Oregon’s Lesbian and Gay Newsmagazine,” created in Eugene, Oregon.

Kaliflower

Kaliflower, with its colorful covers and wonderful artwork, was quite an eye-catcher. I spent some time flipping through the pages, trying to ascertain why a self-published magazine from a commune about communal-living was in a curation of queer books, but I soon found out. Their articles on sexual freedom and exploration, and “mutual marriage” elucidated that for me, but their other articles on their anti-capitalist practices and advice for communal living were just as interesting. 

Off Our Backs

But the materials that I kept finding myself coming back to was the run of off our backs (lowercase stylized as oob). It had an array of queer and lesbian focused features, those being columns, interviews, artists, and letters from lesbian subscribers. There were comic strips from Alison Bechdel’s “Dykes To Watch Out For,” advertisements for other lesbian periodicals, groups, and retreats, and statements from lesbian groups and organizations. And yet lesbians were still marginalized within oob.  

This lesbian-marginalization spawned not only one, but two separate lesbian-focused magazines. Furies, a lesbian focused periodical that was founded when the lesbian members of the collective left, but was only published for a short year. Another publication that was created out of spite against oob was On Our Backs (OOB), a lesbian erotica magazine that ran from 1984 to 2006. Its existence sprung out of the anti-pornography stance that oob held, particularly during the sex war period of the 80s in lesbian and feminist communities (interesting further reading here).

Despite the faults, this set of oob is a really incredible time capsule back to feminist culture in the 70s. Reading these even inspired me to subscribe to a new queer magazine that is created and printed in Portland, in hopes that one day I could look back on them as I am looking at oob now.  

Music and Arts

Turned On Woman Songbook Come Out Comix

I do have to say that I am an enjoyer of comics and graphic novels, especially queer focused ones, so Come Out Comix was a real treat for me. It was really interesting to read it as someone who lives in the Willamette valley, as it is set in Portland, and Coos Bay was also mentioned. Turned On Woman was also interesting, but as I can’t read sheet music, I think it’s intrigue was lost to me. 

Fiction and Queer Pulps

Torchlight to Valhalla (Original Cover and Title) The Strange Path (Reprint Cover and Title)

The queer pulps are definitely the catchiest bunch of this collection, but seemed different from what I expected at first glance. The Strange Path was written by Gale Wilhelm, a pioneering lesbian author, but this edition is a rename of the original book titled Torchlight to Valhalla, with the new name being paired with a new pulpy cover. This printing occurred in 1953, almost ten years after Wilhelm stopped writing and 25 years after the book was originally published. Barbara Grier, who is known for essentially building the lesbian book industry, speculated in the foreword of one of the publishings of Torchlight to Valhalla that she stopped writing “because the world would not let her write the books she wanted,” that being books with lesbian characters, as her last three novels featured heterosexual themes. Looking at the title, the Strange Path, through the lens of this information makes me a bit sad. Wilhelm probably didn’t think that this path was a strange one, but at the time, the world did think that. This led not only to Wilhelm writing stories she truly didn’t enjoy, but to a misbranding of one of the stories where she was able to share her true self.   

The other pulp fiction that has an eye-catching cover does not do any better, with the content of this one being the main offender. The Men Between has been described as what “seems to be anti-gay propaganda in disguise” by a reviewer of the book. The tagline on the back of the seems to say the same, reading “Mike thought he was normal until he was raped by another man – and he liked it!” 

Non-fiction

It Could Happen To You 7 Steps to Recruit Proof Your Child

It Could Happen Happen To You was my favorite of the non-fiction books, mainly for all of the inserts that were seen within it. There were a lot of comics, posters/flyers, and advertisements relating to the Local Measure 51 in Eugene that these activists were working against. Two other books that are really interesting include the Homosexuality Bibliography and Supplement, which could be a really great resource if you are looking for works published earlier than 1975. Lastly, Seven Steps to Recruit-Proof Your Child, although rather homophobic, does have a lot of interesting illustrations, including queer right’s groups posters and ads that they took out of context. This book was also created in Oregon and contains a lot of Oregon related content. 

HIV/AIDS

The AIDS Time Bomb

I chose to separate out the HIV/AIDS related books as they are not necessarily about queer people or written by them, but they are included in this collection due to the stigma in the US surrounding HIV/AIDS as being something that only gay men contract, which is far from the truth. One of these books, AIDS: The American Roads of Denial by Richard Caper, shines light on that fact. It details his story as a person with AIDS (PWA) as an intravenous drug user and the social rejection he faced when his diagnosis got out, and his walk across the country to raise awareness. It is by far the most positive representation of queerness in any of the AIDS books, as the other two contain rather negative depictions of queerness in relation to AIDS. 

~ Jozie Billings, SCARC Student Archivist, 2023-2024

SCARC Zines!

Zine from the COVID-19 at Oregon State University Collection

As part of a new zine video made to promote zine making kits at OSULP, SCARC zines were featured! 

Video: 2024 Zines at OSU Valley Library

OSULP Zine Maker Kits

OSULP Zine Kit Website https://guides.library.oregonstate.edu/maker-kits/zine_kit

List of SCARC’s Zines

Zines from MSS CorvallisLesbianAvengers

Corvallis Lesbian Avengers Collection ~ Necessary Friction Zine, 1996-1997 (3 zines)

The Necessary Friction zine, produced by the Corvallis Lesbian Avengers, features art and writing in a variety of formats that relate to the experiences of queer people, and especially lesbian women, as well as the activities of the Lesbian Avengers. This material was written by members of the Lesbian Avengers, as well as solicited from the broader Corvallis community.

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Zines from MSS MC

Oregon State University Memorabilia Collection ~ Box-Folder 57.5: Disabilities, Students with, 1971-2021

Various zines pertaining to the disabled community at Oregon State University.

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Zines from RG 243

Women’s Center Records ~ Box-Folder 8.24: Women’s Center: Wired Zine, 1994-2011

Wired was published by the OSU Hattie Redmond Women & Gender Center. The Center’s mission is informed by feminist theories and lessons, we are committed to creating spaces of community, supporting advocacy, and developing student leaders who actively contribute to building feminist futures.

Issues of Wired are available online via ScholarsArchive@OSU: Wired Issues

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The Scab Sheet, 2017-2018 (3 issues)

The Scab Sheet, 2017

Physical copies are available in the Oregon Multicultural Communities Research Collection and digital copies are available via Oregon Digital: The Scab Sheet: Islamaphobia Edition, Spring 2017; The Scab Sheet: Vol 2, 2018; and The Scab Sheet, Vol 3, 2018.

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COVID-19 at Oregon State University Collection ~ Folder 1.4: The Benton County Quaranzine, 2020

The Benton County Quaranzine was compiled by the staff of the Corvallis-Benton County Public Library and consists of submissions from area residents collected from June 1 to November 2, 2020, focusing on life during the pandemic and the era’s political unrest. The resulting print publication includes drawings, cartoons, collages, photographs and other artistic renderings, as well as essays and poems.

Contributors to the project were: Quinn Andreas, Ellen Beier, Jack Compere, Molly Curry, Tru Denton, Sarah Finkle, David Grube, Mari Beth Hackett, Forrest Johnson, Charlie Kelso, Colleen Kitchen, Erin MacAdams, Nancy Chestnut Matsumoto, Orion Olson, John Otto, Vic Russell, Linda Varsell Smith, Karen Stephenson, Kim Thackray, Marvel Vigil and Marion J. Whitney.

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Add Glitter to the Archives! A Crafternoon with the OSU Queer Archives

“Glitter in the Archives” began in 2016 as part of Oregon Archives Month and OSU’s Queer History Month celebrations. The crafternoon event, featuring copies of materials from the OSU Queer Archives, was hosted in the SCARC reading room and ran from 2016-2019, and it’s finally back!

This year we collaborated with the Libraries’ Crafternoon series and the event was hosted in the main lobby of the library, hence the new name “Add Glitter to the Archives.”  As before, one of the event’s main goals was to use (copies of) archival materials to imagine queer futures, particularly as they pertain to OSU and the surrounding community. For information and photos from past events, see the blog posts for Glitter in the Archives, 2016-2019 

We have some ideas for the event’s future, including hosting an OSQA materials SCARC Open House the week after the crafternoon event, and we hope folks will join us in October 2024!

Here’s the crafternoon setup featuring lots of glittery collaging supplies and copies of OSQA archival materials ~ 14 people joined us for the event!

“Add Glitter to the Archives” Crafternoon
Crafternoon Supplies

The event also showcased Glitter creations from past years:

Glitter Crafts from the Archives

Participants had the opportunity to donate their craft creations to OSQA – we received 5 donations!

October 2023 Crafts

Here are more photos of the crafting in action:

October is Oregon Archives Month!

We are so excited to be able to celebrate Archives Month in person with you all and are looking forward to seeing you at the following events:

Special Open House: Scrapbooks

What: Get glimpses from nearly a century of student experiences here at OSU in student scrapbooks during this Special Open House! These colorful, candid, and joyful documents of campus past were assembled by students from the 1910s through the 2010s.
Where: SCARC Reading Room, 5th floor, Valley Library
When: Wednesday, October 4, 10am to 1pm

Special Open House: Shannon Day Rettig Book Arts Collection

What: SCARC is excited to celebrate the gift of the Shannon Day Rettig Book Arts Collection. This collection of over 75 stunning artists’ books and fine press specimens will support book arts at OSU for years to come. Come explore selections from the collection, including rare fine press titles and unique, collaborative art pieces.
Where: SCARC Reading Room, 5th floor, Valley Library
When: Wednesday, October 18, 10am to 1pm

Add Glitter to the Archives: A Crafternoon with the OSU Queer Archives

Art created by 2016 Glitter in the Archives event attendees

What: “Glitter in the Archives” began in 2016 as part of both Oregon Archives Month and OSU’s Queer History Month celebrations. The crafternoon event, featuring copies of materials from the OSU Queer Archives, was hosted in the SCARC reading room and ran from 2016-2019, and it’s finally back! This year we are collaborating with the Libraries’ Crafternoon series and the event will be hosted in the main lobby of the library, hence the new name “Add Glitter to the Archives.”  As before, one of the main goals of this event is to use archival materials as a way to imagine queer futures, particularly as they pertain to OSU and the surrounding community. Participants will have the opportunity to donate their craft creations to OSQA if they would like to do so. For information and photos from past events, see the blog posts for Glitter in the Archives, 2016-2019 
Where: Main Floor Lobby, Valley Library
When: Thursday, October 19, 4:00 to 6:00pm

“The OSU Queer Archives: Reflecting on the Past and Imagining the Future”

What: The Oregon State University Queer Archives (OSQA) was established in the fall of 2014 with a mission to preserve and share the stories, histories, and experiences of LGBTQ+ people within the OSU and Corvallis communities. The creation and development of the OSQA was the product of a collaboration between an archivist Natalia Fernández, and a professor, Dr. Bradley Boovy, who engaged in community-based initiatives that helped to build the archive. Almost a decade after its establishment, Fernández shares her reflections on the evolution of the OSQA as well as ideas for its future. More information can be found on the Corvallis Museum website about the event; the lecture is free with admission to the museum, which is $5 general admission, free for students including OSU and LB, and free to youth and families who have SNAP.
Where: The Collins Education Center at the Corvallis Museum (411 SW Second Street, Corvallis, OR 97333)
When: Thursday, October 26, 10:30am to noon

Taste of the ‘Chives Recipe Showcase

What: Sample and celebrate the flavors of the Fisheries and Wildlife Coffee Club and the founder of this Friday morning tradition, Professor David L.G. Noakes! For this year’s Taste of the ‘Chives, we’ll be preparing recipes featured in “Baking Connections: Coffee Club Memorial Cookbook.”
Where: Willamette Rooms, Third Floor, Valley Library
When: Tuesday, October 31, noon to 1:30pm

WGSS Oral Histories ~ a SCARC & WGSS 521 Feminist Leadership Collaboration

In spring term 2023, SCARC collaborated with the course WGSS 521 Feminist Leadership, taught by Dr. Kali Furman. The class consisted of 8 graduate students, most of whom, but not all, were students within the Women, Gender, and Sexuality Studies Program. The collaboration consisted of a term-long oral history project, with the interviews added to the OSU Queer Archives Oral History Collection due to the Queer Studies Program’s development as part of the WGSS Program, as well as for the content and perspectives shared within the interviews. The WGSS focus of the class project was in celebration of the 50th Anniversary of the WGSS Program’s establishment.

Below is a description of the course and the collaboration:

Over the course of the term, we will work collaboratively with Natalia Fernández in the Special Collections & Archives Research Center (SCARC) on an oral history project that focuses on the legacies of feminist leadership in our community. In honor of the 50-year anniversary of the WGSS program at Oregon State, we will conduct oral histories with members of our WGSS community. We will spend time in the archives learning about histories of feminist leadership, activism, and resistance on our campus, work with Natalia on the purpose and processes of oral histories, and by the end of term, contribute oral histories to SCARC’s collection. We will work collaboratively to determine the structure and process of our oral history project, create an interview guide, and to support each other throughout the process. At the end of the term, we will have an open celebration with SCARC, our interviewees, and the broader WGSS community where we share highlights from our oral histories. 

Engaging with the archives and conducting oral histories through this project allows us to engage with feminist leadership in multiple ways:

– To engage in a feminist leadership praxis, it is important to know the history of the communities we are a part of, what legacies we are leading from, and who we are leading with. This project offers the opportunity to learn about the history of our community and individuals within it, and to think about our own feminist leadership praxis from an informed place-based perspective.

– Conducting oral histories gives us the opportunity to explore the relationship between living a feminist life and praxis-informed feminist leadership for leaders within our community. This process will also allow us to learn things about ourselves too!

– Engaging with the archives and conducting oral histories also allows us to develop a specific skill set that will be useful in your current and future leadership endeavors and is a particular kind of research method that can be applicable to your studies more broadly. 

At the end of the term, the students submitted a total of 7 interviews featuring 9 interviewees! The interviews provide a range of perspectives on the OSU WGSS Program and what feminist leadership means to the interviewees.

Below are the oral history interviews, organized in chronological order, with the bio notes and summaries written by the students:

Ron Mize Oral History, interviewed by Jakki Mattson on May 10, 2023

Link to the Ron Mize Oral History Interview

Bio: Ron Mize is an associate professor in the School of Language, Culture, and Society and former coordinator of Ethnic Studies (2020-2021). He previously taught International Relations, Sociology, Latino Studies, and Ethnic Studies at ITAM (Mexico City), Humboldt State University, Cornell University, University of Saint Francis-Fort Wayne, California State University-San Marcos, University of California San Diego, Southwestern College, Colorado State University and University of Wisconsin Rock County.  He was trained as a journalist at the University of Colorado Boulder and went on to study Sociology at Colorado State University (MA) and University of Wisconsin-Madison (PhD). In 2016, he was the Fulbright-Garcia Robles Chair in U.S. Studies at el Instituto Tecnológico Autónomo de México.  In 2020-2021, he was the Fulbright Canada Research Chair in Global Governance at the Balsillie School of International Affairs. His scholarly research focuses on the historical origins of racial, class, and gender oppression in the lives of Mexicano/as and Latina/os residing in the United States. Due to the reliance on Mexican labor in the rural industries of agriculture, mining, and railroad construction, his historical research explores the class, gender, and race formations of Anglo-Chicano relations as they relate to these sectors of rural spaces and the economy. He investigates the degree to which contemporary immigrant labor is informed by the history of Mexican incorporation into the rural United States. He is also committed to building Latinx studies within a comparative ethnic studies framework. He seeks to understand the underlying assumptions about nation, race, identity, gender and class in how the public forms our opinions about immigration and part of his effort is to carve out a new paradigm for understanding both the political economy and culture of immigration as well as their interconnections. Dr. Mize is the author of over 50 scholarly publications, including LATINA/O STUDIES (2019, Polity Books),  THE INVISIBLE WORKERS OF THE U.S.-MEXICO BRACERO PROGRAM: OBREROS OLVIDADOS (2016, Lexington Books), CONSUMING MEXICAN LABOR: FROM THE BRACERO PROGRAM TO NAFTA (2010, University of Toronto Press, with Alicia Swords), and LATINO IMMIGRANTS IN THE UNITED STATES (2012, Polity Books, with Grace Peña Delgado).

Summary: In this oral history with Dr. Ron Mize, the conversation begins by Dr. Mize describing a small insight into his homelife before he decided to pursue higher education. He describes how he was the second person in his family to attend college and what the alternative would have been if he didn’t (working full time for his family’s carpet cleaning and chemical business). After he graduated with a bachelor’s degree in journalism from the University of Colorado Boulder, he worked in radio for a few years before deciding to pursue additional higher education. He earned his Master’s in sociology from Colorado State University then continued on to get his PhD in sociology from the University of Wisconsin Madison. Once he received his doctorate, he entered the job market in institutions of higher education. He talked about his experiences trying to get tenure at Cornell University and the challenges he faced in the process, which ultimately led to his tenure being denied and him leaving the university. Throughout the approximately dozen institutions of higher education at which he has worked, he finally settled at Oregon State University within Ethnic Studies. He talks about the institutional changes that were in progress and continued once he arrived, including the institutional movement from departments to programs and colleges to schools (to encourage more interdisciplinary work). Throughout the conversation, Dr. Mize details the challenges he and others faced doing critical pedagogical and research work. He details the institution systematically working against the advancements he and other colleagues in the ethnic studies and women, gender, and sexualities studies programs were doing to advance critical feminist and race studies at Oregon State University. Throughout the conversation, Dr. Mize speaks to how women, feminist principles, and feminist leadership impacted the work he has done and continues to do. He intertwines narratives and experiences from growing up with how those moments impact the work he continues to do now. He strives to embody feminist practices and principles in every classroom he is a part of without necessarily labeling himself or his actions in that way. Dr. Mize acknowledges and honors the work and legacy others did within the WGSS program here at Oregon State before he arrived and the work that others continue to do now. While not chronological in narrative, this oral history of how Dr. Mize became affiliated with the WGSS program at Oregon State and is unique in detailing the institutional barriers and successes this program has experienced.

Qwo-Li Driskill Oral History, interviewed by a WGSS Student on May 22, 2023

Interview Available Upon Request

Bio: Dr. Qwo-Li Driskill is an unenrolled Cherokee and Two-Spirit scholar, activist, and artist. Qwo-Li Driskill is an Associate Professor in Women, Gender, and Sexuality Studies (WGSS) at Oregon State University. They are also the Director of Graduate Studies and Coordinator for Queer Studies in WGSS at OSU. They earned their Ph.D. from Michigan State University in Rhetoric and Writing with a concentration in Cultural Rhetorics. They also hold an M.A. from Antioch University in Whole Systems Design with concentrations in Native Writing, Theater, Story, and Resistance, and a B.A. from University of Northern Colorado in Social Transformation and the Arts. They are the author of two books, Asegi Stories: Cherokee Queer and Two-Spirit Memory, and Walking With Ghosts. They are also the co-editor for Sovereign Erotics: A Collection of Two-Spirit Literature and the editor of Queer Indigenous Studies: Critical Interventions in Theory, Politics, and Literature.

Summary: Dr. Qwo-Li Driskill begins the conversation by providing background information about how they came into their own feminist praxis and the formation of their own feminist ideologies, stemming from their mother, growing up in rural Colorado, queer, and trans organizing, and being influenced by Indigenous feminisms, Black feminisms and Womanisms, Crip and Disability feminisms and Transfeminisms. Dr. Driskill continues the conversation by talking about the importance of looking to queer and trans ancestors who cleared the way for the work they do in WGSS to be possible and to look to their work for answers to current political issues. They talk through the development of Queer Studies at Oregon State University, creating the largest number of course offerings in Trans Studies for graduate education, and the many strengths of the Women, Gender, and Sexuality Studies Program, including that the WGSS graduate program at Oregon State is mostly comprised of queer and trans identifying students.

Mehra Shirazi Oral History, interviewed by Md Tanveer Hossain Anoy on May 22, 2023

Link to the Mehra Shirazi Oral History Interview

Bio: Dr. Mehra Shirazi is a bicultural, bilingual community-engaged scholar with a broad background in health behavior. Their work is grounded in postcolonial feminist scholarship that focuses on health in the global context of race, gender, immigration, and environment. Their particular focus is on health inequities among immigrant/refugee women, specifically on the socio-cultural barriers limiting access to breast health and lifesaving prevention and care through the utilization of Community Based Participatory Research (CBPR). Shirazi’s scholarship also addresses transnational praxis and pedagogy through critical studies of culture, lived experience, and narratives of decolonization with publications on Muslim mothering, family relationships in Iranian film, anti-racist pedagogy, and gendered Islamophobia. Dr. Shirazi joined the Women, Gender, and Sexuality Studies faculty in the School of Language, Culture, and Society in 2011.  She was a postdoctoral fellow in the School of Public Health at the University of California, Berkeley. Some courses they teach include: Global Perspectives on Women’s Health, Violence Against Women, Feminist Research Methods, and Race, Ethnicity, Gender, and Health Justice.  In 2017, Dr. Shirazi was awarded Oregon State University’s Frances Dancy Hooks Award, for building bridges across cultures and modeling transformative action.

Summary: A Bonding of Transnational Feminists ~ Oral history has an immense power to uphold the intersectional history of narrative and experience – an unstructured decolonized talk with one of the prominent professors of the Department of Women, Gender and Sexuality Studies at Oregon State University – Dr. Mehra Shirazi is no stranger to anyone. Their postcolonial approach to working broke and created conversations in academia. Migrating from Iran and earning a Ph.D. wasn’t a smooth journey for Dr. Mehra Shirazi. No matter how qualified they showed to the world, the white power structure always struck her down with questions like – “How women like you, Muslim women like you- who wear a Hijab can contribute to the feminist world?” Who’s the feminist world white people are talking about? The narrative they have created? Who gave the power to say a person can wear this or that- how can ideology be this much segregated? Throughout the interview, Dr. Mehra Shirazi shared how lived experiences helped her to get into her own feminist journey. Dr. Mehra’s decision to migrate wasn’t an easy one; it was more like a forced one. She spoke about her positionality in academia, shared a couple of triggering stories for being targeted as traditional Muslim women, and spoke highly about her stance with antiracist, anticapitalist, and anti-imperialist- although being vocal also comes with a price. Dr. Mehra Shirazi being in the department is a political statement; it gives a very strong intersectional and transnational to the white-dominated culture. Unfortunately, the number of people like her is so low that the journey can be very tough and lonely. As a South Asian, brown, Queer, international student- voices like Dr. Mehra give me strength and hope for greater intersectionality in movement and leadership building. This oral history is a monument of the change, the diversity we have been craving for a long time.

Patti Duncan and Patti Sakurai Oral History, interviewed by Trung Nguyen on May 23, 2023

Link to the Patti Duncan and Patti Sakurai Oral History Interview

Bios: Patti Duncan is a Professor of Women, Gender, and Sexuality Studies at Oregon State University, specializing in women of color feminisms and transnational feminisms. She is the author of Tell This Silence: Asian American Women Writers and the Politics of Speech and numerous articles and essays. She is also the editor of the scholarly journal, Feminist Formations, as well as co-editor of the anthology, Mothering in East Asian Communities: Politics and Practices, co-editor of the textbook, Women Worldwide: Transnational Feminist Perspectives, 2nd edition, and co-editor of the four-volume encyclopedia, Women’s Lives Around the World.  Patti Sakurai is an Associate Professor in Ethnic Studies with teaching and research in critical ethnic studies and Asian American studies. She received her Ph.D. in English from SUNY at Stony Brook and taught at UC Santa Barbara, Colorado College, and Emory University, where she held a Mellon Postdoctoral Fellowship prior to arriving at OSU. Also a filmmaker, her short films engage issues of race and Asian American experiences and have screened at various film festivals in Portland, Seattle, New York City, Hong Kong, and Macau. She was a founding member of the production collective for APA Compass, a monthly public affairs program on KBOO 90.7 FM Portland.

Summary: “Asian/Asian American Feminisms on the OSU Campus” ~ Starting the interview, Nguyen introduces the purpose of this specific issue of OSU Oral History Interview project focusing on the celebration of 50 years anniversary of Women, Gender, and Sexuality Studies (WGSS) program at OSU. Duncan and Sakurai then each introduce themselves before delving into stories of how they first met at Emory University where Sakurai was doing her postdoc while Duncan was working on her doctoral degree. The two continue to share their favorite memories of each other including another graduate student that they had previously co-mentored. Duncan, Sakurai, and Trung then reflects on what it means to be an interdisciplinary or anti-disciplinary programs like WGSS and Ethnic Studies (ES). Duncan and Sakurai next describe what feminism means to each of them. They continue by sharing the roots of their feminisms which stem from their mothers and the feminist authors and books that they read. Both Duncan and Sakurai agree that their feminisms are unapologetically inspired by women of color and Asian/Asian American feminisms. After sharing briefly about their feminist journey at OSU, Duncan and Sakurai expressed both hope and critiques for the status quo of Asian/Asian American Studies at OSU. They move on by sharing the complexity and muddled grouping of Asian American and Pacific Islander in recent political contexts. Nguyen briefly mentions the hope for future interview with Patricia Fifita, a new Ethnic Studies and Indigenous Studies Assistant Professor at OSU, in order to discuss more in depth this identity politics topic. Duncan and Sakurai sum up the significance of feminist leadership that is elevated by Asian & Asian American feminisms on OSU campus. They reflect on how their feminist leadership has changed over time in support of students on campus who need their guidance and feminist practices. Their practice of women of color feminist leadership can at times conflict with institutional barriers that they themselves find creative resistant methods to challenge these obstacles while managing to offer the best support they could for their students. The three, Nguyen included, conclude by staking their hopes for the future of women of color feminist practices and its presence on OSU campus so that Asian, Asian American, Pacific Islander, and other students of color could feel represented and supported for a better and more diverse campus environment.

Whitney Archer and Kali Furman Oral History, interviewed by Elizabeth Kennedy on May 25, 2023

Link to the Whitney Archer and Kali Furman Oral History Interview

Bios: Kali Furman is an Instructor for the Women, Gender, and Sexuality Studies program at Oregon State University. Dr. Furman is a social justice educator with over ten years of experience in higher education providing education, programming, and training for students, staff, and faculty. Research interests in social justice education, feminist pedagogies, faculty development, institutional change, and student activism. Whitney Archer  holds an Ed.M in College Student Services Administration, an M.A. in Women, Gender & Sexuality Studies, and is a current PhD Candidate in Women, Gender & Sexuality Studies at Oregon State University. As the Associate Director of Diversity & Cultural Engagement and Director of the Women’s Center at Oregon State University, Whitney provides leadership for the Women’s Center and support for all seven of Cultural Resource Centers. Whitney’s research interests include gender identity and expression, feminist leadership, feminist pedagogy and student activism.

Summary: Using a Story Corp Model, Kennedy poses questions to Whitney Archer and Dr. Kali Furman about feminist leadership and the relationship between the Women, Gender, & Sexualities Studies program and the Women & Gender Center at Oregon State University. Within this interview, they share their thoughts on what feminism means to Archer and Furman, how they each came to find feminism, and in turn how feminism informs their work. In addition to how feminism informs their work now, they discuss how their approach has changed overtime and how that change has been reflected in the relationship between the Women & Gender Center and the Women, Gender & Sexualities Studies program.  Both Archer and Furman discuss what brought them to Oregon State University and some of the experiences they have had in their time at the institution, including challenges they have faced and ways in which they have been strategic in their work.  Archer and Furman speak to how they grappled with the reality of trying to do feminist work in an inherently hierarchical system of higher education and how they have built accountability with each other to strive for congruence between their values and the work they do. As a follow up to their conversation about finding congruence, Archer and Furman discuss how we can move from performative tropes of feminism or social justice in the institution to making meaningful institutional change. They focus on ways they have seen push back against a White liberal feminist leadership framework that positions feminist leadership as the GirlBoss aesthetic. Archer and Furman conclude their conversation by sharing how they hope to see the partnership between the Women & Gender Center and the Women, Gender & Sexualities Studies program grow in the future.

Nana Osei-Kofi Oral History, interviewed by Keara Rodela on May 30, 2023

Link to the Nana Osei-Kofi Oral History Interview

Bio: Nana Osei-Kofi is Director of the Difference, Power, & Discrimination Program/ Associate Professor of Women, Gender, & Sexuality Studies. Prior to her appointment at Oregon State University in 2013, Osei-Kofi was Associate Professor and Director of the Social Justice Studies Graduate Certificate Program in the School of Education at Iowa State University. Her areas of scholarly focus include critical and feminist teaching and learning, the politics of American higher education, Black Nordic studies, and visual cultural studies. Journals in which her work has appeared include, Discourse: Studies in the Cultural Politics of Education, Feminist Formations, Equity & Excellence in Education, Latino Studies, and The Review of Education, Pedagogy, and Cultural Studies. Her current work includes a book project titled Cultural Production and the Construction of an Afro-Swedish Identity, and several articles on the notion of “ally as identity” within social justice work in higher education. Osei-Kofi serves on the editorial board of Feminist Formations and The Journal of Critical Thought and Praxis, and is the incoming Vice-President of the National Women’s Studies Association.

Summary: In this oral history with Dr. Nana Osei-Kofi, the conversation begins with Dr. Osei-Kofi sharing about her cultural background, being raised by her Swedish mother and Ghanaian father, living between Ghana and Sweden, and moving to the U.S. when she was in her 20’s. She comes from a family of educators but ended up doing work in non-profits around diversity, equity, and inclusion for many years. She decided she loved education and pursued her Ph.D. in educational studies. During her graduate programs, she found herself in a couple of women’s studies classes, discovered that women’s studies focus on race, class, and sexism, and completed an M.A. in applied women’s studies alongside her Ph.D. Dr. Osei-Kofi worked at Iowa State University before joining OSU as the Director of Difference, Power, & Discrimination. After briefly discussing her background, we discussed how feminism found her. She decided it was best to have her tenure housed in WGSS, where the work she was interested in was happening at OSU. Dr. Osei-Kofi discusses how feminism found her and the feminist authors that informed her practice. Her interest is, and she is invested, in a radical feminist praxis. She is not interested in liberal feminism. She speaks on how feminism is a way of life, and a feminist praxis is part of your life, not just scholarship, “the personal is political.” Next, Dr. Osei-Kofi speaks on how she has engaged with activism and teaching and how feminism gave her language and tools to describe, understand, and make meaning. She speaks about other feminists of color who have influenced her scholarship. As well as mentioned how some of her colleagues and students work, which is equally important. She is intentional and appreciates and cites the work of activities, especially youth. We discuss not limiting your intellectual learning and engagement to the canon because it keeps us in rigidity and does not allow for movement within the community. Speaking of her time at OSU, she shared of her experiences as an administrator and faculty in WGSS. She is describing how her department is unique in how WGSS colleagues engage and each other. She feels that the diversity in disciplines and interests contributes to the lack of direct competition with other colleagues and the support they provide each other in this space. Dr. Osei-Kofi also touches on the challenges of making true institutional change and the resources and policies needed to make the actual changes identified. She felt it was important to talk about how institutions know what to do and they should put their resources where the work needs to be done. We then discuss the status of students of color within WGSS and student and faculty retention. She mentions how the student body in undergraduate mirrors the institution, and it is better in graduate programs, but still not many Black students in either area. Student and faculty retention is impacted by finances as well as the interest of students in social justice activities and activism over the past decade; in addition, by the time graduate students come to WGSS, most folks have an idea of what they want to do within WGSS. We then discuss how her feminist leadership has changed over time. An example she gave was her choosing when she would engage in activities or projects—balancing time and effort as a way to redress burnout in her field and career and recognizing whom we can do the work with, in solidarity, and when it is not possible. Within WGSS, it has played out in how she decides not to take on student defense or independent work outside of her 9-month contract and is transparent with students about why. This connects to taking a stance on doing the work they compensated, not taking on free labor as an institutional issue, and making it clear that it is. Dr. Osei-Kofi discusses an instance where the institution challenged feminist leadership. Then we move into conversations around the institution’s engagement in DEI work surrounding the Gorge Floyd murder and how that engagement did not go as far as hoped. As well as the need for sufficient financial support and power to the DEI leadership team, who is doing good work. Regarding our conversation around DEI, Dr. Osei-Kofi can be heard saying, “We know what to do.” We moved into a conversation about BIPOC faculty experiences within WGSS, the institution, the classroom, and living in Corvallis. This segwayed us into talking about the Difference, Power, & Discrimination (DPD) program in that she is the current director. DPD is a faculty-wide professional development project started based on student activism. It was Black student activism’s push to address racism on campus and, as part of anonymous students’ demands to the institution, curriculum to address racism, bias, and discrimination. It is now part of the general education requirements. It is about introducing scholarships about DPD issues and supporting faculty and graduate teaching assistants to create courses within their schools that address DPD through workshops and extended cohort support. We wrap up with what she was most proud of during her time at OSU, which includes the book published about the DPD program and what she hopes for the program’s future. We discuss Dr. Osei-Kofi’s upcoming retirement as director of DPD and tenure faculty, her future work, and why she chose to do intellectual activism within the academy with like-minded folks. 

Luhui Whitebear Oral History, interviewed by Gabriela Esquivel on May 31, 2023

Link to the Luhui Whitebear Oral History Interview

Bio: Dr. Luhui Whitebear is an enrolled member of the Coastal Band of the Chumash Nation with Huestec and Cochimi ancestry. She is an assistant professor in the School of Language, Culture, and Society (Indigenous Studies) and has served as the Center Director of the Kaku-Ixt Mana Ina Haws at Oregon State University. Institutionally Luhui serves on the core leadership of the President’s Commission on Indigenous Affairs, the Bias Response Team, and on the Faculty Senate representing the College of Liberal Arts. In the community, she serves as the co-chair of the Corvallis School Board, as the Vice President of the OSBA Caucus of Color, on the MMIW USA board, and on the Oregon Women’s Foundation board. Luhui is a mother, poet, and activist engaged in community-based work. Dr. Whitebear received her Ph.D. from Oregon State University (OSU) in Women, Gender, and Sexuality Studies; her MA from OSU in Interdisciplinary Studies; BS degrees from OSU in Anthropology and Ethnic Studies. Her research focuses on California Indigenous studies, Indigenous feminisms, Indigenous rhetorics, Indigenous activism, MMIW, national law & policy, and Indigenous land & water rights.

Summary: “The Intersection of Motherhood, Feminism, and Culture” ~ Dr. Luhui Whitebear describes her journey and experiences with indigenous feminism and how it has shaped her way of life through her indigenous culture, community, and motherhood. She describes the different ways she has experienced feminism in her life and within her motherhood, coming from a long line of resistance and activism it has always been part of who she is and as a mother. Being able to use her voice and carry on her traditions has transcended into her motherhood, passing those cultural values and resiliency to her children. Dr. Luhui Whitebear describes her journey as a single mother while also being a Ph.D. student at Oregon State University and how it has shaped her feminist experiences, her story is a story of resilience, activism, and determination. Giving hope to OSU students who may be in similar situations to never give up. An ice-breaker moment in one of her classes in the Women’s Gender and Sexual Studies Program (WGSS) is when she discovered her dream job which allowed her to dream big. Dr. Luhui Whitebear’s academic scholarship and leadership are shown through the various roles she’s had throughout her journey as an indigenous Ph.D. student, mother, and advisor, she is grateful to her community and WGSS program for providing the support she needed to reach her goals.