{"id":51,"date":"2020-08-25T21:06:28","date_gmt":"2020-08-25T21:06:28","guid":{"rendered":"http:\/\/blogs.oregonstate.edu\/digitalproductionunit\/?page_id=51"},"modified":"2020-08-26T18:46:15","modified_gmt":"2020-08-26T18:46:15","slug":"audiovisual-materials","status":"publish","type":"page","link":"https:\/\/blogs.oregonstate.edu\/digitalproductionunit\/audiovisual-materials\/","title":{"rendered":"Audiovisual Materials"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-text-color has-background has-luminous-vivid-orange-background-color has-luminous-vivid-orange-color is-style-wide\" \/>\n\n\n\n<h3 class=\"has-black-color has-text-color wp-block-heading\" id=\"AudiovisualMaterials-AnalogVideotapeCaptureEquipment\">Analog Videotape Capture Equipment<\/h3>\n\n\n\n<p>The Digital Production Unit has the capacity to digitally capture the following broadcast and consumer videocassette formats:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>VHS (including S-VHS, VHS-C, and Extended Play)<\/li><li>3\/4&#8243; U-Matic<\/li><li>Betacam\u00a0<\/li><li>DVCPRO\/DVCAM<\/li><li>MiniDV<\/li><li>Betacam SX<\/li><li>MPEG IMX<\/li><li>DigiBeta<\/li><\/ul>\n\n\n\n<p>Video suite equipment\/software:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>JVC SR-S365U (VHS)<\/li><li>Sony SVO-5800 (VHS)<\/li><li>Sony VO-9850 (U-Matic)<\/li><li>Sony J-30 (Betacam, Betacam SX,&nbsp;MPEG IMX,&nbsp;DigiBeta)<\/li><li>Sony UVW-1800 (Betacam)<\/li><li>Panasonic AJ-D450 (DVCAM)<\/li><li>JVC CU-VH1 (MiniDV)<\/li><li>DPS-290 TBC\/Synchronizer<\/li><li>DPS-295 TBC\/Transcoder<\/li><li>Hotronic AF-75 TBC<\/li><li>tvONE&nbsp;1T-TBC-GL<\/li><li>Leader 5872A Vector\/Waveform Monitor<\/li><li>Sony PVM-8220 Broadcast Monitor<\/li><li>Panasonic BT-S915DA Broadcast Monitor(s)<\/li><li>Behringer&nbsp;ULTRALINK PRO MX882 Audio Mixer<\/li><li>Vrecord<\/li><li>Blackmagic Design UltraStudio Express<\/li><li>Final Cut Pro<\/li><li>QuickTime Pro<\/li><li>QCTools<\/li><li>FFmpeg<\/li><li>MediaConch<\/li><\/ul>\n\n\n\n<p>To reformat original recordings in open reel formats (2&#8243; Quad, 1&#8243; Type C, Sony EIAJ, etc.),&nbsp;the DPU works with professional vendors.&nbsp;Tapes are cleaned as needed prior to digital capture. Repairs and other treatments such as baking may also be carried out in order to address the adverse effects of aging, degradation or damage to the original media and to ensure optimal signal capture during the encoding process.<\/p>\n\n\n\n<h3 class=\"has-black-color has-text-color wp-block-heading\" id=\"AudiovisualMaterials-MotionPictureFilm\">Motion Picture Film<\/h3>\n\n\n\n<p>To reformat motion picture materials, the DPU works with professional vendors that provide 2K\/4K scanning services.<\/p>\n\n\n\n<h3 class=\"has-black-color has-text-color wp-block-heading\" id=\"AudiovisualMaterials-AnalogAudioTape\">Analog Audio Tape<\/h3>\n\n\n\n<p>To reformat audiotape-based materials, the DPU works with professional vendors.<\/p>\n\n\n\n<h3 class=\"has-black-color has-text-color wp-block-heading\" id=\"AudiovisualMaterials-EncodingSpecifications\">Encoding Specifications<\/h3>\n\n\n\n<p>Video<\/p>\n\n\n\n<p>Preservation Master File for an Analog Video Source: This file serves as the highest-quality archival master that will be maintained in perpetuity for creating reproductions of the original recording.&nbsp;<\/p>\n\n\n\n<p>\u2022 Wrapper: Matroska<br>\u2022 Codec: FFV1&nbsp;<br>\u2022 Uncompressed 10-bit 4:2:2 (8-bit 4:2:2 for VHS materials)<br>\u2022 Frame size: 720&#215;486<br>\u2022 Frame rate: 29.97<br>\u2022 Standard: NTSC<br>\u2022 Color space: YUV<br>\u2022 Video bitrate: 27 MB\/sec fixed<br>\u2022 Audio: PCM, 48 kHz and 16-bit or 24-bit<br>\u2022 Approximate file size: 50 GB per\/hr&nbsp;<br>&nbsp;<br>Preservation Master File for a Digital Video Source:&nbsp;This file serves as the highest-quality archival master that will be maintained in perpetuity for creating reproductions of the original recording. The goal is to match the original resolution and encoding specs as closely as possible, if not exactly.&nbsp;<\/p>\n\n\n\n<p>For example, a DV source is captured as:<\/p>\n\n\n\n<p>\u2022 Wrapper: QuickTime<br>\u2022 NTSC, 4:1:1, 8 bit<br>\u2022 Frame size:&nbsp;as in original recording<br>\u2022 Video bitrate: 25 Mbps<br>\u2022 Audio: PCM, as high as 48 kHz and 20-bit<br>\u2022 Approximate file size:&nbsp;12 GB per\/hr.<br>&nbsp;<br>Access Master Files:&nbsp;This file serves as a high-quality version of the master.<\/p>\n\n\n\n<p>\u2022 Wrapper: QuickTime<br>\u2022 Frame size:&nbsp;as in original recording<br>\u2022 Video format: H.264\/MPEG-4 AVC&nbsp;(.m4v)<br>\u2022 Video bitrate: 800 kbps &#8211; 8000 kbps (variable and customizable)<br>\u2022 Audio: AAC, 192 kbps, 2 Channels&nbsp;@ 44.1 kHz<\/p>\n\n\n\n<p>Audio<\/p>\n\n\n\n<p>Preservation Master File for an Analog Audio Source:&nbsp;This file serves as the highest-quality archival master that will be maintained in perpetuity for creating reproductions of the original recording.&nbsp;<\/p>\n\n\n\n<p>\u2022 BWF (Broadcast Wave Format)<br>\u2022 Encoded to Linear Pulse Code Modulation (LPCM)<br>\u2022 Sampling frequency: 96 kHz<br>\u2022 Bit depth: 24<br>\u2022 Sound field: as in original recording<br>\u2022 Byte order: Little endian<br>\u2022 Storage Requirements:&nbsp;<br>\u2022 Mono &#8211; 17.28 MB\/minute or 1 GB\/hour<br>\u2022 Stereo &#8211; 134.5 MB\/minute or 2 GB\/hour<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Analog Videotape Capture Equipment The Digital Production Unit has the capacity to digitally capture the following broadcast and consumer videocassette formats: VHS (including S-VHS, VHS-C, and Extended Play) 3\/4&#8243; U-Matic Betacam\u00a0 DVCPRO\/DVCAM MiniDV Betacam SX MPEG IMX DigiBeta Video suite equipment\/software: JVC SR-S365U (VHS) Sony SVO-5800 (VHS) Sony VO-9850 (U-Matic) Sony J-30 (Betacam, Betacam SX,&nbsp;MPEG [&hellip;]<\/p>\n","protected":false},"author":6077,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-51","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.oregonstate.edu\/digitalproductionunit\/wp-json\/wp\/v2\/pages\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.oregonstate.edu\/digitalproductionunit\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.oregonstate.edu\/digitalproductionunit\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.oregonstate.edu\/digitalproductionunit\/wp-json\/wp\/v2\/users\/6077"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.oregonstate.edu\/digitalproductionunit\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":13,"href":"https:\/\/blogs.oregonstate.edu\/digitalproductionunit\/wp-json\/wp\/v2\/pages\/51\/revisions"}],"predecessor-version":[{"id":189,"href":"https:\/\/blogs.oregonstate.edu\/digitalproductionunit\/wp-json\/wp\/v2\/pages\/51\/revisions\/189"}],"wp:attachment":[{"href":"https:\/\/blogs.oregonstate.edu\/digitalproductionunit\/wp-json\/wp\/v2\/media?parent=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}