What’s New with Malolactic Fermentation

Dr. James Osborne, Associate Professor and Enology Extension Specialist, OSU

The malolactic fermentation (MLF) is a vital step in the production of cool climate red wines as well as some white wines. But despite its importance, MLF often gets taken for granted and just considered a step to reduce wine acidity. However, MLF is much more than just a biological de-acidification process and can have a number of other impacts on wine quality. Our lab has been conducting a number of projects over recent years investigating various aspects of MLF. One project is investigating interactions between Oenococcus oeni and the spoilage yeast Brettanomyces bruxellensis. An interesting result from this study was discovering that some O. oeni strains were capable of increasing the concentration of the volatile phenol precursors p-coumaric acid and ferulic acid. These pre-cursor compounds are found in grapes and wine mainly bound to a tartaric acid and in this form are not utilized by Brettanomyces. However, some O. oeni strains can remove the tartaric acid through the action of an enzyme, cinnamic esterase, and release free p-coumaric and ferulic acid that Brettanomyces can then metabolize to 4-ethylphenol and 4-ethyl guaiacol. This finding has led to the labelling of many commercial O. oeni strains as either cinnamic esterase (+) or (-) with the recommendation being to avoid use of cinnamic esterase (+) strains in situations where the wine may be at risk for Brettanomyces spoilage.

An additional area of research has been determining the effect of MLF on red wine color. We know that MLF changes wine pH which can cause a shift in red color, but were there other impacts on color due to MLF? Our lab demonstrated that independent of pH change, MLF results in a loss of color and lower formation of polymeric pigments. Results from a number of studies showed that this color loss was likely due to the metabolism of acetaldehyde by O. oeni. Acetaldehyde plays a key role in the development of polymeric pigments and so metabolism of acetaldehyde during MLF reduced formation of these color compounds. Delaying MLF was shown to help mitigate this color loss but delaying MLF for long periods is risky from a microbial spoilage point of view, as SO2 cannot be added to the wine until MLF is complete. Additional strategies to mitigate color loss due to MLF are currently being explored. One such strategy is the use of ML bacteria that do not metabolize acetaldehyde. To date, all O. oeni strains screened can metabolize acetaldehyde but other lactic acid bacterial species such as Lactobacillus look more promising. There has been renewed interest in using certain Lactobacillus species and strains to conduct MLF. In particular, homofermentative species of Lactobacillus have been studied as potential ML starter cultures. These bacteria do not produce acetic acid from glucose metabolism and so could be used for conducting concurrent alcoholic and malolactic fermentations without the risk of increased acetic acid. Currently, there are commercially produced L. platarum cultures available outside of the USA for use in winemaking. However, at this time these cultures are not available for winemaking use in the USA. The use of concurrent alcoholic and malolactic fermentation is one final area our lab has been studying. While there are obvious time advantages to conducting alcoholic and malolactic fermentation at the same time, there are still some concerns over the impact on wine quality, particularly for red wines. We recently completed a study investigating how the timing of MLF impacts Chardonnay aroma and mouthfeel and will be continuing work in this area focused on concurrent fermentations of red wines. As we continue to study malolactic bacteria, we are gaining a better appreciation for the impact they can have on wine quality and potential new strategies for their use. For additional information on any of the studies we have conducted on MLF please contact me at: james.osborne@oregonstate.edu

Pest Alert: Grape Cane Borer

Dr. Patty Skinkis, Professor and Viticulture Extension Specialist, OSU
Dr. Vaughn Walton, Professor and Horticultural Entomologist, OSU

There have been an increasing number of reports of grape cane borer presence and damage in vineyards throughout the Willamette Valley this winter. Typically these reports during the bud break period in April when adults are active and evidence of shoot dieback occurs. However, we have received numerous reports this January and early February as growers begin pruning. This observation may be due to various factors including more suitable weather conditions (winter and summer), higher levels of populations surviving, more suitable host plant materials, increased awareness and improved monitoring. The borers can have a long life cycle within the vine, living as larvae (grubs) within the shoot or cane for nearly one year. Adults lay eggs during early spring and hatch and develop into larvae that feed on the shoot tissues during the growing season. They remain in the wood as pupae during winter and may be found when pruning commences. Both pupae and adults have been reported in southern and mid-Willamette Valley vineyards this winter. This article covers the most salient points for your awareness this winter; please consult additional resources below for further details.

What to look for in the vineyard:
Galleries burrowed by larvae can be observed in cane tissue usually in older or dead wood, canes, spurs, or cordons. These holes are round, drill-like holes of ~0.4 mm diameter, and they are often accompanied with sawdust that was produced by the adult when burrowing into the shoot during late summer or early fall the year prior. Cutting into the wood near these holes during pruning will likely reveal a pupa that is 1-8 mm in length (<0.3 in).

Management:
Insecticide application is often difficult to apply during the dormancy period due to the difficulty for the application to reach the pest and the inability to get into the vineyard with equipment. There are biological controls, such as the Steinernema carpocapsae, an entomopathogenic nematode, that may be used, but care needs to be taken to ensure that the product is handled properly and applied to the entry points of the pest to be effective. In some cases, the best method will be to cut out any canes that have the burrow holes evident. Remove pruning wood, as the wood contains the pupae that will emerge in spring. Removing the pest from the vineyard will ensure that a population does not exist to allow new infestations into tissues.

For more information about the cane borer, please see the following resources:

Oregon State University Receives Gift of the Artist

Ashland artist, Betty LaDuke, has generously gifted Oregon State University College of Agricultural Sciences three paintings to the Art About Agriculture program in commemoration of Dr. Porter Lombard, OSU Emeritus Researcher. Dr. Lombard’s contribution to the Oregon wine industry is immeasurable.

Dedicated to Porter Lombard for his pioneering work at Oregon State University in developing the Oregon grape industry, and beyond. And, for five decades of professional and personal friendship shared with my husband – Peter Westigard, an OSU Entomologist – and our families.” – Betty LaDuke, 2019

Betty LaDuke (née Bernstein) was born in 1933, The Bronx, New York City, to Jewish immigrant parents from the Ukrainian Soviet Socialist Republic and Poland. She grew up in an ethnically diverse neighborhood where early influences in her arts education included classes taught by distinguished African-American artists, Elizabeth Catlett and Charles White. College scholarships led LaDuke to study art at Denver University (1950), the Cleveland Art Institute (1951), and at the Instituto Allende in San Miguel, Mexico (1953- 1954). In Mexico, she explored the diversity and heritage of the region, as well as visited the studios of prominent Mexican muralists Diego Rivera, David Alfaro Siqueiros, and Rufino Tamayo. LaDuke founded her professional artist studio practice in Guanajuato, Mexico, and lived for one year with the indigenous Otomi people of the Ixmiquilpan Region where she painted murals that depicted Otomi heritage. In 1956, Betty LaDuke returned to the United States, where she met Sun Bear (Vincent LaDuke), gave birth to her daughter (activist community organizer Winona LaDuke (b. 1959)), and earned her Master’s Degree from Los Angeles State College (1963). In 1964, Betty and Winona moved to Ashland, OR where she taught in the Art Department at Southern Oregon University until retiring Professor of Art Emeritus in 1996. Betty LaDuke married Oregon State University Entomologist, Peter Hughes Westigard (1933–2011) in 1965, and had her son, Jason Westigard in 1970. In 1972, a sabbatical from teaching enabled LaDuke to spend a month in India sketching the people and their connection to nature, food production, and heritage; a trip that inspired annual travels throughout Asia, Africa, and Latin America that focused on sketching the experiences of indigenous women, their cultural heritage, and agricultural practices. LaDuke captured these experiences and sketches in numerous books, including Compañeras: Women, Art, & Social Change in Latin America (City Lights Books, 1985), Women Artists: Multi-Cultural Visions (Red Sea Press, 1992) and Africa: Women’s Art, Women’s Lives (Africa World Press, 1997). LaDuke’s work with Heifer International’s study tours from 2003 to 2009 culminated in the Dreaming Cows series of sixty-two artworks and the book, Dreaming Cows: The Paintings, Murals and Drawings of Betty LaDuke by Susan Jo Bumagin (Heifer International, 2009). LaDuke donated the series to Heifer International’s World Headquarters in Little Rock, Arkansas.

Betty LaDuke’s artworks can be found in many public and private collections throughout Oregon, including Coos Art Museum, Grants Pass Art Museum, Hallie Ford Museum of Art, Jordan Schnitzer Museum of Art, Pacific University, Portland Art Museum, Rogue Valley International Airport, Southern Oregon University, and the Art About Agriculture Permanent Collection (College of Agricultural Sciences, Oregon State University). LaDuke was the recipient of Oregon Arts Commission’s 1993 Governor’s Arts Award for individual contribution to Oregon culture, and the United States Society for Education Through Art 1996 Ziegfeld Award for distinguished leadership in arts education.

Bountiful Harvest
In 2010, Betty LaDuke was invited to observe and sketch the flower harvest at La Mera Gardens (Fry Family Farms) in Talent, Oregon. This experience served as an awakening to the marvel of local agricultural production and the people that make it possible.

Sketches from regular visits to the Fry Family Farms blossomed into numerous large paintings on shaped and routed plywood panels that celebrate the dignity and pride of farmworkers during all phases of agricultural production across a wide variety of produce. In 2012, the Rogue Valley International-Medford Airport acquired Celebrating Local Farms and Farmworkers, a selection of twenty-six panels, for permanent display. Betty LaDuke’s 2016 book, Bountiful Harvest: From Land to Table (White Cloud Press) shares her artworks and story along with stories from agricultural workers, orchard and vineyard owners, and the Ashland Food Cooperative.

Grape Planting
Betty LaDuke’s Grape Harvest, 2015, a triptych of acrylic paintings on shaped wood panels, was generously gifted to the College of Agricultural Sciences for permanent display within the Department of Horticulture in commemoration of Oregon State University Emeritus Researcher, Dr. Porter Lombard. Dr. Lombard’s contribution to the Oregon wine industry is immeasurable. The three panels comprising Grape Planting originated from sketches from Quail Run Vineyards, Roque Valley, Oregon, with guidance and support from the General Manager, Michael Moore. Grape Planting, 2015 was accepted into the Art About Agriculture Permanent Collection by the 2019 Art About Agriculture Advisory Council and co-sponsored by the Office of Institutional Diversity.

GIFT of the ARTIST, in commemoration of Dr. Porter Lombard, Emeritus Researcher in Horticulture at Southern Oregon Research and Extension Center (1962-1980) and Oregon State University, Corvallis (1980 to 1992)
Art About Agriculture 2019
Co-sponsored by the Office of Institutional Diversity

OSU provides online research and technical information for the Oregon wine industry

Dr. Patty Skinkis, Associate Professor and Viticulture Extension Specialist, Dept. of Horticulture, OSU

Members of the Oregon Wine Research Institute (OWRI) at Oregon State University work hard to provide you with current information on research that is in progress and provide access to research-based best management practices for vineyards and wineries. We have two online resources for your use, and they serve specific purposes:

The OWRI website
This website allows you to learn more about the research activities of OWRI. You will find research that is advancing wine industry knowledge or the fields of plant and food sciences. We provide newsletters, webinar videos, and articles about the research. Visit this site to learn how you can join our outreach events throughout the year.

The OSU Extension website
Oregon State University Extension faculty make technical information available for use by commercial growers and winemakers. This website is designed to help you troubleshoot vineyard or winery issues using unbiased, science-based information. To browse relevant content, click on “Crop Production” then “Wine Grapes” or “Food” then “Wine, Beer, Cider, and Spirits”.  Alternatively, you can use these direct links for wine grape and winery content.  

There are many agriculture Extension faculty throughout the state who provide online content in areas such as water, soils, pests, diseases, integrated pest management (IPM), marketing, and more, so be sure to use the site’s search feature. If you cannot find the information that you need on the OSU Extension website and want to consult with an Extension expert, use the website’s Ask an Expert form. Questions are routed to the appropriate Extension faculty (Skinkis, Osborne, Kaiser, Walton, etc.). Please note that this website is new, so more content will be added in the coming months.

Please visit these websites and give us feedback! Contact Denise L. Dewey with comments/feedback about the OWRI website. Contact Patty Skinkis (viticulture) or James Osborne (enology) for feedback on the OSU Extension website.