I have been absent from blog posting as of late due to the whirlwind of grad school, but that also means there is quite a bit to share related to work in the lab and research!  My last post described the experience at ASTC in North Carolina – a great opportunity to see work at other science and technology centers, and to meet professionals in the field that are doing incredible things at these locations.  Since then I have been ramping up on my personal research, but also balancing coursework.

I am really excited to be enrolled in Oregon State University’s Free Choice Learning (FCL) series this year.  Everything I was learning “in the field” is now gaining context through courses in personal, sociocultural, and physical dimensions of learning.  I have the opportunity to practice evaluation methods through assignments and read papers related to my research on family group interactions in the museum.  I am thankful that I get to take these classes from Dr. John Falk and Dr. Lynn Dierking, two researchers that have studied FCL for many years!

In the visitor center, we are focused on getting our facial recognition cameras consistently working and capturing data.  We have been collecting images, but getting 11 cameras to stream a lot of data at the same time is challenging as both the hardware and software have to sync.  This has been a great learning opportunity in trial and error, but also learning the “language” of a field I am not familiar with.  As I have to troubleshoot with engineers and software developers, I have been learning vocabulary related not only to the camera system, but also the usability of configuring the cameras and the software.  Beyond the task of setting this up, it is an experience that I will reflect on with future projects that require me to learn the language of another industry, embrace trial and error, and patience in the process.

In addition to Cyberlab duties, I am busy coding video of families using the multi-touch table collected in August 2014.  Over the past twenty years, research on family learning has shown us how exhibits are often used (much of this research was done by Falk, Dierking, Borun, Ellenbogen, among others).  I am curious about the quality of interactions occurring at the touch table between adults and children.  I developed a rubric based on three different dimensions of behaviors – responsive engagement, learning strategies and opportunities, and directive engagement, and whether they are observed at low, moderate, or high levels.  These categories are modified from the types of behavior outlined by Piscitelli and Weier (2002) in relation to adult-child interactions surrounding art.  From their work, they found that a distribution of behaviors from these categories support the value of the interactions (Piscitelli & Weier, 2002).  Each category looks at how the adult(s) and child(ren) interact with each other while manipulating the touch table.  I also modeled the rubric after what is used in the classroom to assess teacher and student interactions around tasks.

An example of a high level of responsive engagement would be that the adults and children are in close proximity to each other while using the exhibit, their hands are on the touch surface for a majority of the time, the adults are using encouraging words and acknowledging the child’s statements or questions, and there similar levels of emotional affect expressed between them.  Learning strategies focuses more on the verbalization of the content of the exhibit and the integration of information, such as connecting the content to prior knowledge or experiences external to exhibit use.  Finally, directive engagement looks at whether the adult is providing guidance or facilitating use of exhibit by directing a task to be performed, showing a child how to accomplish the activity.  From this data, I hope to understand more at depth how the table is used and the ways adults and children interact while using it.  This may give us some idea as to how to support software and content design for these forms of digital interactives, which are becoming more popular in the museum environment.

My goal is to have videos coded by the end of the month, so back to work I go!

Piscitelli, B., & Weier, K. (2002). Learning With, Through, and About Art: The Role of Social Interactions. In S. G. Paris (Ed.), Perspectives on Object-Centered Learning in Museums (pp. 121–151). Mahwah: Lawrence Erlbaum Associates.

Pic_table

After all the preparation for my research study, it was finally time to sit and observe visitor behavior around exhibits and collect some data.  This allowed me to personally see what natural behaviors in an informal science setting look like, while applying the skills and knowledge I have gained about conducting research and interviewing human participants.

Over the course of August I interviewed 25 family groups after they used the Ideum multi-touch table.  My goal was to collect data in the Visitor Center over morning and afternoon hours each day of the week to get a wide distribution of visitor attendance.  After each sampling session I was busy processing the data, inputting survey responses and typing up the comments from the open-ended piece of the interview, while downloading video footage of the interactions.  I enjoyed the result of our team’s effort of putting the camera system in place, as it was convenient to go back to the day of the visitor encounter and know that their conversations and interactions were captured unobtrusively on film.  The set-up of the Cyberlab provides an advantage to past methodologies where the researcher physically tracked the visitor or a large video camera was placed right over an exhibit.  Through our methods, I believe we are collecting very natural behaviors by the visitor which will help us understand learning in the public science setting more efficiently and effectively.

Family use of museums and science centers have been investigated over the past few decades, but as learning researcher Doris Ash noted in 2003 in the Journal of Research in Science Teaching, there are few studies that investigate at depth the dialogic analysis of interactions with the family group.  This is important to understanding how meaning and sense-making between learners takes place in the informal science setting.  In looking at the research on large touch surface technology, I have not found much on family group use in public settings with science-related content.  The field of human-computer interaction has explored this technology with regard to usability features, particularly with gestures and software or program navigation.  I hope that my research provides insight combining both family learning and how this technology can support that.

While there are many different layers to the informal science experience (physical, personal, and sociocultural elements), I thought about the individual and collective learning in the family group, as well as how they were positioned in the physical sense around the touch table during the “live” observations.  As I look at footage, I will be exploring the interactions and roles that occur within the group while considering the conversations that are taking place.  I am also interested in the overall response to the touch table.  Part of my interview with the group was to hear how they would describe their attraction to the exhibit and how they described their interaction with this type of technology.  I will be doing some content analysis in an effort to see what the common themes are within their responses.

Considering the other technology we have, a familiar digital “interactive” is a single user kiosk or desktop computer with games and information.  The touch table allows for multiple users and inputs and is not commonly seen in other settings.  We have a desktop interactive located near the touch table, and I observed families (in groups of two, three, even up to five) crowding around the computer and “coaching” the user in control of the mouse.  As the desktop exhibit affords one kind of experience, the touch table allows for collective physical action at the same time.  Five people could use this exhibit at once.  Keeping this in mind, how can we (informal science centers with access to the technology) take advantage of this to facilitate learning for the individual and the group?

September and October will be busy months analyzing footage.  I am eager to see just what comes out of all of this data!

Summer is flying by and the hard work in the Cyberlab continues.  If you have been keeping up with previous posts, we have had researchers in residence as part of our Cyber Scholar program, movement on our facial recognition camera installations, and conference presentations taking place around the country and internationally.  Sometimes I forget just how amazing the implementation of unobtrusive audio and video collection methods are to the field of visitor research and exhibit evaluation until I talk to another researcher or educator working at another informal learning center.  The methods and tools we are applying have huge implications to streamlining these types of projects.  It is exciting to be a part of an innovative project in an effort to understand free choice learning and after a year in the lab, I have gained several new skills, particularly learning by doing.

As with any research, or project in general, there are highs and lows with trying to get things done and working.  Ideally, everything will work the first time (or when plugged in), there are no delays, and moving forward is the only direction.  Of course in reality there are tool constraints, pieces to reconsider and reconfigure, and several starts and stops in an effort to figure it out.  There is no Cyberlab “manual” – we are creating it as we go – and this has been a great lesson for me personally when it comes to my approach to both personal and professional experiences, particularly with future opportunities in research.

Speaking of research, this past week I started the data that will go towards my Master’s thesis.  As I am looking at family interactions and evidence of learning behaviors around the Ideum touchtable, I am getting the chance to use the tools of the Cyberlab, but also gain experience recruiting and interviewing visitors.  My data collection will last throughout the month of August, as I perform sampling during morning and afternoon hours on every day of the week.  This will allow for a broad spectrum of visitors, though I am purposively sampling “multi-generational” family groups, or at least one adult and one child using the exhibit.  After at least one minute of table use, I am interviewing the group about their experience using the touch table, and will be looking at the footage to further analyze what types of learning behaviors may be occurring.

During my observations, I have been reflecting on my time as an undergraduate conducting research in marine biology.  At that point, I was looking at distribution and feeding habitats of orange sea cucumbers in the Puget Sound.  Now the “wildlife” I am studying is the human species and as I sit and observe from a distance, I think about how wildlife biologists wait in the brush for the animal they are studying to approach, interact, and depart the area.  Over the course of my sampling sessions I am waiting for a family group to approach, interact, and depart the gallery.  There are so many questions that I have been thinking about with regards to family behavior in a public science center.  How do they move through the space, what exhibits attract particular age groups, how long do they decide to stay in any particular area, and what do they discuss while they are there?  I am excited to begin analyzing the data I will get.  No doubt it will likely lead to more questions…

Spring Quarter is now upon us and with that there is plenty of “spring cleaning” to get done in the Cyberlab prior to the surge of visitors to Newport over the summer months.  For a free-choice learning geek like me, this period of data collection will be exciting as I work on my research for my graduate program.

The monitoring and maintenance of the audio and video recording devices continues!  Working with this technology is a great opportunity to troubleshoot and consider effective placement around exhibits.  I am getting more practice with camera installation and ensuring that data is being recorded and archived on our servers.  We are also thinking about how we can rapidly deploy cameras for guest researchers based on their project needs.  If other museums, aquariums, or science centers consider a similar method to collect audio and video data, I know we can offer insight as we continue to try things and re-adjust.  At this point I don’t take these collection methods for granted!  Reading through published visitor research projects, there was consideration for how to minimize the effect of an observer or a large camera recording nearby and how this influenced behavior.  Now cameras are smaller and can be mounted in ways that they blend in with the surroundings.  This helps us see more natural behaviors as people explore the exhibits.  This is important to me because I will be using the audio and video equipment to look for patterns of behavior around the multi-touch interactive tabletop exhibit.

Based on comments from our volunteers, the touchtable has received a lot of attention from visitors.  At this time we have a couple different programs installed on the table.  One program from Open Exhibits has content about the electromagnetic spectrum where users can drag an image of an object through the different sections of the spectrum, including infrared, visible, ultraviolet, and x-ray, while providing information about each category.  Another program is called Valcamonica, which has puzzles and content about prehistoric petroglyphs found in Northern Italy.  I am curious as to the conversations people are having around the table and whether they are verbalizing the content they see or how to use the technology.  If there are different ages within the group, is someone taking the role as the “expert” on how to use it?  Are they modeling and showing others how to navigate through the software?  Are visitors also spending time at other exhibits near the table?  There are live animal exhibits within 15 feet of the table and are they getting attention?  I am thinking about all of these questions as I design my research project that will be conducted this summer.  Which means…time to get back to work!

Meaning making is an idea that seems to resonate with lots of people studying learning or creating contexts for learning.  We want visitors or students to make meaning of their experiences.  As a construct, meaning making seems to be a way to capture the active elements of learning as well as the uniqueness of each learner’s prior experience and knowledge and the open ended nature of free-choice learning experiences in general.

But what do we really mean by meaning making?  And how should we approach operationalizing it for research? For Vygotsky, meaning had two components – meaning proper and personal sense.  The component of meaning in Vygotsky’s work focuses attention on the shared, distributed, what Bakhtin would call repeatable, and “public” denotations of a word, gesture, action or event.  This is largely the aspect of meaning making that researchers have in mind when they are thinking about education. This approach to meaning encourages researchers to ask whether the students and learners are making the “right” meaning? Are the meanings that they are making recognizable and shareable with us, with more expert others, and with each other? Are they getting the content and ideas and concepts right? But this shared, public aspect is only a part of the whole of meaning that person makes.

For Vygotksy and generations of Activity Theorists, a more primary aspect of this shared, public, testable, and authoritative meaning is personal sense.  The construct of personal sense attempts to capture the very personal, biographical, embodied, situated connotations of words, gestures, actions and events. This is the realm of what those things mean for us as part of our personal narratives about ourselves, our experiences, sense of place or even sense of ourselves.  It is about how they resonate (or not) with our values, beliefs, judgments and knowledge.  As learning researchers, we often discount or ignore this hugely important aspect of meaning making, and yet when people visit a museum or learn something new, this element of personal sense may be in the forefront of the experience.  The realm of personal sense is where emotional experiences get burned into memory, where motivations and identities are negotiated, tried on, and appropriated or rejected. This is also the realm where we need the most help from learners as co-researchers.  We can measure and document the meaning aspect of their meaning making relatively easily, but we rely on them to report about the personal sense they are making. As researchers, we should add to our documenting of the development of accurate and sharable meaning and develop serious ways to embrace the notion of reflection instead. Experiences that support meaning making as personal sense making are effective in supporting the overall learning process because they are essentially reflective.

What kinds of dialogues with learners most support that reporting are an open question to me right now.  I’d welcome ideas here!

Last week I wrote about Bakhtin’s idea that in order to put together a real, full research account, the researcher point of view has to be put in dialogue with the point of view of the participant in research.  Neither point of view is complete in and of itself.  The question I raised was how do we make sure and include the voices of research subjects in our work such that they are co-researchers with us and help create those fuller research accounts of experience.  One of the primary tools for engaging in shared research used in professional development of educators is video.  When we video our practice as educators and (re)view it with others, we create the possibility of real dialogue among multiple points of view.  My own experience working with classroom teachers and museum educators, floor staff, and volunteer interpreters using video to reflect on experience has convinced me that neither my outsider observations nor their reflective writing have been sufficient to create real dialogic relationships where we become co-researchers.  In some cases, overarching cultural and social narratives about teachers and learners inevitably drown out the details of their experiences as they experienced them. In other cases, the details of those experiences defy categorization and reflection.

As one example, in one project to develop a professional learning community among veteran K-10 teachers, observations showed very little evidence of student led inquiry, but teacher narratives about their teaching reported detailed regular use of student-centered science inquiry techniques as part of their normal routines.  Having teachers observe each other using a researcher-generated rubric did little to change their assertions about their teaching even though they were directly contradicted by the observational evidence.  Similarly, in multiple projects with museum educators, those educators report a basic belief that visitors do not read labels.  Putting these educators in the position of researchers observing visitors generated copious examples of visitors reading labels, yet educator narratives about visitors consistently fail to include that reading. The data and observations simply don’t stick and are overwhelmed by other kinds of details or by larger-scale institutional narratives about visitor behavior.

In both instances, we eventually turned to video as a way of creating what we hoped would be shared texts for analysis and reflection.  Yet, the existence of video itself as a shared text is also not enough to form the grounds for researchers and participants to become co-researchers.  Watching video and talking about it, even using a rubric to analyze it definitely helps educators be more reflective about their experiences and to put them in larger contexts than the overarching narratives we tend to fall back on.  But there still seems to be a missing step.

For Bakhtin the missing step seems to engaging in co-authorship to create some kind of new text or new representation of or about that experience.  When we watch video and reflect on it with each other, educators and researchers both come away with a stronger shared sense of what’s happening, but in the absence of creating some kind of new shared text or representation, we don’t have the opportunity for truly developing as co-researchers.  Are there places and projects beyond video that we can do on the museum floor that will help visitors (re)create, write about, or otherwise represent their experiences with us as co-authors?