Monthly Archives: August 2019

July 2019 Guide Additions to SCARC Collections

SCARC completed 10 new or updated finding aids in July 2019.  The following is a list and a little information about what we accomplished.   Several large projects were wrapped up in July – representing more than 116 cubic feet of paper records, 17+ GB of born-digital materials, and more than 7700 photographs.

These finalized finding aids are available through the Archives West finding aids database, and the OSUL discovery system (a.k.a. “the catalog”).  

  • One of the guides is for a collection that was only minimally described and is now fully processed and described.
  • Three  of the guides are for new collection received in 2014-2018 that were previously unavailable to researchers.
  • Six of the guides are updates to incorporate addition or reflect current description standards and practices.

All of these materials are now available to researchers. 


Collections that were only minimally described and are now fully processed and described:

Gerald W. Williams Papers, 1854-2016 (MSS Williams)

The Gerald W. Williams Papers document Williams’ research and writing on the U.S. Forest Service, forestry and public lands, and the environment and culture of the Pacific Northwest. Gerald “Jerry” Williams, a sociologist and historian for the U.S. Forest Service from 1979 until his retirement in 2005, spent much of his Forest Service career in the Pacific Northwest prior to being appointed national historian in 1998.


New Collections:

Tracy Daugherty Papers, 1933-2018 (MSS Daugherty)

The Tracy Daugherty Papers offer a deep look into his personal, academic, and authorial life. Tracy Daugherty is a well-respected author and Emeritus Professor at Oregon State University.

Pink Boots Society Records, 2007-2019 (MSS PinkBoots)

The Pink Boots Society Records document the creation, growth, administration, and members of a professional organization that supports women in the brewing industries. Included are operational documents, marketing materials, legal and financial records, membership and volunteer management records, correspondence, meeting agendas and minutes, governance materials, scholarship programs information, presentations, events materials, photographs and videos, documents related to chapter management, the organization’s website, and records related to the Barley’s Angels. The Pink Boots Society Records is primarily an electronic collection and consists of born-digital materials (.mp3, video, documents, website); however, merchandise and ephemera from events are also included.  The Pink Boots Society was inspired by a 2007 cross-country trip taken by Teri Fahrendorf. When the trip was finished, Fahrendorf had collected contact information for nearly 60 women who wanted to create and participate in a supportive professional community. In 2012, the Pink Boots Society became a non-profit organization, which allowed them to raise funds and expand their educational scholarships, including support for women to attend brewing schools and travel abroad.

School of Forestry Senior Forestry Papers, 1910-1956 (RG 299)

The School of Forestry Senior Forestry Papers consist of about 700 undergraduate theses and term papers completed by forestry students at Oregon State College from 1910 to 1956.  The theses represent a wide range of forestry and forest products topics; many of the theses include original photographs, maps, and oversize charts and drawings.  The papers are available online in ScholarsArchive@OSU.


Finding aids that have been updated to incorporate additions or reflect current standards and practice:

Nursery and Seed Trade Catalogues Collection, 1832-1999 (MSS Seed)

The Nursery and Seed Trade Catalogues Collection consists of more than 2200 flower and seed catalogues produced by nurseries and seed companies in the United States, Great Britain, Europe and Asia from the mid-19th century through the 20th century. An on-line exhibit — A Short History of the Seed & Nursery Catalogue in Europe and The U.S. — includes images of selected catalogs from the collection.

Margaret Osler Papers, 1912-2010 (MSS Osler)

The Margaret Osler Papers document Osler’s life and career as a historian of science and philosophy. Margaret Osler (1942-2010) was a historian of science and philosophy who published widely on the scientific revolution and on the connection between religion and early science. In her two books and more than 125 articles, Osler focused in particular on the work of Pierre Gassendi, Robert Boyle, and Isaac Newton. Osler was a member of the faculty at Oregon State University from 1968 to 1972, and a faculty member at the University of Calgary for thirty-five years.

Gerald W. Williams Collection on the Army Spruce Production Division, 1916-2013 (MSS Spruce)

The Gerald W. Williams Collection on the Army Spruce Production Division is made up of photographs, publications, newspaper clippings, research notes, and transcripts of oral histories documenting the Army Spruce Production Division. These materials were acquired by U.S. Forest Service historian Gerald W. Williams in support of his research and writings on the Spruce Division. Materials from this collection are available online in the Gerald W. Williams Digital Collection.

Gerald W. Williams Collection on the Civilian Conservation Corps, 1933-2012 (MSS CCC)

The Gerald W. Williams Collection on the Civilian Conservation Corps is made up of publications, photographs, newspaper clippings, maps, architectural drawings, artifacts, DVDs, sound recordings, and VHS videotapes documenting various Civilian Conservation Corps (CCC) camps and enrollees in Oregon and other states. These materials were acquired by U.S. Forest Service Historian Gerald W. Williams.

Gerald W. Williams Ephemera Collection, 1866-2008 (MSS WilliamsEphemera)

The Gerald W. Williams Ephemera Collection consists of printed ephemera, documents, and objects assembled and acquired by Williams in the course of his work as a Forest Service sociologist and historian and due to his avocational interest in the history of forestry as a science and profession and the regional history of the Pacific Northwest.  Many of the materials in the collection were created or produced by the U.S. Forest Service.  Gerald Williams worked for the U.S. Forest Service from 1979 to 2005 as a sociologist (1979-1998) and historian (1998-2005).

Gerald W. Williams Moving Image and Sound Recordings Collection, 1959-2007 (FV 320)

The Gerald W. Williams Moving Image and Sound Recordings Collection consists of audio-visual materials, either collected or created by Williams, that document a variety of topics in the natural history of the Pacific Northwest, with a particular emphasis on the practice and culture of forestry in the region. The collection consists of multiple audio-visual formats including VHS tapes, DVDs, audio cassettes, and motion picture films, among others.

Periodical Advertisements Show off the Lasting Power of the American Consumer

This post was contributed by Nicole Horowitz a graduate student in the OSU School of Writing, Literature, and Film, who recently completed an internship with curator Anne Bahde. Nicole examined women’s periodicals from the modernist period to look at the intersections between literature and material culture during the era.


A venture over to any special collections or archival research center housed in a university worth its salt will boast a wide array of periodicals, likely ranging from the mid-19th century to the modern-day. But, while most archival material is more likely spotted in the pages of a history book than on the shelves of the local supermarket, we’d like to bring your attention to a notable exception to that rule: the world of periodical advertisements.

And while OSU’s own Special Collections and Archives Research Center (SCARC) boasts a wide an array of ad-type holdings, one doesn’t need a Mad Men level appreciation of the history of adverts to appreciate them. In fact, many of the brands featured in popular periodicals of the Modernist Era, for example (roughly the 1890s to the 1930s), are as familiar to the modern consumer as they were to their 20th century counterparts. A Women’s Home Companion, for example, contains ads for everything from Listerine to Sunkist Oranges to Valspar Paint, none of which would seem out of place in our modern marketplace. And a further look at these ads might reveal not only popular trends in art, fashion, and food of the era, but also the lasting power of these powerhouse brands, and how that might help us understand the American consumer as both ever-changing and ever-staying-the-same.

1918 Heinz Advertisement

Take for example, two advertisements for Heinz products, one from 1918, the other from 1925. The 1918 spread is set in scene around a dinner table on a summer afternoon, and shows off the very epitome of post-World War I elegance, including a maid rushing to the table with signature Heinz Ketchup. It is printed in bright water-color-esque tones, with ornate floral embellishments. The 1925 advertisement, by contrast, is simpler; a clean white background with a single bottle of Heinz Ketchup centered, loving held, cleanly labeled. While the font is consistent (and indeed, consistent today), this bolder color palette and copy betrays the 1920s sensibilities that put less of an emphasis on family, and more on the food itself, as the increasing migration to cities brought an enthusiasm for dining out, and by extension, the perennial Ketchup-topped hamburger, front and center.

This example is one of countless advertisements in this publication and many more which not only trace the evolution and durability of any number of American products, but also speak to the beauty, stylishness and era-reflecting elegance of the print work itself, through copy and image alike. In this way, the Modernist period can be seen not only as a period of great literary and cultural growth, but aesthetic growth as well, through the beauty of these ads and others, some of which feature logos that still show up in shopping carts and refrigerators the country over, today.

“Why does this matter?” you might ask. Well, if you’ve ever coaxed ketchup from a glass bottle at your own local greasy spoon, you are a part of the American legacy of Heinz. Products and the advertisements that sell them are an undeniable part of American identity, and to understand one’s place as part of this heritage is the best way to support it, or actively change it, as one sees fit. In other words, knowledge is power, even if that knowledge revolves around condiments.