“Today I caught the tail end of a likewise provocative and beautiful exhibit of two women photographers, one capturing (like Williams) images of emptiness that remind us that people were there, in the landscape, and the other showing two sets of photos: one of boxed heads (people cramming heads and arms into wooden cubes) and the other, to me more evocative, of weird, formal, aesthetically beautiful photographs of children with mostly dead animals — or in one case, animals that look on the bottom half dead and on the top half alive.”
Read more of Prof. Mina Carson’s ‘VU’ of Paris from behind ‘The Historian’s Lens.‘
