{"id":9466,"date":"2013-03-05T19:20:04","date_gmt":"2013-03-05T19:20:04","guid":{"rendered":"http:\/\/wpmu.library.oregonstate.edu\/oregon-multicultural-archives\/?p=9466"},"modified":"2013-03-05T19:20:04","modified_gmt":"2013-03-05T19:20:04","slug":"miracle-theatre-atap","status":"publish","type":"post","link":"https:\/\/blogs.oregonstate.edu\/oregonmulticulturalarchives\/2013\/03\/05\/miracle-theatre-atap\/","title":{"rendered":"American Theatre Archive Project Presentation at Miracle Theatre"},"content":{"rendered":"

\"\"<\/a> Helice Koffler, Rachel Kinsman Steck, and Jeff Katz of the Northwest Region of ATAP<\/p>\n

On Thursday, February 28th<\/sup>, the OMA\u2019s Miracle Theatre Project participated in a meeting of local Portland, Oregon arts groups featuring the American Theatre Archive Project <\/a>(ATAP).\u00a0 Helice Koffler, Rachel Kinsman Steck, and Jeff Katz of the Northwest Region of ATAP gave presentations about the importance of preserving theatre history.\u00a0 Every theatre group has some type of archive, either organized or accumulated.\u00a0\u00a0It is of historical importance for these groups to get a handle on their volumes of records, ephemera, and production materials.<\/p>\n

\"\"<\/a> Examples of Various Forms of Media Found in a Theatre Archives<\/p>\n

To illustrate just how theatre archives can be managed, I put together a display of Miracle Theatre materials.\u00a0 I arranged some of the theatre’s archival holdings along with the proper archival storage and organizational materials.\u00a0 Different forms of media, such as video, CD\/DVD, photographs, and floppy discs were used to highlight the need to preserve productions for the future.\u00a0\u00a0Good records management practices were also stressed.\u00a0 A records retention schedule for items like financial records can thin out the bulk of many stockpiles of theatre papers.\u00a0\u00a0A sign with \u201cDo we really need to keep thirteen year old phone bills?\u201d helped to drive home this concept.\u00a0 The representatives of the Portland theatre community learned that setting up an archival program has many benefits.<\/p>\n

\"\"<\/a> ATAP Meeting Group<\/p>\n

ATAP\u2019s Helice Koffler presentation included information about the national program and its history, as well as efforts underway in the Pacific Northwest.\u00a0 Jeff Katz introduced the ideas that not only are physical archives important to establish, but gathering oral histories of important theatre founders is equally imperative.\u00a0 Rachel Steck showed how theatres can have an online archive, possibly including videos, interviews or photographs.\u00a0\u00a0OMA Archivist Natalia Fern\u00e1ndez spoke of the relationship we are developing with\u00a0Jos\u00e9 Gonzalez and the Miracle Theatre Group.\u00a0 She emphasized that organizations such as the OMA can provide expertise, collection storage, and arrangement assistance.<\/p>\n

I felt that the ATAP meeting was very successful.\u00a0 The OMA Miracle Theatre Project was well represented and proved to be a model that other theatrical groups can emulate.\u00a0 The theatre groups in attendance learned the importance of comprehensive archive programs to preserve the history of the arts in Portland, Oregon.<\/p>\n

~ Mike Dicianna, Miracle Theatre Group Archives Project Intern\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Helice Koffler, Rachel Kinsman Steck, and Jeff Katz of the Northwest Region of ATAP On Thursday, February 28th, the OMA\u2019s Miracle Theatre Project participated in a meeting of local Portland, Oregon arts groups featuring the American Theatre Archive Project (ATAP).\u00a0 … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":6078,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1329592],"tags":[1323863,3552,1324603],"class_list":["post-9466","post","type-post","status-publish","format-standard","hentry","category-oma","tag-intern-mike-dicianna-mtg","tag-latinoa","tag-miracle-theatre-group"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.oregonstate.edu\/oregonmulticulturalarchives\/wp-json\/wp\/v2\/posts\/9466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.oregonstate.edu\/oregonmulticulturalarchives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.oregonstate.edu\/oregonmulticulturalarchives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.oregonstate.edu\/oregonmulticulturalarchives\/wp-json\/wp\/v2\/users\/6078"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.oregonstate.edu\/oregonmulticulturalarchives\/wp-json\/wp\/v2\/comments?post=9466"}],"version-history":[{"count":0,"href":"https:\/\/blogs.oregonstate.edu\/oregonmulticulturalarchives\/wp-json\/wp\/v2\/posts\/9466\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.oregonstate.edu\/oregonmulticulturalarchives\/wp-json\/wp\/v2\/media?parent=9466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.oregonstate.edu\/oregonmulticulturalarchives\/wp-json\/wp\/v2\/categories?post=9466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.oregonstate.edu\/oregonmulticulturalarchives\/wp-json\/wp\/v2\/tags?post=9466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}