{"id":407,"date":"2021-04-12T18:40:51","date_gmt":"2021-04-12T18:40:51","guid":{"rendered":"http:\/\/blogs.oregonstate.edu\/ada30\/?p=407"},"modified":"2021-04-12T18:40:57","modified_gmt":"2021-04-12T18:40:57","slug":"article-making-music-visible-singing-in-sign","status":"publish","type":"post","link":"https:\/\/blogs.oregonstate.edu\/ada30\/2021\/04\/12\/article-making-music-visible-singing-in-sign\/","title":{"rendered":"Article: &#8220;Making Music Visible: Singing in Sign&#8221;"},"content":{"rendered":"\n<p>A new project is producing sign language covers of 10 seminal musical works recorded by Black female artists. <\/p>\n\n\n\n<p>On a recent afternoon in a brightly lit studio in Brooklyn, <a href=\"https:\/\/www.mervinprimeauxobryant.com\/\" rel=\"noreferrer noopener\" target=\"_blank\">Mervin Primeaux-O\u2019Bryant<\/a> and <a href=\"https:\/\/www.brandonkazen-maddox.com\/\" rel=\"noreferrer noopener\" target=\"_blank\">Brandon Kazen-Maddox<\/a> were filming a music video. They were recording a cover version of \u201cMidnight Train to Georgia,\u201d but the voices that filled the room were those of Gladys Knight and the Pips, who made the song a hit in the 1970s. And yet the two men in the studio were also singing \u2014 with their hands. Continue reading this article at <a href=\"https:\/\/www.nytimes.com\/2021\/04\/09\/arts\/music\/asl-music-deaf-culture.html\">The New York Times<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>A new project is producing sign language covers of 10 seminal musical works recorded by Black female artists. On a recent afternoon in a brightly lit studio in Brooklyn, Mervin Primeaux-O\u2019Bryant and Brandon Kazen-Maddox were filming a music video. They were recording a cover version of \u201cMidnight Train to Georgia,\u201d but the voices that filled &hellip; <a href=\"https:\/\/blogs.oregonstate.edu\/ada30\/2021\/04\/12\/article-making-music-visible-singing-in-sign\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Article: &#8220;Making Music Visible: Singing in Sign&#8221;<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10935,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[5],"tags":[2,156,158,159,157],"class_list":["post-407","post","type-post","status-publish","format-standard","hentry","category-external-news","tag-ada30","tag-asl","tag-black-deaf-women","tag-deaf-culture-and-music","tag-singing-in-sign"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pc8OuP-6z","post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/blogs.oregonstate.edu\/ada30\/wp-json\/wp\/v2\/posts\/407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.oregonstate.edu\/ada30\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.oregonstate.edu\/ada30\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.oregonstate.edu\/ada30\/wp-json\/wp\/v2\/users\/10935"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.oregonstate.edu\/ada30\/wp-json\/wp\/v2\/comments?post=407"}],"version-history":[{"count":1,"href":"https:\/\/blogs.oregonstate.edu\/ada30\/wp-json\/wp\/v2\/posts\/407\/revisions"}],"predecessor-version":[{"id":408,"href":"https:\/\/blogs.oregonstate.edu\/ada30\/wp-json\/wp\/v2\/posts\/407\/revisions\/408"}],"wp:attachment":[{"href":"https:\/\/blogs.oregonstate.edu\/ada30\/wp-json\/wp\/v2\/media?parent=407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.oregonstate.edu\/ada30\/wp-json\/wp\/v2\/categories?post=407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.oregonstate.edu\/ada30\/wp-json\/wp\/v2\/tags?post=407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}