Words are potent. Words can awaken memories, stir emotions and quiet the mind. Words have been used in the creation of groundswells that burst forth to bring down stalwart walls of injustice as well as to buttress vast empires: Word-for-word, Brick-by-brick. In her lecture, Dr. Nicole Archambeau examined the concept of the voice as a relic. How ‘mere words’ of admittedly melodic meter, manifested within the human body, and alleviated physiological and psychological distress during an era rife with mercenary invasions that razed fifteen cities, populations forced to languish under waves of plague and that eventually saw the erosion of the Treaty of Brétigny and the continuation of the Hundred Years’ War.
After parsing through medieval canonization inquests and Articles of Interrogation in order to divine how people foresaw and negotiated the curative continuum from medico to physico in their attempt to heal and restore the spirit, Dr. Archambeau chose the life of Delphine of Glandèves, more commonly known as the Blessed Delphine, as a paragon of 14th century healing pluralities. Delphine was a countess who was alleged to have the ability to mediate miracles through the melodic meter of her voice. As a miracle mediator, Delphine offered a distinctive healing option from the ‘despairing doctor trope’ that did not sanction the giving of false hope to those suffering from illness. The wife of newly canonized Saint Elzéar of Sabran, Delphine was not a doctrinaire and did not tout that she possessed any medicinal knowledge. Nevertheless, during her canonization inquest, Master Durand Andre testified that through her voice, Delphine touched him from the inside and he felt contrition, compunction and consolation. As Archambeau articulated in her lecture, witnesses for Delphine’s candidacy for canonization related to the papal court that Delphine ministered miraculous healing that actively managed the care of their soul, a vital part of personal health. Continue reading