Author Archives: edmunsot

The Fernhopper’s Ball for Forest Week

Fernhopper's BallA Paul Bunyon sign advertises the Forester’s Ball, or Fernhopper’s Ball, in the 1960s. The banquets, which started in 1928, brought together past graduates of the School of Forestry.

Yes, there is still a Fernhopper Day.

The College of Forestry commemorated its 100th year in 2007, which makes this the 75th year of the Fernhopper! On May 12th, the College will host the 75th Annual Fernhopper, where they will award scholarships and fellowships to students, thank donors, and visit with friends and former classmates.

Have a Laugh on International Moment of Laughter Day

Dumb Duck.jpgIn 1954, this University of Oregon student was photographed wearing the sign “I’m a dumb duck beat Oregon” during the Civil War. Random and funny …

Due to some further investigating by my trusty student assistant, who was utterly dissatisfied by my cursory explanation of this photo, we now know a little more about why this poor young man is wearing such a sign. Apparently, it was all part of the pre-game shenanigans. The civil war rivalry flared during the week before the big game, when Beavers captured Ducks and made them wear these silly signs. They also painted their faces, presumably Beaver orange when they attempted to crash the Rook bonfire festivities!

Appreciate Jazz Month with the Band on 2nd Street

Band on Second St.jpgI don’t know if they will be available to play your next event, but this band from the late 19th century is concert-ready in this photograph. On back of the photograph shown above, we found this handwritten note:

“Hunt’s Brewery, north on 2nd street at the corner where the U.S. Post Office now stands. The Blacksmith … next on the right was Manual … restaurant, the small white building at left stood where Montgomery Wards Building now stands. Opposite the Brewery stood Corvallis first grocery store, where the Huston Building (now being remodeled) has stood for many years.”

They last played at the dedication of Corvallis Brewery building in 1887.

For National Licorice Day, OAC Salutes the Sweet Stuff!

women cooking.jpg

Although OSU is not known for its licorice production, in honor of National Licorice Day, we’d like to point you to some theses written by Oregon Agricultural College students in the Domestic Science program– all studies on the sweet side.

From 1910, by Bertha Herse and Grace Elizabeth Connell’s Candies and candy making. Cleva Peery wrote her 1909 thesis on Desserts, while Sadie Bell chose to focus on Cereal breakfast foods.

And finally, while not a thesis, don’t miss “Dame Curtsey’s” book of candy making, by Ellye Howell Glover. Also look for the 1938 The romance of candy, by Alma H. Austin and the 1958 All about candy and chocolate: a comprehensive study of the candy and chocolate industries, by Philip P. Gott and L. F. Van Houten.

The Rain Falls on National Garden Week

Miss Jackson in her gardenThe image above shows Miss Jackson in her garden. As you walk around campus today, amidst the blooming rhododendrons, you can almost imagine coming across a spot where a student or professor would plant beans, and study their growth.

In addition to the wonder of this garden and the hay piles in the middle of campus, this image also allows me to tell an interesting tale about a campus building.

The “stem” of the “T” on Alpha Hall can be seen on the right; this section was separated from its location on 23rd Street and later moved to Orchard Street. Alpha Hall, the first residence hall on campus, was constructed in 1889. It was later used by the School of Pharmacy, and moved off campus in 1922. Mechanical Hall built.

In our MC collection, I found a pamphlet for this “Young Ladies’ Dormitory;” included was some great information about what young ladies could expect from their time at Alpha Hall.

“Surrounded with grounds tastefully arranged and ornamented with choice vines and flowers, the Hall is a typical home for young ladies from abroad who desire to live with the family of one of the Professors while attending College. Tennis courts and other means of amusement furnished by the student and the faculty afford ample opportunity for recreation and wholesome exercise on the grounds near the Hall where young people may mingle with the Faculty and their families and share with them in their games and pleasures during hours of recreation. Furthermore the Hall has reception room, piano and many other conveniences calculated to contribute to the comfort and home life of young ladies while in College.”

All of this for only $3.00 per week — which includes rent, board, heat, electric light, hot and cold water, and a bathroom.

National Library Week

Valley Rotunda Construction.jpgIn 1880, the Adelphian Literary Society acquired the Corvallis Library Association’s Library; ten years later, that 605-volume library was transferred to Oregon Agricultural College. By 1899, when the first full-time, nonstudent librarian, Arthur Stimpson, was appointed, the collection had grown to 3000 volumes and 500 pamphlets & bulletins. The first professional librarian, Ida A. Kidder, was appointed in 1908.

Initially housed in the Administration Building (now Benton Hall), a new building for the library was constructed in 1918 with funds from the Oregon Legislative Assembly. The library was named Kidder Hall, in honor of Ida Kidder; in 1954, the library was re-named for William Jasper Kerr, president of OSU from 1907-1932 and first chancellor of the State System of Higher Education.

Although an additional west wing was added to the library building in 1941, as the collection and library staff expanded, space was tight. In the late 1950s, once again the university began planning for a new library building. It was completed in 1963, and expanded in 1971.

Predictably, the demand for space increased again the late 1980s. In 1993, the Legislative Assembly approved funds for further expansion and renovation of the library building. Owing to the success of a fundraising campaign to raise private money to match state funds, expansion efforts began in 1996 and were completed in 1999. The Kerr Library was renamed the Valley Library in 1995 in honor of the Wayne and Gladys Valley Family, whose foundation donated $10 million to library expansion efforts.

To find out more about the Library, check out the collection guide for RG 009.

It’s National Bake Week!

Corvallis Bakery.jpgTo celebrate, we thought it would be good to go back in time, to 1870, with a great picture of the Corvallis Bakery, A. Hodes and Co.

This is an albumen print from the John H. Gallagher Sr. Collection (P 32). The Gallagher collection consists of nearly 450 photographic prints and negative collected by Gallagher and his son, also named John. Primarily, you’ll find aerial views of the Willamette River landscape in southern Corvallis; many document the facilities and operations of the Corvallis Sand & Gravel Company, a family business established by Gallagher and located on the south Corvallis bank of the river. Included are images of river dredging and street paving, taken from both ground level and the air, and wonderful panoramic ground views of the Sand & Gravel Company– joined together by tape! Also found in this collection aerial views of the general Corvallis region during the 1964 flood. Visit the Rising Flood Waters: 1964 Corvallis for more images from the Gallagher collection on the flood.

Betty Lynd Thompson: “Art Imitating Life”

ThompsonFor Betty Lynd Thompson, the phrase “art imitates life” perfectly captures the spirit of her 44-year legacy of dance at Oregon State. Having specialized in the study of creative dance at the University of Wisconsin, Thompson sought out further training in the New York City studios of modern dance innovators such as Martha Graham, with whom she regarded as a friend as well as a mentor. When Thompson came to Oregon State in 1927 to fill the post of Assistant Professor of Physical Education, she was solely responsible for all dance coursework taught on campus. In this position, Thompson not only taught basic rhythm and movement in addition to her specialty of modern dance, but she also instructed students in a wide range of dance styles-from square and tap to ballroom and folk. After 1945, the addition of other faculty in dance allowed Thompson to focus her teaching efforts into the areas of modern and creative dance.

Away from the hardwood floors of the Women’s Building, Thompson was also known for her scholarship in the field of dance. In 1933, she wrote a textbook for dance instructors, Fundamentals of Rhythm and Dance and founded the Oregon State chapter of Orchesis, the modern dance honorary society, in 1931.

During a volunteer stint with the USO in 1946, Thompson discovered another passion: ceramics. Dance movements that inspired Thompson to devote her life to instruction and study began to take form in clay in a hobby she called “danceramics.” To refine her sculpting skills, Thompson took a term off to study ceramics at the University of Washington. Her talent in shaping clay into figurines engaged in modern dance positions earned her a spot in an exhibit of Northwest artists at the Seattle Art Museum in 1948.

Reported in a 1948 Barometer article as having a kiln and pottery wheel in her basement studio on campus, Thompson sculpted at least a couple dozen of the clay dancers (see photograph above). Some of the figurines were designated to be trophies for recipients of dance-related honors such as the “Orchesis Senior Award.”

Even toward the very end of her life, dance still defined Thompson’s soul and being. In 1971, the last year of her teaching career, Thompson still actively taught classes in conditioning and dance. At a 83rd birthday celebration organized for the longtime instructor by her friends, Thompson got on a stage and demonstrated that she could still move with a grace exemplified by the dancers she molded in clay.

A month later, she passed away.

Documentation of Thompson and her life of instruction, dance, and art at OSU can be found among photographs, films, newspaper clippings, correspondence, and examples of her “danceramic” sculptures in the Betty Lynd Thompson Collection in the OSU Archives.

“Harriet is of a nature for her work. She is careful of details and exacting,” 1955.

HarrietII.jpg

The spirit of Harriet Moore, the first University Archivist, still lingers in our shelves. In the notes she’s written on recycled memos in the Memorabilia Collection, in the approximately 30,000 items in Harriet’s Collection, and in the stories from retired librarians who remember when Harriet interviewed them for a job when they were students. Even in my short time here, I could write paragraphs about the woman.

Moore’s affiliation with OSU spanned more than 70 years, from her arrival in 1920 as a student to her days as the University Archivist.Her professionalism and dedication to the historical record is present in all of the staff in the Archives: she established this as a place where serious work is done.

Harriet Louise Forest was born in Miles, Iowa, at the end of the 19th century. In 1910, when she was 14, her family moved to Oregon. Four years later, in 1914, she entered Reed College as one of 13 students in a US Army Medical Corps cooperative program with the University of Oregon Medical School. Moore became a reconstruction aid in physical therapy in spring of 1918; she received orders in October of that same year and was awaiting deployment in New York when the World War I armistice was signed. She stayed in New York until the end of that year, when she was transferred to both Camp Gordon and Fort McPherson in Georgia, and then to Walter Reed in Washington D.C. She served for three years, then resigned to finish college.

She started at OAC in the summer of 1920, but was called away after one term to work as a physical therapist in Tacoma, Washington. She returned to OAC and graduated in 1922 with a BS in Vocational Education; just a few days after graduation, she was married. She spent the next academic year in Corvallis, resuming her studies in 1923. In 1924, she earned her MS Vocational Education, the first master’s degree of it’s kind awarded at OAC. Her master’s thesis was entitled: “Functional periodicity in women.” In case her studies weren’t enough, from 1923-1926, she and her husband were chaperones at Shepard Hall.

For the next 30 years, Moore traveled with her husband throughout the country as his Department of Agriculture job required, she raised her children, she worked as a physical therapist, and she cultivated her passion for history. In November of 1929, she drove, by herself, from Pasadena to Orlando — it took her 5 1/2 days, and she did it in a Model T. The family lived in New York, Washington DC, Yakima, Pasadena, and Orlando; they found themselves stationed in Washington, D.C. on three separate occasions, which allowed Harriet to pursue her interest in historical and genealogical research.

In 1945, her husband accepted a position on the Extension staff, and they returned to Corvallis. At the request of the Daughter’s of the Revolution, she began recording information on head markers in Benton County cemeteries. A 1997 Gazette Times article said this of Moore’s adventures: “She often had to crawl on hands and knees through brambles to find grave markers and, once, she was thoroughly rump-stung by angry bees whose hive she had disturbed.”

Her work at the library began in 1955, when she was hired by Marie Jackson as a Library Assistant in the cataloging and reserve room. The Archives were established in the fall of 1961, largely the result of the growing quantity of University records and historical materials that were inundating the library: Harriet Moore was the natural choice to be in charge of maintaining “some kind of order to this mass of material.” Her job was “sorting, classifying, labeling, and filing piles of papers, books and pictures.” Coincidentally, the 1960s also saw the state enact a state-wide Records Management program. In anticipation of her new position, Moore paid her own way in the summer of 1961 to a training offered by the National Archives and American University.

The Archives was set up in the basement of Gill Coliseum; unfortunately for Moore, the accommodations weren’t as nice as those we have now — there was no air and there was no heat. By 1962, Moore had a student to assist her in the Archives, a column in the Oregon Stater entitled “Archives would like to know about this,” and a career as a professional archivist. Two years after opening in Gill, the Archives moved to Kidder Hall.

Moore’s monthly reports offer a window into her both her job as an archivist, and to her as a person. These reports document the amount of material received and weeded, notes on the weather and facilities, and highlights of her reference work. She was committed to historical accuracy, and expected others to take facts as seriously as she did. This is a quote from her November 1964 report: “During the past year, I have asked students who come for historical data to let me see their first drafts, in order to check their accuracy. It is so easy for them to pick up misstatements that have been carried in earlier publications. She was a stickler for the details.

Moore retired in 1966, but remained in a part-time position until 1968. Even in retirement, she received almost daily inquiries on local history — and answered many from memory.

Margaret Anderson, in a letter just after Harriet’s death in 1995, writes “[n]ames like Snell and Cordley and Kerr — that we think of as buildings — were people to Harriet. Often people connect with pictures and documents in the archives.”