Proceedings CFP

We invite presenters from the 2024 Phish Studies Conference to submit expanded and revised versions of their conference presentations to be considered for publication in an edited volume to be submitted for review by an academic press.

Submissions should be a maximum of 8,000 words (including notes), follow Oxford manuscript preparation guidelines and house style, and use Chicago Endnote citation format. Email completed chapters to phishstudies@oregonstate.edu no later than 12/15/24.

If your paper uses song lyrics, your submission must be accompanied by a separate document that lists, for each instance: 1) the lyric, 2) page #, 3) song, and 4) purpose of the reference.

Additionally, song lyrics must be treated as academic references. They should be quoted, cited in endnotes, and listed in bibliographies using the following formats:

Endnote:
Trey Anastasio, “Set Your Soul Free,” by Trey Anastasio. Track 3 on Burn It Down (Rubber Jungle Records, 2020). Lyrics retrieved from https://phish.net

Phish, “Bittersweet Motel,” by Trey Anastasio, Jon Fishman, Mike Gordon, & Page McConnell. Live debut: Desert Sky Pavilion, Phoenix, AZ, July 21, 1998. Lyrics retrieved from https://phish.net

Phish, “Cavern,” by Trey Anastasio, Tom Marshall, & Scott Herman. Track 3 on A Picture of Nectar (Elektra Records, 1992). Lyrics retrieved from https://phish.net

Bibliography:
Anastasio, Trey. “Set Your Soul Free.” By Trey Anastasio. Track 3 on Burn It Down. Rubber Jungle Records, 2020. Lyrics retrieved from https://phish.net

Phish, “Bittersweet Motel,” by Trey Anastasio, Jon Fishman, Mike Gordon, & Page McConnell. Live debut: Desert Sky Pavilion, Phoenix, AZ, July 21, 1998. Lyrics retrieved from https://phish.net

Phish. “Cavern.” By Trey Anastasio, Tom Marshall, & Scott Herman. Track 3 on A Picture of Nectar. Elektra Records, 1992. Lyrics retrieved from https://phish.net

2024 Phish Studies Conference Proceedings Compilation co-editors:
Natalie Dollar
Paul Jakus
Stephanie Jenkins
Oren Kroll-Zeldin
Dana Reason