The Miracle Theatre Group Archives Project ~ Let the Collection Processing Begin!

José Gonzalez, MTG Executive Director and Katrina O’Brien, MTG Archives Project Intern

It’s official, the Miracle Theatre Group (MTG) archives project now has a new intern! About a month ago, the previous intern, Mike Dicianna, wrote his final blog post regarding his work with the collection and the transition to the project’s new intern Katrina O’Brien; see Mike’s blog post: Miracle Theatre Archives ~ The Next Steps. Katrina is a grad student in an archives program and she brings a wealth of experience with her to this position. To find out more about her many experiences, check out Katrina’s Blog  

And so, the MTG project continues! Over the course of these next few months Katrina will process the collection; this means she will re-box and re-folder the materials (in special archival boxes and folders of course) and then she will use Mike’s proposed arrangement plan for the collection to organize all of the materials.

This is Katrina’s first week and she began by preparing and organizing her workspace; here’s what she had to say along with some great photos:  

“MTG has a rich history of theatre productions, outreach programming, and education. And because of this, its records are literally bursting at the seams. I’ve walked in after a very preliminary inventory covering two rooms, the smaller room known as the official archive room and the conference room which had become an overflow storage room including the overflow of records boxes. First step was to clean out the conference room to create a processing room. I wish I had taken a picture of what it looked like when I first walked in but let’s just say, archive labor can very much be manual labor.”

Check out Katrina’s great photos:

Everything everywhere…

 

 

 

 

Lots of post-it notes…

A much needed supply station (and more post it notes)…

Dozens of boxes means a there’s a lot of work ahead, but for an archivist it means more fun as well…

And so, let the collection processing begin!

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An Introduction to the Obo Addy Legacy Project Collection

Homowo African Arts and Cultures Promotion Card

The Oregon Multicultural Archives is honored to add another Portland, OR cultural arts organization to its collections. On Friday, June 21st, Natalia Fernández and I travelled to Portland to pick up the Obo Addy Legacy Project Collection.  This collection is made up of various forms of media (some quite challenging!), personal papers, photographs, and records of the Homowo African Arts & Cultures organization. The processing and arrangement of this collection will be my summer term 2013 internship project. This is the OMA’s second
major collection of cultural arts in Portland.
We are starting a trend here!

African Drums

Obo Addy was truly a regional and national treasure. Born Jan. 15, 1936 in Accra, the capital of Ghana, Addy was one of 55 children of Jacob Kpani Addy, a medicine man who integrated rhythmic music into healing and other rituals. Addy was designated by his tribe as a master drummer by the age of six.

The Arts Council of Ghana as a Ga master hired Addy in 1969, and he received his first international exposure at the Munich Summer Olympics in 1972. He then moved to London and spent six years touring internationally until 1978, when he moved to Portland. There he met and married his wife Susan, who began managing his musical career.

Founded by Obo and Susan Addy in 1986, Homowo African Arts & Cultures originally existed as a virtual cultural center with offerings in schools, parks, community centers, and performance venues all over the country. Obo passed away on September 13, 2012 leaving this rich legacy that will be carried on by the Obo Addy Legacy Project.

Example A/V Items

This project will be challenging on many levels.  The preservation of both audio and video media is crucial, the content will be very important to capture in archival formats.  The professional grade tapes will require special transfer processing which will be a fantastic learning experience.  This process is definitely not cheap, so there are also funding issues that can serve as “teaching moments”…oh joy!

The bulk of the collection involves records and promotional materials for the Homowo African Arts and Cultures organization and will require arrangement and description.  Best practices of records management will come into play again, like the Miracle Theater records; there are ancient utility bills that can be purged.

Collection Pick Up and Transfer Photos:

Pick Up at a Portland Storage Unit Transfer to the OMA Ready for Processing!

The Obo Addy Legacy Project Collection will prove to be a fascinating and rewarding project over the next few months. There will be new learning experiences in dealing with the media, and the history of this interesting individual and his African music will be a pleasure to work with. I am honored to have the opportunity to arrange and describe this cultural resource for the OMA.

 ~ Mike Dicianna, Obo Addy Legacy Project Collection Intern

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The OMA at ATALM 2013

This June the OMA traveled to Albuquerque, New Mexico, to attend and present at the 2013 International Conference of Indigenous Archives, Libraries, and Museums!

The Association for Tribal Archives, Libraries, and Museums (ATALM) hosts an amazing conference each year that includes a wide variety of topics – to learn more about the organization, check out the ATALM website

The two sessions featuring the OMA were:

“Developing and Organizing Professional Development Gatherings for Tribal Communities”
Over the past few years several states across the nation have created opportunities for professional development and networking specifically designed to meet the archival education needs of their local tribal communities. Three such gatherings
include Convening Culture Keepers in Wisconsin, the Native American Archives Symposium in Arizona, and the Oregon Tribal Archives Institute in Oregon (that’s us!).

Jennifer O’Neal, Historian and Archivist, University of Oregon Libraries was the session chair and the other two speakers included Omar Poler, Associate Outreach Specialist, University of Wisconsin-Madison School of Library and Information Studies and Jonathan Pringle, Curator of Visual Materials, Cline Library, Special Collections and Archives, Northern Arizona University

Click here for access to the OTAI Presentation

“Developing Successful Partnerships Between Tribal Communities and Non-Tribal Cultural Heritage Institutions”
Collaboration between tribal organizations and non-tribal cultural heritage institutions can create unique alliances and projects that build upon diverse and mutually beneficial partnerships. To encourage collaboration, several funding organizations have developed specialized initiatives for tribal organizations designed to strengthen and enrich the means for collaboration and project development. In this session each presenter discussed  strategies used to develop relationships and highlighted various projects to showcase successful partnerships.

The session chair was Elizabeth Joffrion, Director of Heritage Resources, Western Washington University, and speakers included Kimberly Christen, Associate Professor, Washington State University; Jennifer O’Neal, University Historian and Archivist, University of Oregon Libraries; and Cheryl Hinton, Director Emeritus/ Curator of Collections, Barona Cultural Center & Museum

Click here for access to the presentation regarding developing relationships between the OMA and tribal communities

The OMA’s next conference appearance will be in New Orleans at the Society of American Archivists annual meeting, so stay tuned for that!

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Miracle Theatre Archives ~ The Next Steps

Now that we know what is there, it is time to process the collection! Over the past months, the archives of the Miracle Theatre Group in Portland, OR have be massaged, fussed with, and inventoried. The sheer volume of materials that have accumulated over the thirty year history of the theater is staggering. It is, fortunately, very well organized. As an archival collection, it is rich with history, various forms of media and tons of ephemera.

As can be seen in the photograph, there is more to this collection than dusty old documents to put in acid free file folders.

The project is ready to continue to the next phase:  Arrangement and Description. We now have an idea of what materials are there, what needs to be weeded out, and a preliminary Series description to work from.

One last part of the inventory process will involve coming up with an estimate of what types and quantities of archival storage materials will be required for the processing. Due to the many different types of media in the collection, a variety of archival boxes will be required.

The VHS Video tape collections alone, again, remember we are talking 30 years, will require at least a dozen archival boxes.  Another concern involves the various forms of beautiful original artwork that has been accumulating. To preserve these pieces correctly, various sizes of oversize boxes will be utilized to store these items flat. Add to this mix a huge pile of cubic foot boxes to house paperwork. With proper records management procedures and a retention schedule for accounting records, we hope to reduce the volume by at least one third.

Changing of the Guard:

I will be relinquishing control of this project into the capable hands of Katrina O’Brien, a Graduate Student in Archival Sciences from San José State University. The next phase of the Miracle Theatre Project, sorting out this mess I’ve created, will be her capstone project for her Master’s Degree.

OMA Archivist Natalia Fernández, MTG Director José Gonzalez, and soon-to-be MTG intern Katrina O’Brien

A meeting of the minds was held, May 16th 2013, with Natalia Fernández, MTG Director José Gonzalez and the incoming and outgoing interns of this major project. It appears that the magnitude of the collection did not scare Katrina too much, so I consider this first contact a success.

The next phase of the project will involve the actual processing of the collection. This will be completed at the Miracle Theatre facility over the coming months. Decisions on what materials will be transferred to the Oregon Multicultural Archives in Corvallis will be made in consultation with José Gonzalez.  Some materials in the archive, such as the collection of scripts, will remain in Portland as they are accessed on a regular basis.  Old financial records, historically important production records and much of the ephemera will be housed at the OMA. This will insure the collection will be available to researchers and theatre historians.

I am confident the collection will be in good hands with Katrina. I will continue as a consultant to help her as required. The final phase of this project will include an exhibit of the collection and possibly a gala reception for the 30th Anniversary of the Miracle Theatre Group next spring.  Of course we will keep you all informed of the continued success of this project.

My next assignment will be equally challenging and exciting.  I will have the honor of working with another historic artist’s collection from Portland, OR. Stay tuned for an introduction to the Obo Addy Collection in a couple of weeks.

~ Mike Dicianna, Miracle Theatre Group Archives Project Intern

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OSU’s Native American Longhouse Eena Haws (Beaver House) Staff Oral History Interviews, Spring 2013

“Eena Haws” means “Beaver House” (beaver image by Haida Nation artist Clarence Mills)

In a collaborative effort between the OSU Native American Longhouse Eena Haws (NAL), Natchee Barnd, an Assistant Professor of Ethnic Studies and Native American Studies as part of the School of Language, Culture, and Society, and the OMA, we now have 7 oral history interviews with NAL staff members!

All interviewees were asked to share their experiences working at the NAL, give their perspective regarding the significance of the new Longhouse, and offer their ideas for the future of the Longhouse.

Hali’a Parish, Office Assistant

Interview Transcript and Interview Audio

Brief Biography:
Hali’a was born September 15, 1992, in Honolulu, Hawaii. Her hometown is Kapolei, Hawaii on the island of O’ahu. At the time of the interview she was a junior studying Business.

Interview Information:
Date: May 21, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:24:04
Interviewer: Natchee Barnd
Transcriber: Hope Ervin-Murillo

Interview Description:
Parish discusses her experiences and personal growth working on campus in the Native American Longhouse; her thoughts on the importance of diversity development in OSU and the local community; the joys and challenges of learning the Native American culture; the success of NAL participation in events such as Heritage Month, Connect Week, the annual Salmon Bake and the Grand Opening of the new Native American Longhouse; the September retreat in Salem for cultural centers staff; the opening of the new longhouse and the sense of community within; her ideas for Native Hawaiian activities, collaboration with the P0lynesian Culture Club and Hui o Hawai’i, and outreach to the local population; her advice to future longhouse staff; and her experiences as a Native Hawaiian both in Hawaii and here at OSU.

Carmen López, Office Assistant

Interview Transcript and Interview Audio

Brief Biography:
Carmen was born November 2, 1991, in Portland, Oregon. Her hometown is The Dalles, Oregon. At the time of the interview she was a junior double majoring in Human Development & Family Sciences and Spanish.

Interview Information:
Date: May 22, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:22:30
Interviewer: Natalia Fernández
Transcribers: Johnathan Ngo & Anna Brecheisen

Interview Description:
López discusses her experience working as an office assistant at NAL and learning about Native cultures; the NAL booth on Earth Day; the Salmon Bake event; the importance of salmon and camas to the tribes of the Pacific Northwest and the need to better communicate the meaning of salmon, camas, and dream catchers to event attendees; her experiences as a non-Native member of the staff; her feelings on missing the old Quonset hut, her advice for future non-Native NAL staff and any staff working in cultural centers they don’t racially or ethnically identify with the center in which they work; the significance of the full name of the new Longhouse; her ideas about the NAL collaborating with the 4Cs; and the positive effect of OSU 0n her personal identity as Latina, Mexicana, and Chicana.

Daniel Cárdenas, GTA

Interview Transcript and Interview Audio

Brief Biography:
Daniel was born May 24, 1985, in Anaheim Hills, California. His hometown is a suburb of Sacramento, Fair Oaks, California. At the time of the interview he was a first year grad student studying College Student Services Administration.

Interview Information:
Date: May 23, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:55:02
Interviewer: Natalia Fernández
Transcriber: Hope Ervin-Murillo

Interview Description:
Cárdenas discusses the challenges, responsibilities, and growth he has experienced working as a graduate teaching assistance in the Longhouse; the events of Native Heritage Month; the planning and challenges of opening and moving into the new Longhouse, the annual Pow Wow thrown by NASA; relationships with other cultural centers staff, ideas for intercultural center collaboration; the Oregon One Percent for Art law and the art in the new Longhouse, including the art of artist Shirod Younker; the importance of honoring intersecting identities, the generosity of the local Native community; ideas about bringing in Native language speakers, visiting other longhouses and building ties with the nine tribes of Oregon, and OSU’s impact on his personal racial, ethnic, and spiritual identity.

Nadia Alradhi, Activities Coordinator    

Interview Transcript and Interview Audio

Brief Biography:
Nadia was born March 19, 1992, in Eugene, Oregon. Her hometown is Estacada, Oregon. At the time of the interview she was a senior with plans to graduate in the Fall of 2013 with a degree in Public Health.

Interview Information:
Date: May 23, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:38:38
Interviewer: Natalia Fernández
Transcriber: Natalia Fernández

Interview Description:
Alradhi, a member of the Karuk Tribe of Northern California, describes her experiences as Activities Coordinator at the Native American Longhouse (NAL) and Secretary of the Native American Student Association (NASA). She discusses planning NAL activities; bringing events to OSU dorms; the challenge of advertising the NAL as available for non-natives as well as natives; NASA Pow Wow planning and Jim Thorpe’s 5k Dash for Diabetes; the challenges of learning more about other native tribes; the Transforming Columbus Day event in collaboration with the 4Cs; interacting and collaborating with other cultural centers; the addition of “Eena Haws” to the Longhouse name; her hope to bring back the “Calling All Natives” outreach event; advice for future staff; the effect of racism on her grandfather; the Longhouse impact on her as a Native student; negative comments from non-natives; her suggestions to get more exposure for NAL; her experience as an informal advocate for natives, and her wish for NAL and NASA to collaborate more.

Mariah Huhndorf, Activities Coordinator      

Interview Transcript and Interview Audio

Brief Biography:
Mariah was born November 13, 1991, in Anchorage, Alaska. Her hometown is Kenai, Alaska. At the time of the interview she was a junior studying General Science: Pre-Physician Assistant.

Interview Information:
Date: May 30, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:27:46
Interviewer: Natchee Barnd
Transcriber: Desiree Gorham

Interview Description:
Mariah, a native Alaskan with an Athabaskan mother and Yupik father, describes her experiences at Oregon State University, both as a student and as an Activities Coordinator at the Native American Longhouse. She discusses Longhouse events, such as the Alaska Winter Games, which she coordinated; the challenges and solutions that NAL staff have experienced with communication; her suggestions that staff learn more about events hosted at the NAL by other groups and work to make it clear that the NAL welcomes all visitors, native or not; what the new Longhouse means to her; how OSU and the NAL have affected her own identity as a native Alaskan; the importance of sharing stories and the “culture shock” she felt coming to Corvallis, with a population of about 54,700, from her hometown of Kenai, Alaska, with a population of about 7,000.

Matt Williams, Internal Coordinator     

Interview Transcript and Interview Audio

Brief Biography:
Matt was born January 05, 1992, in Roseburg, Oregon. His hometown is Winston, Oregon. At the time of the interview he was a junior studying Exercise and Sport Science.

Interview Information:
Date: May 30, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:40:47
Interviewer: Natchee Barnd
Transcriber: Hope Ervin-Murillo

Interview Description:
Matt Williams, a Native American with Oglala Sioux, Cherokee and Osage heritage, discusses his experiences as a student, a Native American, and a staff member at the Native American Longhouse (NAL). His discussions include his responsibilities, experiences, and personal growth as an NAL office assistant, activities coordinator and internal coordinator; the importance of teaching about native traditions; the Indigenous Feast at the end of Heritage Month; the Jackson family from Warm Springs Reservation; the challenges of managing time as a working student; NAL collaborations with various OSU departments and his desire for relationships with more departments; Dr. Robert Thompson’s talk about Native American and African American relations during the Civil War; his suggestions for future events and visits to native high schoolers; advice to future coordinators; the challenges of letting non-natives know they can use the NAL; his father’s adoption away from the Pine Ridge Reservation where he was born and subsequent separation from his culture; the N7 program and importance of basketball on many native reservations; stereotypes about Native Americans, and his experience of being mixed native and having a white mother.

Tyler Hogan, External Coordinator                 

Interview Transcript and Interview Audio

Brief Biography:
Tyler was born July 9, 1989, in Belleview, Washington. His hometown is Junction City, Oregon. At the time of the interview he was a senior studying Political Science.

Interview Information:
Date: June 3, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:36:09
Interviewer: Natalia Fernández
Transcriber: Anna Brecheisen & Johnathan Ngo

Interview Description:
Tyler, a member of the Cherokee Nation of Oklahoma, talks about his responsibilities and growth as an External Coordinator at the Native American Longhouse (NAL), where he was previously a volunteer, as well as his experiences as a Native American student at OSU. His discussions include the importance of the Salmon Bake event; the NAL’s relationships with nearby tribes and his desire to have more tribal outreach; Heritage Month events, including the Two-Spirit event and tribal resource kit; the difficulty of getting out a unified message when the NAL staff are from so many different cultures; the gathering of student input during the planning stages of the new Longhouse; what the new Longhouse means to him; his advice to future coordinators; how resilient, passionate, and empowered Native Americans are, especially when given the opportunity; the three functions of the Longhouse; the Longhouse as a “home away from home” for native students; the effect of the Longhouse on OSU and the local community; the Longhouse’s contribution to personal identity development of staff and visitors; negative comments and stereotypes about Native Americans, and the N7 program’s positive effect on cultural competency.

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Braceros Photos in a New Salem Art Exhibit

“Creating Abundance” Art Exhibition in Salem

Six photos from the Braceros in Photograph Collection are featured as part of a new art exhibition in Salem! 

The exhibit is Creating Abundance and “features work by Phil Decker, Judy Phipps, Deanna White, Joel Zak, Roberto Oran, Steve Scardina, Andrzej Maciejewski and Dorothea Lange, as well our historic photographs of Oregon’s Bracero Program. Each artist approaches the subject of food in Oregon from a different angle, resulting in a multi-faceted exhibition designed to elicit questions and conversations.”

~ Salem Art Association Website, Exhibitions

Here are some photos of the Braceros images: 

The Alcove Gallery Featuring the Braceros Photos

Photos from within the Alcove Gallery: 

  

 

 

 

 

 

Exhibit Information:

Location: Bush Barn Art House, Salem Art Association
                 600 Mis­sion St. SE, Salem, Ore­gon 97302

Dates: Now – the end of June 2013

Bush Barn Art Center

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Where are Those Materials? Creating a Digital Collection

A reflection of my current project: The creation of an online exhibit for the Bobbie Nunn and Robert Ford Collection

I can’t say I remember a time when there was no internet. I was born right around the time that the World Wide Web was invented and implemented, which has officially made me a kid of the Information Age. While growing up, I have had the luxury of curing my boredom by “surfing the web” and having Google answer any question I have within .45 seconds (I just typed  Why OSU? into the Google search bar and it kindly rewarded me with “7,190,000 results 0.37 seconds”). The technological advances during the Information Age have led to an increase in both information sharing and information storage, which has created an interesting situation for me this term at the Oregon Multicultural Archives.

During the fall term, the OMA acquired a collection of materials consisting of newspapers, photo albums, letters, books, and magazines pertaining to the Nunn Family, a prominent African American family in Portland. The plan for the collection was to process it, create a finding aid, scan all of the materials, design an online exhibit, and then give it back to the donor. Therefore, after everything is complete, the OMA would be left with a collection that was solely digital. Returning a physical collection as per the donor’s wishes and instead, having a collection that is solely digital may seem uncharacteristic of an archive, however, having the ability to scan materials and share them on the Web is an amazing opportunity that provides extensive access to the collection. And, as with any digital collection, it means that people who are conducting research across the country can use our digital resources even if they can’t make the trip here.

Making history more accessible to a wider audience has always been a mission of mine, but this term I began questioning my project of creating a digital collection. How do I choose what gets digitized? Should I digitize everything? What if I chose not to digitize something and it could have been helpful to someone’s research? I quickly realized that having a collection that will only be digital takes more thought and planning than I ever realized. Even though we have developed a wonderful relationship with the donor, the OMA will not have the collection once we return it. Not having access to the collection means that the material I choose to digitize or do not choose to digitize will be important. The materials that are in the collection will dictate who will be interested in the collection, who will use the collection and how the materials will be used. Last week, after a considerable amount of thought, I came to the conclusion that just as I would have weeded (archives jargon for “removed”) certain materials from a physical collection, I should let the story within the collection guide me to decide what materials should be digitized. Sometimes it is difficult for me to remove materials from a collection, but I think that if I keep in mind the story that the collection is trying to tell, I will be able to create a digital collection that represents the entirety of the physical collection.

And so, over the course of these next few weeks, I will continue working on the creation of the online exhibit and will of course post again soon!

~ Until next time, Hannah Mahoney (OMA student worker)

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The OMA at NWA 2013

AABC and NWA Conference 2013

The OMA was busy at this year’s AABC/NWA conference! Earlier this month the Archives Association of British Columbia (AABC) and the Northwest Archivists (NWA) held a joint conference in Vancouver, British Columbia, and the OMA participated in three sessions:

Session 1: Roundtable: “Prescripts and Postscripts: Connecting Theatre Companies and Archives in the Pacific Northwest” ~ In this session the OMA shared information regarding the Miracle Theatre Project; intern Mike Dicianna presented. Helice Koffler of the University of Washington was the session moderator and she discussed the American Theatre Archives Project as well as the Seattle Theatre Archives guide. Other presenters included theatre researchers, Renée Bucciarelli, City Stage New West, and Ken McIntosh, co-author of Burning Up the Infield.

Click here for access to the Presentation about the OMA and the Miracle Theatre Group

Session 2: Panel: “The Oregon Tribal Archives Institute: Providing a Professional Development and Networking Opportunity for Oregon’s Tribal Communities” ~ The OMA has blogged quite a bit about this project and for the first time was able to share it on a  regional level! The OMA presented on its role within the project the other presenters included  David Lewis, Confederated Tribes of the Grand Ronde Community of Oregon; Jennifer O’Neal, University of Oregon; and Larry Landis, Oregon State University. More information is located on the OTAI Project Website

Click here for access to the OTAI Presentation

Session 3: Roundtable:  NWA’s Native American Collections Roundtable ~ The NWA-NAC roundtable was first conceived at the 2012 NWA Conference during the session, “The Protocols for Native American Archival Materials.” NWA-NAC Roundtable members, including the OMA, shared the history and progress made to create the roundtable; discussed the bylaws; and brainstormed topics for the NWA-NAC blog and future projects. The Roundtable Moderator was Mariecris Gatlabayan, University of Alaska Anchorage. Be sure to check out the NWA-NACR website for more information.

Conference Highlight:

Kim Christen, Associate Professor in the Department of Critical Culture, Gender and Race Studies and Director of Digital Projects at the Plateau Center for American Indian Studies at Washington State University, gave a great keynote address “Relationships not Records: Connecting Communities and Collections.” Christen’s ongoing work explores the intersections of cultural heritage, traditional knowledge, intellectual property rights, the ethics of openness, and the use of digital technologies in and by indigenous communities globally.

Click here for the Full Conference Program (PDF)

Next up for the OMA during conference season is two upcoming presentations at the Association of Tribal Archives, Libraries, and Museums, in New Mexico this June! 

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“The Fall of ’41: Students of Japanese Descent at Oregon State College”

In celebration of Asian Pacific Islander Heritage Month, the Oregon Multicultural Archives presents the display “The Fall of ’41: Students of Japanese Descent at Oregon State College”

Beginning with an overview of the Japanese immigration to Oregon, the display largely chronicles the campus reaction, both the students and the administration, in the months  after the attack on Pearl Harbor, and concludes decades later with the honorary degrees awarded to the Japanese students in 2008.

If you are interested in learning more, all of the documents and photographs within the OMA collections pertaining to the events have been digitized and are available online, see the blog post: OSU’s Japanese American Students During WWII

The Flickr collection of the display showcases the photographs of many of the students enrolled at OSC during 1941-1942.

 Display Information:

Dates: May-June 2013
Location: OSU Valley Library, 5th Floor across from the main elevators
Exhibit Curation and Design: Hannah Mahoney, OSU Special Collections and Archives Research Center Student Worker

Special Thanks: The exhibit includes photographs from the Oregon Nikkei Legacy Center (ONLC) in Portland, Oregon. We were lucky to have the opportunity to work with the ONLC on this exhibit to gain a better understanding of the Japanese American population in Oregon.

Want to learn more? Contact Oregon Multicultural Librarian Natalia Fernández at natalia.fernandez@oregonstate.edu

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Minorities in the Barometer, the 1960s

Microfilm Boxes Containing the 1960’s Barometer

Last year the OMA began a project to search through The Daily Barometer (day-by-day) to find as many minority issues/multicultural related articles as possible, scan them, and make them available online. We started with the 1970s and just completed the 1960s!

Minorities in the Barometer Online Collection

The Daily Barometer, OSU’s student newspaper is a fantastic source of information regarding special events and campus controversies as well as a great way to get a sense of the general atmosphere on campus from the student perspective. The archives has copies of the Barometer dating back to the early 1900s both in print, in large bound editions, as well as on microfilm, which can be viewed via specialized equipment.

This project will continue, decade by decade, and we will be sure to post about it when we make another decade worth of articles available!

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