Do you ever look for sand dollars when you walk along the beach?  Or Japanese glass floats?  What about dead birds?  It may sounds strange, but hundreds of people along the West Coast walk up and down the beach looking for dead birds.

Let me explain.   Volunteers in citizen science project COASST (the Coastal Observation and Seabird Survey Team) do monthly beach surveys to monitor seabird mortality.  This is the citizen science group I will be working with for my thesis.  Participants commit to surveying a one-mile stretch of beach every month, and complete a one-day training to lean the protocol for identifying wracked birds.  After each survey, volunteers upload the data and photographs to the program website for independent verification.

Why monitor dead birds?  The COASST program was originally designed in 1998 to collect baseline data about seabird mortality in case there’s an oil spill.  If no one knows what’s “normal” for seabird populations, it might be difficult to create accountability should an oil spill occur.  Over the past thirteen years, COASST data has been used in a variety of scientific studies, including studies on fisheries interactions, harmful algal blooms, genetic studies of Western Grebes (candidate for threatened species status), and potential warning systems for avian flu.

Two weeks ago, a couple COASST volunteers let me join their survey to see what it’s like.  On the drive out to the beach, one volunteer asked me, “How did you hear about COASST?” It turns out that we both first learned of the program in a book called Strand: An Odyssey of Pacific Ocean Debris.  After reading about the COASST program, she looked up when the next training would be held, called her “nerd friend,” and they have been happily identifying and photographing dead birds ever since.

I have to say, this was the most fun I’ve ever had counting dead birds.  We had great weather, beautiful scenery, interesting conversation… what else could you want from a day at the beach?  I am really looking forward to working with the COASST program and volunteers for my thesis.

How do we get signs in front of visitors so they will actually read them? Think about how many signs at the front door of your favorite establishment you walk past without reading. How many street signs, billboards, and on-vehicle ads pass through our vision barely a blur? While exhibit designers spend many an hour toiling away to create the perfect signs to offer visitors some background and possible ways to interact with objects, many visitors gloss right over them, preferring to just start interacting or looking in their own way. This may be a fine alternative use for most cases, but in the case of our video research and the associated informed consent that our subjects need to offer, signs at the front door are going to be our best bet to inform visitors but not unduly interrupt their experience, or make museum entry and additional unreasonable burden for visitors or staff. Plus, the video recording is not optional at this point for folks who visit; you can visit and be recorded, or you can’t visit.

Thankfully, we have the benefit of the Exploratorium and other museums who have done video research in certain exhibits and have tested signs at their entrances and the percentage of visitors who subsequently know they’re being recorded for research. Two studies by the Exploratorium staff showed that their signs at entrances to specifically cordoned-off areas stating that videotaping for research was in progress were effective at informing 99% of visitors to the exhibit areas that a) videotaping was happening and b) it was for research. One interesting point is that their testing of the signs themselves and the language on them revealed that the camera icon needed to be rather old-school/highly professional looking to distinguish itself from the average visitor making home movies while visiting a museum and be clearly associated with official research purposes.


Source: store.sony.com via Free-Choice on Pinterest

Never mind the cameras we’re actually using look more like surveillance cameras.

 

So our strategy, crafted with our Institutional Review Board, is several-fold. Signs at the front entrance (and the back entrance, for staff and volunteers, and other HMSC visitors who might be touring the entire research facility for other reasons and popping in to the VC) will feature the large research camera and a few, hopefully succinct and clear words about the reasons we’re doing research, and where to get more information. We also have smaller signs on some of the cameras themselves with a short blurb about the fact that it’s there for research purposes. Next, we’re making handouts for people that will explain in more detail what our research is about and how the videos help us with that work. We’ll also put that information on our web site, and add the address of the video research information to our rack cards and other promotional material we send around town and Oregon. Of course, our staff and volunteers are also being included in the process so they are well-equipped to answer visitor questions.

Then there’s the thorny issue of students. University students who are over 18 who are visiting as part of a required class will have to individually consent due to federal FERPA regulations. We’re working with the IRB to make this as seamless a process as possible. We’ll be contacting local school superintendents to let them know about the research and let them inform parents of any class that will be attending on a field trip. These students on class field trips will be assumed to have parental consent by virtue of having signed school permission slips to attend Hatfield.

Hopefully this will all work. The Exploratorium’s work showed that even most people who didn’t realize they were being recorded were not bothered much by the recording, and even fewer would have avoided the area if they’d actually known before hand. As always, though, it will be a work-in-progress as we get visitor and volunteer feedback and move forward with the research.

Gutwill, J. (2003). “Gaining visitor consent for research II: Improving the posted-sign method.” Curator
46(2): 228-235

Gutwill, J. (2002). “Gaining visitor consent for research: Testing the posted-sign method.” Curator 45(3): 232-238.

I have spent 4½ days listening and learning from other environmental educators.  I am at the North American Association for Environmental Education (NAAEE) conference in Oakland, CA with two colleagues, Dan Calvert and Jen Wyld.  We have definitely taken the “divide and conquer” idea at this conference so we could experience and share as much as possible.

A few things from this week have really stood out.  While there is not a large informal education presence, this conference has offered a lot of talks that I (and hopefully some of you) have an interest in and I think a lot of them apply to informal learning.

During the Research Symposium, the presenters had us divide into groups and go out into an urban green space.  They challenged us to answer questions that were originally posed by Aldo Leopold to his students: What is happening here?  What has happened here? What should happen here?  We used these questions to think about the more-than-human world.

The actual conference opened Wednesday night with an amazing keynote by Annie Leonard, who talked about “The Story of Stuff” (www.storyofstuff.org/).  Annie was an enthusiastic presenter with so many zingers that I can’t possibly type them all out here!

On Thursday morning, Jen & I (and about 40 other conference attendees) went on an urban hike with Oakland Native American youth.  We learned about their program and the importance of outdoor experiences to their identity and sense of place.

 

Hector (…and if you are reading this Hector and I misspelled your name, leave a comment or email me for a correction!) was our guide and has been involved with the program for 8 years.  He took us up to Inspiration Point in Joaquin Miller Park.  We spent some time taking in the view of Oakland and then Hector shared that he comes up to this point when he feels stressed, even if it’s at midnight.  He also shared, so eloquently, that “We have to remind ourselves that we all started somewhere.  We all came from the woods.”

On Thursday we heard about how environmental education can integrate equity, inclusion, and diversity.  We also heard from three inspirational women about effective social media (maybe a discussion for another day).

Today is my last day here.  This morning I went to a panel about eating local food and partnering with farmers for education.  This was nicely followed by a visit to the Oakland Farmer’s Market!

Free-Choice Learning Lab Research and cutting-edge technology used will be disseminated Internationally! Brazil here we go to Rio!

Shawn and I have been confirmed to participate at the First International Workshop  on Museum Learning Research, which will take place in Brazil this coming December. We will be participating in round tables about visitor learning research, discussing methodologies and presenting our various research tracks, especially in regards to Hatfield Marine Science Center. We will have the opportunity to share the Cyber lab activities with museum researchers around the world and a bigger population of  Brazilian researchers. This will be a great opportunity to get ourselves known within international scope and to jumpstart my research in Brazil, as well as our partnership with my co-adviser’s “Life Museum”, as a place for professional development exchange and cross-cultural comparison of methodologies used.

We will present the work you have been doing with Shawn (giving the credit you deserve) and the ideas for my research project on family learning in Brazilian Museums. This will be a great opportunity for me to network and narrow down the focus of my research as to what is actually doable within the Brazilian context and with the partners I will be able to get involved with. Generally, we will focus on new methodologies available with the Cyber Lab technological tools and, this way, create opportunities for methodologies to be replicated cross-culturally. They are very interested in what we do, and if we are successful in creating such partnerships, your work at the lab will contribute to the developing field of visitor-focused research in Brazil.

We will keep you updated of what goes on. In addition to post the experience here upon our return. We will probably post and live twit while there to share our immediate impressions and issues raised.

That is it for now. I am so happy to go back home (and I have never been in Rio). I am even happier to go back for this purpose, as I truly want to contribute to this research field in Brazil. Hope I will!

Susan

That’s the question we’re facing next: what kind of audio systems we need to collect visitor conversations. The mics included on the AXIS cameras that we’re using are built-in to them and just not sensitive enough. Not entirely surprising, given that they’re normally used for video surveillance only (it’s illegal to record audio in security situations), but it does leave us to our own devices to figure something else out. Again.

Of course, we have the same issues as before: limited external power, location – has to be near enough to plug in to a camera to be incorporated into the system, plus now we need at least some of them to be waterproof, which isn’t a common feature of microphones (the cameras are protected by their domes and general housing). We also have to think about directionality; if we come up with something that’s too sensitive, we may have bleed over across several mics, which our software won’t be able to separate. If they’re not sensitive enough if in enough directions, though, we’ll either need a ton of mics (I mean, like 3-4 per camera) or we’ll have a very limited conversation capture area at each exhibit. And any good museum folk know that people don’t stand in one spot and talk, generally!

So we have a couple options that we’re starting with. One is a really messy cheap mic with a lot of wires exposed, which may present an aesthetic issue at the very least, and the other are more expensive models that may or may not be waterproof and more effective. We’re working with collaborators from The Exploratorium on this, but they’ve generally up to now only used audio recording in areas they tucked back from the noisiest parts of the exhibit floor and soundproofed quite a bit besides. They’re looking to expand as they move to their new building in the spring, however, so hopefully by putting our heads together and, as always, testing things boots on the ground, we’ll have some better ideas soon. Especially since we’ve stumped all the more traditional audio specialists we’ve put this problem to so far.

Last weekend a number of us headed off to the Oregon coast for the FCL annual retreat. This year it was at William H. Tugman state park near Winchester Bay, OR. As true Oregonians, we stayed in yurts and ran our activities outdoors. Although a little chilly (hey, it IS the Oregon coast!), the weather was beautiful and good times were had by all.

 

The FCL retreat is a student-led professional development opportunity involving a number of grad student and social-centered activities. It’s also an opportunity for us to get to know each other a little better, and enjoy some hang-out time for community-building across the FCL-related programs at OSU.  Over 20 people attended this year, including Dr. Rowe, Dr. John Falk and Dr. Lynn Dierking, as well as partners, dogs and babies, which made for an academic as well as all-round family atmosphere! The annual retreat was started last year at the Oregon Hatchery Research Center in Alsea, OR, and we are hoping it will become a tradition for years to come.

 

Activities were centered on a variety of topics, and included

  • Team building
  • Grant writing
  • Sensory drawing
  • Principles of interpretation
  • Working with culturally and linguistically diverse populations
  • Irish dancing
  • Night hiking
  • Yoga
  • Health

Plus, a couple of extra fun campfires and lots of eating! A big thank you to everyone who helped organize and/or participated in the retreat. Some the highlights included creating interpretive sculptures with modeling clay, watching everyone try to dance in unison during Irish dancing whilst falling over their own feet, and learning some crazy new things we never knew about each other in Dr. Dierking’s icebreaker game. We also discovered Laia is amazing at cooking chili over a fire, and Dr. Rowe makes a mean burger!

Check out our photos here. You will also find them on our facebook page.